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³í¹®¸í Ç¥Àý ÀÇȤ »ç·Ê¿¡ ´ëÇÑ °ÇÃàÂ÷¿ë ºñÆò¸ðÇü ±¸Ãà / Construction of the Criticism Model on Architectural Appropriation for the Accused Cases of Plagiarism
ÀúÀÚ¸í ±è¿µ¼±(Kim, Youngsun) ; ÃÖÀçÇÊ(Choi, Jaepil)½Äº°ÀúÀÚ
¹ßÇà»ç ´ëÇÑ°ÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý, Vol.36 No.11 (2020-11)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(117) ÃÑÆäÀÌÁö(12)
ISSN 2733-6247
ÁÖÁ¦ºÐ·ù ÀÌ·Ð / °èȹ¹×¼³°è
ÁÖÁ¦¾î °ÇÃà Ç¥Àý; °ÇÃà Â÷¿ë; Ç¥Àý; Â÷¿ë; °ÇÃàºñÆò; ¹ÌÇÐ ; Architectural Plagiarism; Architectural Appropriation; Plagiarism; Appropriation; Architecture Criticism; Aesthetics
¿ä¾à1 ´Ù¾çÇÑ ¿¹¼ú ºÐ¾ß¿¡¼­ Â÷¿ëÀÌ È°¼ºÈ­µÇ¾î ÀÖ´Ù. º»·¡ ¼ø¼öÇÑ Ã¢Á¶´Â µå¹® °ÍÀÌ¸ç ´ëºÎºÐÀÇ Ã¢Á¶´Â Â÷¿ëÀÌ´Ù. º» ¿¬±¸´Â °ÇÃ๰ÀÇ Ç¥Àý ÀÇȤ »ç·Ê¸¦ Â÷¿ë¹ÌÇÐÀÇ °üÁ¡¿¡¼­ ºÐ¼®ÇÏ´Â ºñÆò¸ðÇüÀ» ¸¸µå´Â ¿¬±¸ÀÌ´Ù. ¼±Ç࿬±¸¿¡¼­´Â Â÷¿ë¹ÌÇÐÀ» ±×´ë·Î Àû¿ëÇÏ¿© °ÇÃà°¡°¡ Â÷¿ëÀ» ÁÖÀåÇÏ´Â »ç·Ê¿¡ ´ëÇÑ °ÇÃàÂ÷¿ëºñÆòÀ» ÁøÇàÇß´Ù. º» ¿¬±¸¿¡¼­´Â Ç¥Àý ÀÇȤÀÌ ÀÖ´Â °ÇÃ๰ÀÇ °ÇÃà°¡°¡ Â÷¿ëÀ» ÁÖÀåÇÏÁö ¾Ê´õ¶óµµ Â÷¿ë¹ÌÇÐÀÇ °üÁ¡¿¡¼­ °ÇÃàÂ÷¿ëÀ» ºÐ¼®Çغ¸±â À§ÇØ, ¼±Ç࿬±¸¿¡¼­ »ç¿ëÇÑ °ÇÃàÂ÷¿ëºñÆò¸ðÇüÀ» °ÇÃàÀû âÁ¶°úÁ¤À» ¹Ý¿µÇÒ ¼ö ÀÖµµ·Ï ¼öÁ¤ÇÑ´Ù. ¿¬±¸¿¡¼­´Â °ÇÃàÇ¥Àý ³íÀÇÀÇ ÀïÁ¡¿¡ µû¶ó °ÇÃàÂ÷¿ëºñÆòÀÇ Á¢±Ù¹ýÀ» 3°¡Áö °üÁ¡¿¡¼­ Á¦¾ÈÇÑ´Ù. ¿¬±¸¿¡¼­ Á¦¾ÈÇÏ´Â °ÇÃàÂ÷¿ëºñÆòÀÇ Á¢±Ù¹ýÀº °ÇÃàÀÇ »óÇ°È­¸¦ ºñÆòÀÇ ´ë»ó¿¡¼­ Á¦¿ÜÇÏ´Â °Í, ±â¼úÀû °üÁ¡, ¹ÌÇÐÀû °üÁ¡ÀÇ Á¢±Ù¹ýÀÌ´Ù. ´õºÒ¾î ¼±Ç࿬±¸¿¡¼­ »ç¿ëÇÑ °ÇÃàÂ÷¿ëºñÆò¸ðÇü¿¡ ¿¹¼úºñÆòÀÇ ±¸Á¶ 3´Ü°èÀÎ ±â¼ú, Çؼ®, Æò°¡ÀÇ ´Ü°è·Î ±¸ºÐÇÏ¿© °¢ ´Ü°èÀÇ ºñÆò ÇàÀ§¸¦ ±¸Ã¼ÀûÀ¸·Î ¼³¸íÇÑ´Ù. º» ¿¬±¸¿¡¼­´Â ±âÁ¸ÀÇ °ÇÃàÂ÷¿ëºñÆò¸ðÇüÀ» È®ÀåÇÏ¿©, Ç¥Àý ÀÇȤ »ç·Ê¿¡ ´ëÇÑ °ÇÃàÂ÷¿ëºñÆò¸ðÇüÀ» ±¸ÃàÇÏ¿´´Ù. Èļӿ¬±¸¿¡¼­´Â º» ¿¬±¸ÀÇ °á°ú·Î µµÃâµÈ °ÇÃàÂ÷¿ëºñÆò¸ðÇüÀ» Àû¿ëÇÏ¿© ½ÇÁ¦ Ç¥Àý ÀÇȤÀÌ ÀÖ´Â °ÇÃ๰¿¡ ´ëÇؼ­ °ÇÃàÂ÷¿ëºñÆòÀ» ÁøÇàÇÑ´Ù.
¿ä¾à2 In different types of arts, appropriation is understood as a creative method. The pure creations are rare and most of the creations are the
appropriations in art. The study constructed a criticism model on architectural appropriation based on the aesthetics of appropriation.
Previously the criticism flow chart of architectural appropriation was suggested for just the cases which the architects mentioned about
borrowing ideas or inspiring projects. This study forced on the accused cases of plagiarism which the architects never mentioned about the
idea of appropriation. Therefore the study suggested 3 different criticism approaches; excluding the commodified architectures, tectonic
approach, and aesthetic approach. In addition to that, the structure of art criticism was applied in the new model which is the description,
interpretation, and evaluation to explain the specific stage of each criticism. As a result, the study reconstructed criticism model on the
architectural appropriation for the accused cases of plagiarism which the architects did not have mentioned on appropriation. The next study
will use the new criticism model on the real cases on architectural plagiarism. Therefore the view of creation in architecture may change to
accept the idea of aesthetics of appropriation.
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
DOI https://doi.org/10.5659/JAIK.2020.36.11.117
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