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°ÇÃà´ëÀü ÀÛǰºÐ¼®À» ÅëÇØ º» °ÇÃàÇüÅ ±¸¼º±â¹ý¿¡ °üÇÑ ¿¬±¸ / A Study on the Organization Techniques of Architectural Form from the Design Analysis of the Open Competition in the National Exhibition of Korean Arc |
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´ëÇѰÇÃàÇÐȸ ³í¹®Áý, v.4 n.2 (1988-04) |
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½ÃÀÛÆäÀÌÁö(29) ÃÑÆäÀÌÁö(10) |
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º» ¿¬±¸´Â Á¦1ȸ(1982³â)¿¡¼ Á¦6ȸ(1987³â)±îÁöÀÇ °ÇÃà´ëÀüÀϹݰø¸ðºÎÀÔ»óÀÛ339ÀÛǰ(ÀÌÁßÇüÅºм®´ë»óÀº200ÀÛǰ)À» ´ë»óÀ¸·Î ÇüÅÂÀÇ ±âº»Àû ±¸¼º±â¹ý°ú ÇüÅ¿ä¼Ò¸¦ ÁßÁ¡ ºÐ¼®ÇÏ¿´À¸¸ç ±¸Ã¼Àû Á¶»ç³»¿ëÀº ´ÙÀ½°ú °°´Ù.-(1) Æò¸éÀÇ ±âº»ÇüÅ (2) Æò¸éÇüÀÇ ±¸¼º¹æ¹ý(3) ƯÁ¤ÇÑ ÇüÅ¿ä¼Ò ¹× ÇüÅÂÀ̹ÌÁöÀÇ »ç¿ë¿©ºÎ (4) ±×¸®µåÀÇ È°¿ë¹æ½Ä (5) Ãàº¯È ¹× »ç¼±ÀÇ È°¿ë (6) Áö¸é°ú ÇϴðúÀÇ ¿¬°áºÎÀÇ Ã³¸® (7) ±âŸ-ÁÖº¯»óȲ(context)¿¡´ëÇÑ °í·Á ¹× ºûÀÇ µµÀÔ¹æ½Ä µî. ºÐ¼®°á°ú, ¾Ë¼öÀÖ¾ú´ø ÁÖ¿ä³»¿ëÀº |
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¿ì¼± ±âÁ¸µµ½É ¹× ºÎÁöÀÇ Àç°³¹ßµî°ú°°Àº Çö½ÇÀûÁÖÁ¦¿¡´ëÇÑ °ü½É°ú, Á¤ÇüÀûÀÎ Á÷±³Ã¼°è¸¦ ±âº»À¸·ÎÇÑ ¿¬°á¹× ÷°¡ÀÇ ±¸¼º±â¹ýÀ» ÁÖ·Î »ç¿ëÇÑ Æò¸éÇüÅÂ, ±×¸®°í ÁßÁ¤½Ä Æò¸é±¸¼º°³³ä°ú õâ, ¾ÆÆ®¸®¿òÀǵµÀÔ, Á¤¹æÇüÅÂÀÇ ÁßÇÕ, Ãàº¯È ¹× »ç¼±ÀÇ È°¿ë, ±×¸®µå¹× ±¸Á¶°ÝÀÚÀÇ ³ëÃâ ¹× Àå½ÄÀû »ç¿ë°æÇâµîÀ̾úÀ¸¸ç, ÀüüÀûÀ¸·Îº¼¶§ ÇüÅÂÀÇ Ç¥Çö±â¹ý¹× ÀÔü¸ðµ¨À» ÅëÇÑ ¿ÜºÎ°ø°£°¨ÀÇ ±¸¼ºÀ̶ó´Â Ãø¸é¿¡¼´Â ÁÁÀº ¼º°ú¸¦ º¸À̰í ÀÖÀ¸¸ç, ³»ºÎ°ø°£°¨ÀÇ Ç¥Çö, ±×¸®°í ±âº»ÀûÀÎ µµ¸é ¹× ¼¼ºÎÀû ¿ä¼Ò¿¡ ´ëÇÑ Á¤È®ÇÑ Ç¥ÇöÀ̶ó´Â Ãø¸é¿¡¼´Â ´Ù¼ÒÀÇ º¸¿ÏÀÌ ÇÊ¿äÇÏ´Ù°í º¸¾Ò´Ù. ; This study tries to analyze the general design tendency and form-organizing techniques of Architecture-major students through the design analysis of the accepted works of the Open Competition in the National Exhibition of Korean Architecture, The result shows some distinct form-organizing elements and formal image, majority of those are mainly related to the expressional aspects of form. In this aspect, it is recommended that not only much more concerns on interior space, but the honest presentation and communication of basic drawings. |