°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇѰÇÃàÇÐȸ|³í¹®Áý 2023³â 8¿ù

³í¹®¸í 13¼¼±â ÀÌÈÄ ÇÑ¡¤Áß¡¤ÀÏ ¸ñÁ¶°ÇÃàÀ¯»ê ¿Ü¿«±â º®Ã¼ ¹ÙÅÁ ±¸¼º ºñ±³ / Comparative Study of Oe-woven Wooden Heritage Walls in Korea, China, and Japan Since the 13th Century
ÀúÀÚ¸í È«Àº±â(Hong, Eun-Ki) ; ȲÁ¾±¹(Hwang, Jong-Kook)
¹ßÇà»ç ´ëÇѰÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇѰÇÃàÇÐȸ³í¹®Áý, Vol.39 No.8 (2023-08)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(113) ÃÑÆäÀÌÁö(10)
ISSN 2733-6247
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è / ¿ª»ç
ÁÖÁ¦¾î ¸ñÁ¶°ÇÃà; ÀüÅ뺮ü; º®Ã¼¹ÙÅÁ; ±¸¼ºÀç·á; ½Ã°ø±â¹ý ; Wooden Architecture; Traditional Wall; Wall Components; Component; Construction Technique
¿ä¾à1 º» ¿¬±¸´Â ¼ö¸®±â·Ï, µµ¸é, »çÁø µî ºñ±³ °¡´ÉÇÑ ÀÚ·áµéÀ» ÅëÇØ µ¿ÀÏ ¸ñÁ¶¹®È­±Ç¿¡ ¼ÓÇÏ´Â ÇÑ¡¤Áß¡¤ÀÏ 3±¹ÀÇ º®Ã¼ ¹ÙÅÁ ±¸¼ºÀç·á ¹× ½Ã°ø±â¹ýÀ» »ìÆìº¸¾Ò´Ù. ¶ÇÇÑ ÇÑ¡¤Áß¡¤ÀÏ 3±¹ÀÇ º®Ã¼ ¹ÙÅÁÀÇ ±¸¼º¹æ¹ý°ú »ç¿ëÀç·á¿¡ ´ëÇØ »ç¿ëÇÏ´Â ¿ë¾î¿Í ¼¼ºÎ ½Ã°ø±â¹ýÀ» ºñ±³ºÐ¼® ÇØ º¸¾Ò´Ù. º» ¿¬±¸ÀÇ °á°ú´Â ´ÙÀ½°ú °°´Ù. ù°, ³»ºÎ¿¡ ¸ñÀ縦 »ç¿ëÇØ º®Ã¼ ¹ÙÅÁÀ» ±¸¼ºÇÑ ÈÄ ÈëÀ» ¹Ù¸£´Â ¹æ½ÄÀÇ º®À» Çѱ¹¿¡¼­´Â ¿Ü¿«±âº®, Áß±¹¿¡¼­´Â Çù´ÏÀå, ÀϺ»¿¡¼­´Â ¸ñ¹«º® µî °¢±â ´Ù¸¥ ¸íĪÀ¸·Î »ç¿ëµÇ°í ÀÖ¾ú´Ù. ƯÈ÷, Áß±¹ÀÇ º®Àº ÀϹÝÀûÀ¸·Î Àüµ¹À» »ç¿ëÇØ º®À» ±¸¼ºÇÏ´Â °ÍÀ¸·Î ¾Ë·ÁÁø ¹Ù¿Í ´Ù¸£°Ô, Çù´ÏÀåÀÌ Áö¿ªÀûÀ¸·Î Áß±¹ ³» ´Ù¾çÇÑ À§Ä¡¿¡¼­ »ç¿ëµÇ°í ÀÖÀ½À» È®ÀÎÇÏ¿´´Ù. µÑ°, Çѱ¹ÀÇ ¿Ü¿«±âº®Àº ÁÖ·Î »ó¡¤ÇÏÀι濡 Áß±êÀ» °íÁ¤Çϰí, °¡½Ã»õ¿Í ¿Ü¸¦ Áß±ê»çÀÌ¿¡ ¼³Ä¡ÇØ ¿Ü¿«±â º®À» ±¸¼ºÇÑ´Ù. Áß±êÀ» Á¦¿ÜÇÑ ¿Ü¿Í °¡½Ã»õ´Â ¼­·Î ¿Ü¿«±âÁÙÀ» »ç¿ëÇØ ¿«´Â´Ù. Áß±¹ÀÇ Çù´ÏÀåÀº ¸ñÀ縦 »ç¿ëÇØ º®ÀÇ ¹ÙÅÁÀ» ±¸¼ºÇÑ ÈÄ ÈëÀ» ¹Ù¸£´Â º®Ã¼¸¦ Çù´ÏÀåÀ¸·Î ºÎ¸£¸ç ÁÖ·Î Áß±ê°ú °¡½Ã»õ, ´ë³ª¹« ¿Ü¸¸À» »ç¿ëÇØ º®Ã¼¹ÙÅÁÀ» ±¸¼ºÇÑ´Ù. ´ë³ª¹« ¿Ü´Â ¿Ü¸¦ ÈÖ°Ô ÇÏ¿© °íÁ¤ÇÏ´Â ¹æ½ÄÀ» »ç¿ëÇÑ´Ù. ÀϺ» ¸ñ¹«º®Àº ¾ãÀº ÆÇÀçÀÇ Áß±ê°ú ¿Ü¸¦ ÁÖ·Î »ç¿ëÇØ º®Ã¼¹ÙÅÁÀ» ±¸¼ºÇÏ°í °¡»õ µî °¡º¯ÀûÀÎ Àç·áµéÀÌ »ç¿ëµÇ°í ÀÖ´Ù. ¼Â°, µ¿ÀÏÇÑ ÇÑÀÚ¹®È­±Ç¿¡ ¼ÓÇÏ´Â 3°³±¹ÀÇ ¿ë¾î¸¦ »ìÆìº¸¸é º®À» ÁöĪÇÏ´Â ºÎÀçµéÀÇ ¼º°ÝÀº À¯»çÇÏÁö¸¸ ÇÑÀھ ´Ù¸¥ ¸íεéÀ» »ç¿ëÇÑ´Ù. ´Ù¸¸, º®Ã¼ÀÇ ¹ÙÅÁÀ̶ó´Â Àǹ̸¦ »ç¿ëÇÏ´Â Çѱ¹°ú ÀϺ»°ú ´Þ¸® Áß±¹¿¡¼­´Â º®Ã¼ ÀÚü¸¦ ÇϳªÀÇ ±¸Á¶Ã¼·Î º¸¾Æ º®ÀÇ ¹ÙÅÁºÎºÐÀ» °ñÁ¶·Î º¸´Â ½Ã°¢ÀÌ ÀÖÀ½À» Ãß·ÐÇØº¼ ¼ö ÀÖ¾ú´Ù. ³Ý°, º®Ã¼ÀÇ ±¸¼ºÀç·á´Â »ï±¹¿¡¼­ À¯»ç¼ºÀ» °®°í ÀÖ¾úÁö¸¸, ½Ã°ø¹æ¹ý Áß Áß±ê°ú ¿Ü¸¦ ¼³Ä¡ÇÏ´Â ¹æ¹ý¿¡¼­ 3°³±¹ÀÇ Â÷ÀÌÁ¡À» È®ÀÎÇÏ¿´´Ù. Çѱ¹Àº Á߱꿡 ¿Ü¿«±â¸¦ ÇÏÁö ¾Ê°í °¡½Ã»õ¿Í ¿Ü¸¸À» ¿Ü¿«±âÁÙ·Î ¿«´Â ¹Ý¸é, Áß±¹Àº ¿Ü¿«±âÁÙÀ» »ç¿ëÇÏÁö ¾Ê°í ¿Ü¸¦ ÈÖ¾î ¾ÕµÚ·Î ±³Â÷ÇÏ´Â ¹æ½ÄÀ¸·Î ¼³Ä¡ÇÑ´Ù. ÀϺ»Àº Áß±êÀ» Æ÷ÇÔÇØ ¸ðµÎ ¿Ü¿«±â ÁÙ·Î ¿«Áö¸¸, ¿Ü¿«±â ÁÙÀÇ »ç¿ë°ú °á±¸µÈ ¸ð½À¿¡¼­ Çѱ¹°úÀÇ Â÷À̰¡ ÀÖÀ½À» È®ÀÎÇÏ¿´´Ù.
¿ä¾à2 This study compared wall-based materials and construction techniques in Korea, China, and Japan, all part of the same wooden culture, using
data such as repair records, drawings, and photos. The composition methods, terminology, and detailed construction techniques of the wall
bases in these three countries were compared and analyzed. The results showed that these countries have similar methods of applying soil
after forming a wall base using wood, known by different names: "¿Ü¿«±âº®" in Korea, "ÙÊÙñÛú(«³«Þ«¤«««Ù)" in China, and "?Òú?" in
Japan. Additionally, "?Òú?" is used in various regions in China, unlike the common perception of Chinese walls using warp stones. In
terms of wall construction, Korean walls use Mullions in upper and lower inbangs and install Batten and Oe between them, woven together
using rope. Chinese walls mainly use Mullion, Batten, and Oe or bamboo, fixed on the outer surface through bending. Japanese walls use
thin plate Mullion and Oe as the wall background, incorporating variable materials such as braces. Although the terminology for walls in
these countries shares similarities due to their Chinese character culture, there are differences in pronunciation and character usage.
Additionally, Korean and Japanese walls separate the plaster layer from the inner structure layer, while Chinese walls view the wall itself as
a structural component. While the constituent materials of the walls show similarities among the three countries, differences exist in the
method of installing Mullion and Oe. In Korea, only Batten and Oe are woven into rope without weaving in Mullion. In Japan, all
components, including Mullion, are woven into rope with variations in their connection techniques compared to Korea.
¼ÒÀåó ´ëÇѰÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
DOI https://doi.org/10.5659/JAIK.2023.39.8.113
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > Çѱ¹ ÀüÅë°ÇÃà > ±â¼ú ¹× Á¦µµ

¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
Á¶¼±Èı⠼±ÀÚ¿¬ Ä¡¸ñ±â¹ý¿¡ °üÇÑ ¿¬±¸
±è¿ÕÁ÷(Kim Wang-Jik) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.05 (201005)
Çѱ¹°ÇÃàÀÇ ¼®ÃàÇü±â´Ü°ú °æ»çÁö Á¶Á¤
ÁÖÇöÅÂ(Joo, HyunTae) ; ÀüºÀÈñ(Jeon, BongHee) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý : Vol.39 No.7 (202307)
ÀüÅë ¸ñ±¸Á¶ ÆÈÀÛÁöºØ Ãß³àºÎÀçÀÇ ±¸Á¶Àû º¸°­ Ư¼º¿¡ °üÇÑ ¿¬±¸
Á¶Ã¶Èñ(Cho Cheol-Hee) ; ½Å¿ë¼®(Shin Yong-Seok) ; Á¶À±Èñ(Cho Youn-Hee) ; ³ë¼º¿­(No Seong-Ryeol) ; ±èÁ¤¼·(Kim Jeong-Sup) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý ±¸Á¶°è : v.26 n.03 (201003)
Çѱ¹ ÀüÅë°ÇÃà ÆÈÀÛÁöºØÀÇ Ê­Ï°¿¡ °üÇÑ ¿¬±¸
¾çÀ翵(Yang Jae-Young) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.02 (200902)
[ÀÚ·á] ÇÑ¿ÁÀÇ ¼³°è¿Í ½Ã°ø±â¹ý
±èµµ°æ - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.17 n.6(Åë±Ç 61È£) (200812)
ðÈàØãÁÓÛ ñìöµÙÊðãËïõéÀÇ ï®ÊÇÝ» ʭϰÛöÀÇ Çü½Ä°ú ±¸Á¶Àû Ư¼º
ÀÌÀº¼ö(Lee Eun-Soo) ; È«º´È­(Hong Byung-Hwa) ; ±è¼º¿ì(Kim Sung-Woo) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.12 (200912)
ÀÏÃâ¸ñ ÃÊÀͰø °øÆ÷ÀÇ ±â¿ø°ú º¯Ãµ
ÀüÇØ¿Ï(Chun, Hae-Wan) ; ·ù¼º·æ(Ryoo, Seong-Lyong) - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : Vol.29 No.3(Åë±Ç 130È£) (202006)
Á¶¼±½Ã´ë ÁÖÅà ²ªÀ½ºÎÀÇ À¯Çü¿¡ °üÇÑ ¿¬±¸
±èÁ¤Çö(Kim Jeong-Hyun) ; ±èÇϳª(Kim Ha-Na) ; ÀüºÀÈñ(Jeon Bong-Hee) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.06 (200906)
±Ù´ë±â ¸ñÁ¶ ÁöºØÆ®·¯½ºÀÇ À¯ÇüºÐ·ù ¹× Ư¡¿¡ °üÇÑ ¿¬±¸
¹Úâ¹ü(Park Chang-Beom) ; ±è¹Ì¿¬(Kim Mi-Yeon) ; ±èÅ¿µ(Kim Tai-Young) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.24 n.8 (200808)
Áֽɯ÷ ÆÈÀÛÁöºØ ±Í°øÆ÷¿Í Ãâ¸ñÀͰø ÆÈÀÛÁöºØ ±Í°øÆ÷ ºñ±³ ¿¬±¸
·ù¼º·æ(Ryoo, Seong-Lyong) ; À±Áؼ·(Yoon, Jun-Seop) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý : Vol.40 No.12 (202412)