| 논문명 |
1809년 기사진표리진찬(己巳進表裏進饌) 궁중무대 수리(修理)·배설(排設) / 1809: Repair and Installation of the Royal Stage of Gisajinpyori-Jinchan |
| 수록사항 |
대한건축학회논문집, Vol.40 No.9 (2024-09) |
| 주제어 |
조선;왕실;기사진찬;경춘전;궁중무대;수리;배설 ; Joseon;royal family;Gisajinchan;Gyeongchunjeon;royal stage;Repair;installation |
| 요약1 |
기사진표리진찬의 공간 구성은 경춘전을 중심으로 동쪽과 서쪽에 보계를 배설한 수평적대칭형식으로 1795년 봉수당 진찬과 1827년 자경전 진작의 수직구성과 다르다. 경춘전 남쪽 방에 혜경궁의 자리를 마련하고 대청의 동쪽에 왕대비와 왕비의 자리를 구획했다. 서쪽에 왕의 자리를 구획하고 동퇴에 왕대비의 배위를 두어 전각 안을 구성했다. 기사진표리진찬은 연향의 전체 영역에서 경춘전을 중심 전각으로 배치하기 위해 수평적대칭 형식으로 구성했다. 보계를 동쪽과 서쪽으로 분리하여 왕과 왕실 여성의 공간적 위계 구분을 명확하게 했다. |
| 요약2 |
The Gisa Jinpyori Jinchan was a banquet held during the regency of Crown Prince Hyomyeong, between the reigns of King Jeongjo and
King Sunjo. This study examines the architectural characteristics of the royal palace stage repairs and installations in the early 19th century.
Unlike the vertical stage configurations of the 1795 Bongsudang Jinchan and the 1827 Jagyeongjeon Jinjak, the Gisa Jinpyori Jinchan featured
a horizontal arrangement, with Gyeongchunjeon Hall at the center and Bogye positioned symmetrically on both sides. Gyeongchunjeon faced
east, while Bogye was placed to the west, creating an ambiguous entrance and exit, yet maintaining balance by positioning Bogye on either
side of Gyeongchunjeon. Hyegyeonggung's seat was located in a room south of Gyeongchunjeon, with the queen dowager and queen seated
separately to the east of the main hall. The king's seat was placed to the west, and the queen dowager’s to the east, organizing the palace
interior. The king and queen’s seats in Bogye were separated from the queen dowager’s to reflect their ranks. In the Gisajinchan, the king’s
quarters were in Seobogye, while the royal women’s quarters were in the smaller eastern main hall. The plain table in front of the king and
queen’s quarters is a distinctive feature of the Gisajinchan. The absence of the pyopibangseok, the highest-ranking seat used at the 1795
Bongsudang Jinchan, suggests that Sunjo’s youth delayed its installation until he began his political duties. The Gisa Jinpyori Jinchan's stage
is the only historically documented royal stage with a horizontal structure, centering on the main hall and bordered by guardrails, in contrast
to the vertical structure of other events. This unique design, structured to suit the main hall's layout with Gyeongchunjeon at its core, holds
significant importance in architectural history research. |
