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³í¹®¸í Àç»ýÇü ¹®È­°ø°£ÀÇ °ø°ø¼º Ç¥Çö¹æ¹ý ¿¬±¸ / A Study on How to Express Publicity in Regenerative Cultural Spaces
ÀúÀÚ¸í ÀÌÁ¤¿ø(Lee, Jeong-Won)½Äº°ÀúÀÚ ; ¼­ÁöÀº(Seo, Ji-Eun)½Äº°ÀúÀÚ
¹ßÇà»ç ´ëÇÑ°ÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý, Vol.39 No.8 (2023-08)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(49) ÃÑÆäÀÌÁö(10)
ISSN 2733-6247
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
ÁÖÁ¦¾î °ø°ø¼º; ¹®È­°ø°£; À¯ÈÞ°ø°£ Àç»ý ; Publicity; Cultural Spaces; Idle-Space Regenerative
¿ä¾à1 º» ¿¬±¸´Â À¯È޽ü³À» ¹®È­°ø°£À¸·Î Àç»ý½ÃÅ°°íÀÚ ÇÒ ¶§ °ø°£ Áß½ÉÀû Àç»ýÀ» ³Ñ¾î µµ½Ã¿¡ »ì°í ÀÖ´Â »ç¶÷µéÀÌ Áö¿ª»çȸ¿¡¼­ »îÀÇ °¡Ä¡¸¦ ½ÇÇöÇÏ°í ÀÌ¿Í ÇÔ²² ±× µµ½Ã¸¸ÀÇ Æ¯¼ºÀ» ¸¸µé¾î°¥ ¼ö ÀÖ´Â ºÎºÐ±îÁö °í·ÁÇÏ´Â °ø°ø¼ºÀ» ÇÔ²² ¹Ý¿µÇÒ ÇÊ¿ä°¡ ÀÖÀ½À» ÀÎÁöÇÏ¿´´Ù. À̸¦ À§ÇØ °ø°ø¼ºÀÇ Æ¯¼ºÀ» ¡®°ÇÃàÀû °ø°ø¼º¡¯°ú ¡®µµ½ÃÀû °ø°ø¼º¡¯À¸·Î ±¸ºÐÇÏ¿´°í, °ÇÃàÀû °ø°ø¼ºÀº ¡®Àå¼Ò¼º¡¯, ¡®»ó¡¼º¡¯, ¡®Áö¼Ó¼º¡¯, ¡®È¯°æ¼º¡¯ ±×¸®°í µµ½ÃÀû °ø°ø¼ºÀº ¡®°øÀͼº¡¯, ¡®¿¬°è¼º¡¯, ¡®Âü¿©¼º¡¯À¸·Î ¼¼ºÐÈ­ÇÏ¿´´Ù. À̸¦ ±âÁØÀ¸·Î Æó»ê¾÷½Ã¼³ ¹®È­°ø°£ Àç»ý»ç·Ê°¡ °ø°ø¼ºÀ» ¾î¶² ¹æ¹ýÀ¸·Î Ç¥ÇöÇÏ¿© °ø°£ÀÇ ±â´É°ú ¿ªÇÒÀ» ±¸ÇöÇÏ°í ÀÖ´ÂÁö ºÐ¼®ÇÑ °á°ú´Â ´ÙÀ½°ú °°´Ù. ù°, °ÇÃàÀû °ø°ø¼ºÀ» Ç¥ÇöÇϱâ À§Çؼ­´Â Áö¿ª ¹× ÁֹεéÀÇ »çȸ¹®È­Àû ¿å±¸¸¦ ÃæÁ·ÇÒ ¼ö ÀÖ´Â ¸ñÀûÇü °ø°£À» È®º¸ÇÏ¿© »ç¿ë °¡Ä¡¸¦ ÀÒ¾ú´ø °ú°ÅÀÇ °ø°£À» ÇöÀçÀÇ ¿ëµµ¿¡ ¸Â°Ô º¯È­½Ãų ÇÊ¿ä°¡ ÀÖ´Ù. ÀÌ·¯ÇÑ °ø°£Àº ±âÁ¸ »ê¾÷½Ã¼³ÀÇ ¹°¸®Àû Ư¼º°ú ½Ã´ëÀû Ư¼ºÀ» º¸Á¸ ¹× È°¿ëÇϰųª »õ·Î¿î Àç·á ÅõÀÔ ¹× ÇüÅÂÀû º¯È­¸¦ ³ªÅ¸³»¾î ÀÌ°÷¸¸ÀÇ °ø°£°¨¼ºÀ» ü°¨ÇÏ°Ô µÈ´Ù. ¹«¾ùº¸´Ù À¯È޽ü³ ¹æÄ¡·Î ¾ß±âµÇ¾ú´ø ÁÖº¯ ȯ°æÀÌ °³¼±µÇ°í, ÀÌ¿ëÀÚÀÇ ÆíÀǸ¦ ÇÔ²² °í·ÁÇÑ °ø°£ÀÌ È®º¸µÊ¿¡ µû¶ó »ç¶÷µéÀÌ ´Ù½Ã ¸ðÀÌ´Â Àå¼Ò·Î ¹Ù²î¾î °ø°£ ÀÏ´ë »Ó¸¸ ¾Æ´Ï¶ó µµ½ÃÀÇ ºÐÀ§±â¸¦ Àüȯ½ÃÅ°´Â µ¥¿¡µµ ±â¿©ÇÑ´Ù. µÑ°, µµ½ÃÀû °ø°ø¼ºÀ» Ç¥ÇöÇϱâ À§Çؼ­´Â ´Ù¾çÇÑ ÁֹεéÀÌ Âü¿©ÇÏ¿© Áö¿ªÀÇ °¢Á¾ ¹®Á¦¸¦ ¹®È­ÀûÀ¸·Î ÇØ°áÇϵµ·Ï ³ë·ÂÇÏ°í, º¹Áö ¹× ¹®È­°ü±¤»ê¾÷ µîÀ¸·Î È®Àå½ÃÅ°¸ç ³ª¾Æ°¡ º¸´Ù Æ÷°ýÀûÀÎ µµ½ÃÀÇ ºñÀüÀ» ´Þ¼ºÇÔ¿¡ À־µµ ±àÁ¤ÀûÀÎ ¿µÇâÀ» ÁÖµµ·Ï °ø°£À» ¿î¿µÇÒ ÇÊ¿ä°¡ ÀÖ´Ù. µû¶ó¼­ Àç»ýÇü ¹®È­°ø°£Àº ´õ ÀÌ»ó ¹®È­ÇâÀ¯¿Í °æÇèÀ» Á¦°øÇÏ´Â ´Ü°è¸¦ ³Ñ¾î Áֹΰú ¼ÒÅëÇϸç Áö¿ª°ú ÇÔ²² ¼ºÀåÇÏ´Â °ø°£À¸·Î È°¿ëµÇ±â¿¡ °ú°Å¿Í ÇöÀç ±×¸®°í ¹Ì·¡¸¦ ¿¬°á½ÃÅ°´Â µ¥¿¡µµ Áß¿äÇÑ ¿ªÇÒÀ» ´ã´çÇÑ´Ù°í º¼ ¼ö ÀÖ´Ù. Áï, °ø°ø¼ºÀÇ Ç¥ÇöÀº ¹®È­°ø°£ÀÇ Â÷º°È­µÈ ¿î¿µ¹æ½ÄÀ» °áÁ¤ÇÏ°Ô ¸¸µé°í, ÀÌ·¯ÇÑ ¹æ½ÄÀÇ ¹®È­°ø°£ ¿î¿µÀº Áö¿ª ÀÚ¸³µµ¸¦ ³ôÀÌ´Â µ¥¿¡µµ ¿µÇâÀ» ÁÙ °ÍÀ¸·Î ÆǴܵȴÙ.
¿ä¾à2 This study goes beyond space-oriented regeneration when regenerating idle facilities into cultural spaces, and considers the part where people
living in the city can realize the value of life in the community and create the unique characteristics of the city. It was recognized that it
was necessary to reflect together. To this end, the characteristics of publicity were divided into 'architectural publicity' and 'urban publicity',
and architectural publicity was divided into 'placeness', 'symbolism', 'sustainability', 'environmental', and urban publicity subdivided into 'public
interest', 'connectedness' and ¡®participation'. Based on this standard, the results of analyzing how the regeneration cases of cultural spaces in
abandoned industrial facilities express publicity to realize the function and role of space are as follows. First, in order to express architectural
publicity, it is necessary to secure a purpose-type space that can satisfy the social and cultural needs of the region and residents, and change
the past space that has lost use value to suit the current use. Second, in order to express urban publicity, various residents participate and
try to solve various local problems culturally, expand into welfare and cultural tourism industries, and furthermore, have a positive impact in
achieving a more comprehensive city vision. You need to manage the space to give. Therefore, a regenerative cultural space can be seen as
playing an important role in connecting the past, present and future as it is used as a space that communicates with residents and grows
together with the region beyond the stage of providing cultural enjoyment and experiences.
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
DOI https://doi.org/10.5659/JAIK.2023.39.8.49
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