°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ|³í¹®Áý 2022³â 5¿ù

³í¹®¸í °³Æó¼º Ãø¸é¿¡¼­ÀÇ ½Ã´ëº° ±ØÀå °ø°£ÀÇ °ü¶÷°´ üÇè °æÇâ ¿¬±¸ / A Study of Chronolgical Tendency of Audience Experience in Theater Space from the View of Open-Closed Character
ÀúÀÚ¸í ÃÖÁÖ¿¬(Choi, Joo-Yeon);ÃÖÁ¤¾Æ(Choi, Jeong-Ah)
¹ßÇà»ç Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ
¼ö·Ï»çÇ× Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý, Åë±Ç Á¦78È£ (2022-05)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(21) ÃÑÆäÀÌÁö(12)
ISSN 1738-818X
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è / µµ½Ã
ÁÖÁ¦¾î °ø¿¬¿¹¼ú; ±ØÀå; °³Æó¼º; °ü¶÷°´ üÇè; °ø°£µðÀÚÀÎ ; Performing Arts; Theater; Open-Closed; Audience Experience; Spatial Design
¿ä¾à2 Closed and passive indoor theaters are changing and expanding into opened and active spaces which canaccommodate various cultures in everyday environments. This study focuses on the relationships between audience experienceand the open-closed features of the theater as a way to become a human-centered theater, and also aims to examine howthe types of space composition derived from the theater and the theater's intention as well as audience's experience areinteracting. This study classified theaters in total of 6 periods from Greek to modern era through theoretical considerations andprecedent research, and compared the changes that have been made in places and roles. For the analysis, total of nine typesof open-closed theater spaces were deducted, and these were categorized through the horizontal and vertical elements of thespace based on the shape of the space and norm of the architecture. In addition, types of audience experience was deductedthrough Pine & Gilmore's area and analyzed the relationships between open-closed space composition. Based on this analysis,total of 10 representative theaters were selected and analyzed. Suggestions for theater spatial design in terms of open-closedfocused on the audience experiences are as follows. First, in order for audiences to absorb passive entertainment experiencesand immerse themselves in aesthetic experiences, indoor and outdoor space design should be fixed such as semi-open-closedstage-semi-open-closed viewing type and closed stage-closed viewing type. Second, in order for audiences to participate inactive educational experiences along with entertainment experiences and aesthetic experiences in the theater, it should bemovable and opened space design.
¼ÒÀåó Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃà°èȹ ¹× ¼³°è > ¼³°è¹æ¹ý·Ð > °ø°£ ºÐ¼®

°ÇÃà°èȹ ¹× ¼³°è > ºñÁÖ°Å°ÇÃà °èȹ > ¹®È­¡¤Ã¼À°½Ã¼³ °èȹ > °ø¿¬Àå