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³í¹®¸í °ÇÃà À¯Çü¿¡¼­ ±â¾ï°ú °æÇèÀÇ ÇüÅ »ý¼º Â÷ÀÌ / Difference in Form Formation of Memory and Experience in Architectural Type
ÀúÀÚ¸í ¿À»óÀº(Oh, Sang-Eun)½Äº°ÀúÀÚ ; À̱âÇõ(Lee, Gi-Hyeok)½Äº°ÀúÀÚ
¹ßÇà»ç ´ëÇѰÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇѰÇÃàÇÐȸ³í¹®Áý, Vol.41 No.6 (2025-06)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(155) ÃÑÆäÀÌÁö(10)
ISSN 2733-6247
ÁÖÁ¦ºÐ·ù ÀÌ·Ð / °èȹ¹×¼³°è
ÁÖÁ¦¾î À¯Çü; ±â¾ï; °æÇè; ÇüÅÂ; ¾Ëµµ ·Î½Ã; ÇϺê¶óÄË ; Type; Memory; Experience; Form; Aldo Rossi; Habraken
¿ä¾à1 ÀÌ ¿¬±¸´Â ¿À·£ ±â°£ °ÉÃÄ Çü¼ºµÈ °ÇÃà À¯Çü¿¡¼­ ¾Ëµµ ·Î½ÃÀÇ À¯ÃßÀû °ÇÃà°ú ÇϺê¶óÄËÀÇ ÀÌÇØÇÏ´Â ÇüŸ¦ ºñ±³ºÐ¼®ÇÔÀ¸·Î¼­ ±â¾ï°ú °æÇè¿¡ ÀÇÇÑ ÇüÅ»ý¼ºÂ÷À̸¦ Á¦½ÃÇÑ´Ù. ±Ù´ëÀÌÈÄ ºñ±âÈ£Àû °ÇÃàÀÌ Áö¹èÇÏ´Â Çö ½Ã´ë¿¡, ¿ª»çÀû À¯»êÀ¸·Î¸¸ ¿©°ÜÁö´Â °ÇÃà À¯ÇüÀÌ ½Ã´ëÀÇ È帧 ¼Ó¿¡¼­ Áý´ÜÀÇ °øµ¿¼ºÀ» ºÒ·¯ÀÏÀ¸Å°¸ç »õ·Î¿î ÇüÅ»ý¼ºÀÇ ±Ù¿øÀÌ µÉ ¼ö ÀÖÀ½À» Á¦½ÃÇϰíÀÚ ÇÑ´Ù. À̸¦ À§ÇØ ¿ª»çÀû Çü½Ä ¼±·Ê¸¦ Ȱ¿ëÇÑ ·Î½Ã¿Í ÇϺê¶óÄËÀÇ ±â¾ï°ú °æÇè¿¡ ÀÇÇÑ À¯ÇüÇÐÀû ÇüÅ»ý¼ºÂ÷À̸¦ ºÐ¼®Çϰí, À̸¦ ÅëÇØ °ÇÃàÇüÅ»ý¼º¿¡¼­ À¯ÇüÇÐÀû Àǹ̸¦ Àç °íÂû ÇϰíÀÚ ÇÑ´Ù.
¿ä¾à2 This research analyzes the difference in form formation of memory and experience in architectural types shaped over an extended period of
time by analyzing Aldo Rossi's Analogical Architecture and Habraken's Form of Understanding. In the present era dominated by non-symbolic
architecture since modern times, I would like to suggest that architecture types, which are considered only historical heritage, can create a
collective community in the flow of the times and become a source of new shape generation. Although both Rossi and Habraken focused on
architectural types shaped over extended historical periods, they strongly differ in their interpretations of form generation and methodologies.
Rossi emphasized memory by forming architectural types into symbolic monuments through abstraction, whereas Habraken focused on
experience by forming architectural types into singular forms that are generated and transformed according to the actions and needs of users.
To this end, we will analyze the difference in typological shape generation based on memories and experiences of Rossi and Habraken using
historical form precedents, and reexamine the typological meaning of architectural form generation through this.
¼ÒÀåó ´ëÇѰÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
DOI https://doi.org/10.5659/JAIK.2025.41.6.155
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