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Architecture & Urban Research Institute

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³í¹®¸í ¸ðµâ·¯ ½Ã½ºÅÛÀ» Àû¿ëÇÑ ÀϺ» Çö´ë °ÇÃà°¡ÀÇ ÆÄºô¸®¿Â ¿¬±¸ / A Study on the Pavilion of Modern Japanese Architects with Modular System
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ISSN 1738-818X
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ÁÖÁ¦¾î ¹®È­; ÆÄºô¸®¿Â; ¸ðµâ ½Ã½ºÅÛ; ÀϺ» ; Culture; Pavilion architecture; Module system; Japan
¿ä¾à2 Pavilion architecture is the object of social communication in the boundaries of architecture and art. Also, the current Pavilion, which is making various attempts to solve many problems in society actively and positively, is the subject of experience to generate maximum effect on the basis of economic small capital. The purpose of this study is to analyze how to take advantage of the modular system, investigate whether cultural functions are evident, and present the spatial design methods necessary for revitalizing local culture. As a result of this, Pavilion, a modern Japanese architect, shows the selection of module systems and structural module materials in the economy of transitory cultural content of public nature. The architectural features of Japanese architects applying modules mainly have economic efficiency and are capable of temporary events. These characteristics can form an event space through the content of local culture, and the selection of materials in the process can be a placeality, or a component of local content. In addition, through the void space, which is made up of Pavilion, various cultural complexes such as music and exhibitions can be formed. Therefore, it is suggested that the Pavilion of the economical material and module system is the architectural space method required for revitalizing the local culture.
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