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³í¹®¸í ¹®È­¸ðµ¨°³³äÀÇ °ÇÃàÀû ¼ö¿ë °úÁ¤¿¡ °üÇÑ ¿¬±¸ / On the Architectural Reception of the Concept "Modeles Culturels" - focusing on the discourses of Bernard Huet's group - / º£¸£³ª¸£ À§¿§ ±×·ìÀÇ ³íÀǸ¦ Áß½ÉÀ¸·Î
ÀúÀÚ¸í ÀÌÁ¾¿ì(Lee, Jong-Woo)½Äº°ÀúÀÚ
¹ßÇà»ç ´ëÇѰÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è, Vol.35 No.02 (2019-02)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(63) ÃÑÆäÀÌÁö(10)
ISSN 1226-9093
ÁÖÁ¦ºÐ·ù ¿ª»ç
ÁÖÁ¦¾î ¹®È­¸ðµ¨ ; º£¸£³ª¸£ À§¿§ ; ÁýÇÕÁÖ°Å ; µðÀÚÀÎ ¹æ¹ý·Ð ; »çȸÇÐ ; »çȸÀû °ø°£ ; °ÇÃàÀû °ø°£ ; Modeles culturels ; Bernard Huet ; Collective Housing ; Design Methods ; Sociology ; Social space ; Architectural space
¿ä¾à2 This research deals with context and process of the reception of the sociological concept of "modeles culturels" by French architects gathered around Bernard Huet in the late 1960s and the early 1970s. While this concept had its own shortcomings as sociological tool, its reception by some architects in collaboration with sociologists produced a series of meaningful debates when the role of inhabitants in collective housing design was a common issue. Through the analysis this research could situate the architectural reception of the modeles culturels in comparison with other then competing tendencies such as "flexibility tendency" and Design methods movement. It argues that the most significant meaning of the reception of modeles culturels lies in its advanced and critical view on the relations and hiatus between the "social space" of the inhabitants characterized in particular by its topological nature and the "architectural space" of the architects characterized by its Euclidian geometrical nature.
¼ÒÀåó ´ëÇѰÇÃàÇÐȸ
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DOI https://doi.org/10.5659/JAIK_PD.2019.35.2.63
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