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³í¹®¸í ´ë»ó°ü°èÀÌ·Ð ÀÇÇÑ ·¡¸® º§ÀÇ µÕÁö ¹Ú½º ¼Ó °ÇÃàÀû Ư¼º ºñ±³ºÐ¼®¿¬±¸ / A Comparative Analytical Study on the Architectural Characteristics of Nesting Boxes by Larry Bell based on the Object Relations Theory
ÀúÀÚ¸í ÀÌÀçÀÎ(Lee, Jae-In)
¹ßÇà»ç ´ëÇÑ°ÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý, Vol.36 No.11 (2020-11)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(181) ÃÑÆäÀÌÁö(12)
ISSN 2733-6247
ÁÖÁ¦ºÐ·ù ÀÌ·Ð / °èȹ¹×¼³°è
ÁÖÁ¦¾î ·¡¸® º§; ´ë»ó°ü°èÀÌ·Ð; ÀÀ½Ã; Åõ»ç; ³»»ç; ¹Ì´Ï¸Ö¸®Áò; µÕÁö ¹Ú½º ; Larry Bell; Objection Relations; Gaze; Projection; Introjection; Minimalism; Nesting box
¿ä¾à1 º» ¿¬±¸´Â ·¡¸® º§ÀÇ µÕÁö ¹Ú½º¸¦ 21¼¼±â Çö´ëÁ¤½ÅºÐ¼®ÇÐÀ» ´ëÇ¥ÇÏ°í ÀÖ´Â ´ë»ó°ü°èÀÌ·ÐÀ» ÀÀ½ÃÀ̷п¡ Àû¿ëÇÏ¿©, ±× ¼Ó¿¡ ³»ÀçµÇ¾î ÀÖ´Â °ÇÃàÀûÀΠƯ¼ºµéÀ» µµÃâÇÏ°í, À̸¦ Çö´ë°ÇÃàµé°ú ºñ±³ºÐ¼®ÇÏ´Â µ¥ ¿¬±¸ÀÇ ¸ñÀûÀ» µÐ´Ù. º» ¿¬±¸ÀÇ °á°ú, ù°, Ãʱ⠵ÕÁö ¹Ú½º ÀÛÇ°ÀÎ 'Pacific Red ¥±¡®´Â 6°³ÀÇ ´ëÇü ¿ÀºêÁ¦¿Í °ü¶÷Àڵ鰣ÀÇ ´Ù¾çÇÑ ½Ã¼±ÀÇ ¹Ýº¹À» ÅëÇØ ¿©·¯ ÁßÃßÀû ½Ã´ÏÇǾÓÀÌ ¹ß»ýÇϸ鼭 Àΰ£ Á¤½ÅÀÇ Àǽı¸Á¶ È®´ë°¡ ¹Ý¿µµÇ¾ú´Ù. µÑ°, ¡®Venice Fog ¥±¡¯¿¡¼­ ¿ÀºêÁ¦ ¼ýÀÚ¸¦ 2°³·Î ÁÙÀÌ°í ž籤À» À¯ÀÔÇÑ ÀÌÈÄ ¡®Aspen Blues¡¯¿¡ À̸£·¯ µÕÁö¹Ú½º´Â ž籤ÀÇ ³»»ç¿¡ ´ëÀÀÇÏ¿©, ¾ÈÂÊÀÇ ¿ÀºêÁ¦°¡ ³»¸éÀÇ ºûÀ¸·Î¼­ Åõ»ç¿¡¼­ ¿ªÇÒÀ» ÇÑ´Ù. ¼Â°, ´ë»ó°ü°èÀÌ·ÐÀÇ °üÁ¡¿¡¼­ ¡®Pacific Red ¥±¡¯ ÀÌÈÄ µÕÁö ¹Ú½º ÀÛÇ°Àº ÇϳªÀÇ ¾î¸Ó´Ï¿¡¼­ ´Ù¸¥ ŸÀÚÀÇ ´ë»óÀ¸·Î È®´ëµÇ¸é¼­ ¿ì¿ïÀû ÀÚ¸®¸¦ ¹þ¾î³ª´Â ´Ü°è·Î º¼ ¼ö ÀÖ´Ù. ³Ý°, ÇÇÅÍ ÁÜÅÍÀÇ ÄコƮÇϿ콺 ºê·¹°ÕÃ÷´Â 'Aspen Blues'ó·³ ¿ì¿ïÀû ÀÚ¸®¸¦ ³Ñ¾î¼­ ÁÖüÀûÀÎ ÀھƸ¦ Áß½ÉÀ¸·Î Àΰ£ Á¤½Å±¸Á¶ÀÇ È®´ë¸¦ ³ª¾Æ°¡´Â ´Ü°è¿¡ ÇØ´çÇÏ´Â °ÇÃàÀÌ´Ù.
¿ä¾à2 This study set out to identify the architectural features inherent in Nesting Boxes by Larry Bell, whose analysis had been poor in previous
studies, and compare and analyze them with contemporary architecture by applying the object relations theory representing modern
psychoanalysis of the 21st century to the gaze theory. The findings were as follows: first, ¡®Pacific Red II¡¯ one of his early Nesting Boxes,
created several key Signifiants by repeating various eyes between six large-scale objects and the audience, thus expanding the conscious
structure of human mind; second, the number of objects was reduced to two in ¡®Venice Fog II¡¯ that introduced sunlight. In ¡®Aspen Blues¡¯,
the object inside the Nesting Boxes plays the role of projection as inner light in reaction to the introjection of sunlight; third, the Nesting
Boxes since ¡®Pacific Red II¡¯ show the process of expanding from a single mother to other objects and moving away from a depressive
position from the perspective of object relations theory; and finally, ¡®Kunsthaus Bregenz¡¯ by Peter Zumthor is at the stage of expanding the
structure of human mind around an independent ego beyond a depressive position like ¡®Aspen Blues¡¯.7R1A2B1002847).¡±
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
DOI https://doi.org/10.5659/JAIK.2020.36.11.181
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