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³í¹®¸í À¯¿£½ºÆ©µð¿ÀÀÇ ´ÙÀ̾î±×·¥ ¿øÄ¢°ú µðÀÚÀÎ »ó°ü¼º ¿¬±¸ / The Relationship between UNStudio¡¯s Diagram Principles and Design
ÀúÀÚ¸í °í¼ºÇÐ(Ko, Sung Hak)
¹ßÇà»ç ´ëÇѰÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇѰÇÃàÇÐȸ³í¹®Áý, Vol.39 No.1 (2023-01)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(23) ÃÑÆäÀÌÁö(10)
ISSN 2733-6247
ÁÖÁ¦ºÐ·ù ÀÌ·Ð / °èȹ¹×¼³°è
ÁÖÁ¦¾î À¯¿£½ºÆ©µð¿À; ¾÷¹«½Ã¼³; ÆÄ»çµå; ´ÙÀ̾î±×·¥; ÀÇ»ç¼ÒÅë; µðÁöÅÐ ±â¼ú; Çõ½Å ; UNStudio; Office Project; Facade; Diagram; Communication; Digital Technology; Innovation
¿ä¾à1 º» ¿¬±¸ÀÇ ¸ñÀûÀº À¯¿£½ºÆ©µð¿ÀÀÇ ´ÙÀ̾î±×·¥¿¡ ´ëÇÑ ¿øÄ¢ÀÌ ¾÷¹«½Ã¼³ ÇÁ·ÎÁ§Æ®¿¡´Â ¾î¶»°Ô Àû¿ëµÇ¾î µðÀÚÀÎÀ¸·Î ¹ßÀüµÇ°í ÀÖÀ¸¸ç À̸¦ ÅëÇÑ µðÀÚÀÎ ÁÖ¾ÈÁ¡°ú Àü·«, È帧À» µµÃâÇÏ°í ºÐ¼®ÇÏ´Â °ÍÀÌ´Ù. À¯¿£½ºÆ©µð¿À ¾÷¹«½Ã¼³ ÇÁ·ÎÁ§Æ®¿¡ ³ªÅ¸³ª°í ÀÖ´Â ´ÙÀ̾î±×·¥ °¡¿îµ¥ ¿ÜÇÇ ÆÐ³Î°ú ¿¬°üµÈ ´ÙÀ̾î±×·¥À» ÁßÁ¡ÀûÀ¸·Î »ìÆìº»´Ù. °¢Á¾ ¹®ÇåÀ» ÅëÇØ À¯¿£½ºµð¿ÀÀÇ ´ÙÀ̾î±×·¥¿¡ ´ëÇÑ ¿øÄ¢À» Á¤¸®ÇÑ´Ù. ¾÷¹«½Ã¼³ ÇÁ·ÎÁ§Æ®¿¡¼­ »ç¿ëµÈ ´ÙÀ̾î±×·¥ÀÇ À¯Çü°ú Ç¥ÇöµÈ Á¤º¸¸¦ ºÐ·ùÇϰí, ¾÷¹«½Ã¼³ÀÇ ¼³°è¸ðÇüÀº ¹«¾ùÀÎÁö¸¦ µµÃâÇÑ´Ù. ¸¶Áö¸·À¸·Î ´ÙÀ̾î±×·¥¿¡ ´ëÇÑ ¿øÄ¢°ú µðÀÚÀÎ Àü°³ÀÇ ¼³°è¸ðÇü, µðÀÚÀÎ ÁÖ¾ÈÁ¡°ú Àü·«, ½Ç¹« ÇÁ·Î¼¼½ºÀÇ º¯È­°¡ °¡Á®¿Â µðÀÚÀÎ Çõ½ÅÀ» µµÃâÇÑ´Ù. À¯¿£½ºÆ©µð¿À ¾÷¹«½Ã¼³ÀÇ ¼³°è¸ðÇüÀº º¹»ç¿­ µ¥ÀÌÅÍ Á¤º¸·Î Á÷Á¢ÀûÀ¸·Î ÆÄ»çµå ÆÐ³Î À¯´ÖÀÇ º¯ÇüÀ» À¯µµÇÏ°í ÆÄ»çµå ºÐÆ÷¸¦ °áÁ¤ÇÑ´Ù. Áï ¼³°è¸ðÇüÀº ÆÄ»çµåÀÇ ½É¹Ì¼º°ú ³»ºÎ °ø°£ÀÇ È¯°æÁúÀ» Çâ»óÇÏ´Â ÆÄ»çµå µðÀÚÀÎ Àü·«ÀÇ ÇÙ½É ¿ä¼ÒÀÌ´Ù. µðÁöÅÐ ±â¼úÀÇ ¹ßÀüÀº ´ÙÀ̾î±×·¥¿¡ ´ëÇÑ ¿øÄ¢À» ´õ¿í °ø°íÇÏ°Ô ÇÏ¸ç µ¥ÀÌÅÍÀÇ ÀÔ·Â-ºÐ¼®-»ý¼º-Å×½ºÆ®¶ó´Â ¼³°è ÇÁ·Î¼¼½º¸¦ ÅëÇØ µðÀÚÀÎÀÇ ÀáÀç·Â°ú Á¤Ã¼¼ºÀ» ±Ø´ëÈ­Çϰí ÀÖ´Ù. ÀÌ·¯ÇÑ ÀáÀç·ÂÀº ´Ü¼øÈ÷ µðÀÚÀÎ °á°ú¸¸À» ÀǹÌÇÏ´Â °ÍÀº ¾Æ´Ï¸ç, ¼³°è °úÁ¤¿¡¼­ »ý¼ºµÇ´Â ´ÙÀ̾î±×·¥À» ÅëÇÑ ¼³°è Âü¿©ÀÚ »çÀÌÀÇ ÀÚÀ¯·Î¿î ÀÇ»ç¼ÒÅëÀ¸·Î Åõ¸íÇÑ ÇÁ·Î¼¼½ºÀÇ ±¸Ãà°ú °³ÇõÀÌ Çõ½ÅÀûÀÎ µðÀÚÀÎÀ¸·Î ¹ßÀüÇÑ´Ù´Â ±Ã±ØÀûÀÎ ÀáÀç·ÂÀ» ÀǹÌÇÏ´Â °ÍÀÌ´Ù.
¿ä¾à2 The purpose of this study is to derive and analyze a design focus strategy, and trends through the diagram principles of the UN Studio
applied to office projects that then develop into design. Among the diagrams appearing in UN studio office projects, the focus was mainly
on diagrams related to facade design. Through literature, the principles in the diagram were summarized, the types of diagrams used in office
projects and information expressed were classified and the design model was derived. Then the design focus and strategy, and the design
innovation brought by changes in the practical process were derived. The design model of the UNStudio office projects directly induced the
deformation of the facade panel unit and determined the facade distribution by solar radiation analysis data information. In other words, the
design model was a key element of the facade design strategy that improved the aesthetics of the facade and the environmental quality of
the interior space. Advanced digital technology further strengthened the principles for these diagrams and maximized the potental and identity
of design through a design process called input-analysis-generation-test of data. This potential does not simply mean design results. Diagrams
generated in the design process that evolved into innovative designs represent the ultimate potential to build and reform transparent processes
through communication between design participants.
¼ÒÀåó ´ëÇѰÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
DOI https://doi.org/10.5659/JAIK.2023.39.1.23
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