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³í¹®¸í ¾Ë¹Ù·Î ½ÃÀÚÀÇ ¹ÂÁö¾ö ³»ºÎ°¶·¯¸®ÀÇ °ø°£Æ¯¼º°ú °ø°£¿¬°á¿¡ °üÇÑ ¿¬±¸ / The Spatial Characteristics and Connections of Internal Gallery in Alvaro Siza Museum
ÀúÀÚ¸í ÀÌ´öÁ¾(Lee, Duck-Jong)½Äº°ÀúÀÚ ; ±èºÀ¾Ö(Kim, Bong-Ae)
¹ßÇà»ç ´ëÇÑ°ÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý, Vol.38 No.12 (2022-12)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(77) ÃÑÆäÀÌÁö(12)
ISSN 2733-6247
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ÁÖÁ¦¾î ¾Ë¹Ù·Î ½ÃÀÚ; ¹ÂÁö¾ö; °¶·¯¸®; µ¿¼±; ½ÃÄö½ºAlvaro Siza; Museum; Gallery; Flow; Sequence
¿ä¾à1 ¾Ë¹Ù·Î ½ÃÀÚ´Â 1993³âºÎÅÍ ÇöÀç±îÁö 30³â µ¿¾È 5°³ ³ª¶ó, 10°³ Àå¼Ò¿¡¼­ ¹ÂÁö¾öÀ» °èȹ, Ãʱâ 2°³ÀÇ ¹ÂÁö¾öÀº ½ºÆäÀΰú Æ÷¸£Åõ°¥¿¡ °èȹ, ÀÌÈÄ Çѱ¹, ºê¶óÁú, Áß±¹¿¡ ¹ÂÁö¾öÀ» °èȹÇϸ鼭 ´Ù¾çÇÑ ¸Å½ºÇüÅÂ¿Í Áö¿ª¼ºÀ» °í·ÁÇÑ ¿ÜºÎÀç·á¸¦ »ç¿ëÇÏ°í ¹ßÀü½ÃÄ×´Ù. ÀÌ¿¡ ÀÌ ¿¬±¸¿¡¼­´Â ¾Ë¹Ù·Î ½ÃÀÚ ¹ÂÁö¾ö ³»ºÎ°¶·¯¸®ÀÇ °ø°£ÀÇ Æ¯¼º°ú °ø°£¿¬°á¿¡ °üÇÑ µ¿¼±(flow)°ú ½ÃÄö½º(sequence)¸¦ ºÐ¼®ÇÏ´Â °ÍÀ» ¿¬±¸ÀÇ ¸ñÀûÀ¸·Î ÇÑ´Ù. ¿¬±¸´ë»óÀº ¾Ë¹Ù·Î ½ÃÀÚ°¡ ¼³°èÇÑ 10°³ ¹ÂÁö¾ö¿¡ ¼ÓÇØ ÀÖ´Â Àü½Ã°ø°£ÀÎ 76°³ÀÇ °¶·¯¸®ÀÌ´Ù. ¿¬±¸³»¿ëÀº 76°³ÀÇ °¶·¯¸®ÀÇ Æ¯¼ºÀ» 4°¡Áö ¿ä¼Ò(°¶·¯¸® ÇüÅÂ¿Í Å©±â, âÀÇ À§Ä¡, õÀå ºûÀÇ Á¾·ù, ³»ºÎÀÇ Àç·á)¸¦ °¡Áö°í ºÐ¼®ÇÏ¿´´Ù. ¿¬±¸³»¿ëÀº ·Îºñ¿Í °¶·¯¸® ±×¸®°í °¶·¯¸®¿Í °¶·¯¸® °ü°è¸¦ ¹°¸®Àû ¿¬°áÀÎ µ¿¼±(flow)°ú ½Ã°¢Àû ¿¬°áÀÎ ½ÃÄö½º(sequence) µÎ °¡Áö ¿ä¼Ò¸¦ ±âÁØÀ¸·Î ±¸Á¶È­ÇÏ¿´´Ù. ±¸Á¶È­ °úÁ¤À» °ÅÄ£ ³»ºÎ ¿¬°áÀº Å©°Ô 4°¡Áö·Î À¯ÇüÈ­(typology)ÇÏ¿´´Ù. ¿¬±¸°á°ú´Â ÀϹæÇâ ¼øȯÇü(oneway movement), °æ·Î ¼±ÅÃÇü(path selection), ³ª¼± ¼øȯÇü(spiral circulation), ÀÚÀ¯ µ¿¼±Çü(free plan)À¸·Î ºÐ·ùÇÏ¿´´Ù. ¾Ë¹Ù·Î ½ÃÀÚ´Â ¹ÂÁö¾ö °èȹ¿¡ ÀÖ¾î ³»ºÎ°¶·¯¸® °ø°£¿¡¼­ 4°¡Áö ¿ä¼ÒµéÀÇ Á¶ÇÕ°ú °¶·¯¸® °ø°£¿¬°á¿¡ ÀÖ¾î 4°¡ÁöÀÇ Ä¿´Ù¶õ À¯ÇüÈ­µÈ ¿¬°áü°è¸¦ ÀÌ¿ëÇÏ¿© °èȹÇϴ Ư¼ºÀ» º¸¿´´Ù.
¿ä¾à2 Alvaro Siza planned ten museums in five countries for over 30 years from 1993 to the present. The first two museums were planned in
Spain and Portugal. Since then, various mass forms and external materials have been used and developed while planning museums in Korea,
Brazil and China. Therefore, the characteristics of space and spatial connection of flow and sequence regarding the internal gallery in the
Alvaro Siza Museum was examined. The subject of this study entails 76 galleries, which are exhibition spaces belonging to 10 museums
designed by Alvaro Siza. These 76 galleries with the four parameters of gallery form and area, window position, type of ceiling light, and
interior materials were analyzed. The research contents were structured based on two factors, flow and sequence, for the relationship between
lobby and gallery and between gallery and gallery. The internal connection through the structuring process was classified into four categories:
oneway movement, path selection, spiral circulation, and free plan type. In addition, Alvaro Siza showed the characteristics of planning using
the combination of these four parameters in the gallery space and the four typology connection system in the internal space connection for
the museum planning.
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
DOI https://doi.org/10.5659/JAIK.2022.38.12.77
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