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Architecture & Urban Research Institute

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³í¹®¸í ½ºÆ¼ºì ȦÀÇ ½ºÆ®·¹Åä ÁÖÅÿ¡ ³ªÅ¸³­ °ÇÃà°ú À½¾Ç °æÇè »çÀÌÀÇ ÀÌÁúÀû Ư¼º ¹× À¯ÃßÀû »óº¸ °ü°è / Analogical Complementary Relationship and Heterogeneous Characteristics of Architectural and Musical Experience found in Stretto House designed by Steven Holl
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¼ö·Ï»çÇ× Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý, Åë±Ç Á¦61È£ (2018-02)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(203) ÃÑÆäÀÌÁö(8)
ISSN 1738-818X
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ÁÖÁ¦¾î ½ºÆ¼ºì Ȧ ; ½ºÆ®·¹Åä ÁÖÅà ; °ÇÃà°ú À½¾Ç ; À¯Ãß ; Steven Holl ; Stretto House ; Architecture & Music ; Analogy
¿ä¾à2 Stretto house was designed by Steven Holl from 1989 and built in the site located in Dallas, Texas in 1992. The house is one of the most famous examples showing a relationship between architecture and music. Firstly, inspired by the existing pond separated by four dams, Holl selected 'Music for String Instruments, Percussion and Celesta' composed by Bela Bartok in 1936 as design basis. He was so interested in a relationship between architecture and music that he himself made a course called 'Architectonics of Music'. Precedent researches on Stretto House mostly focused on the connection between the architectural form of the house and the formal structure of 'Music for String Instruments, Percussion and Celesta'. They are all relevant, but there is very strong 'analogical' relationship. Main focus of this study is to reveal unique phenomenological experiences of the house by analyzing different characteristics of architectural and musical experiences. Depart from the viewpoint of formal analogy, this study aims that there is much deeper dimension of spatial experience in which multiple layers of visual-perception, imagination, cognition and inference are inter-connected. After studying four relational elements between Stretto house and 'Music for String Instruments, Percussion and Celesta', as a conclusion, it is found that Stretto house has indigenous quality and meaning that are able to deepen and widen existential experience.
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