| 논문명 |
광주폴리 프로젝트에 내포된 기호학적 의미작용 연구 / A Study on the Semiotic Signification implicit in the Gwangju Folly Project - Focus on the Roland Barthes' Semiotics - / 롤랑바르트 기호학 방법론을 중심으로 |
| 수록사항 |
한국문화공간건축학회 논문집, 통권 제62호 (2018-05) |
| 주제어 |
기호학 ; 광주폴리 ; 공공미술 ; 문화지리학 ; 롤랑바르트 ; Semiotics ; Gwangju Folly ; Public Art ; Cultural Geography ; Roland Barthes |
| 요약2 |
The 'Gwangju Folly Project' has acted as a medium to stimulate the cultural regeneration of Gwangju old city center by installing 'Follies', small public artworks in the city center. This study attempts a semiotic analysis on the cultural geography of the space that is taking place through the Gwangju Folly Projects to validate the project. Semiotics methodology employed in this paper focuses, through the signification process in which 'Gwnagju Folly' space is producing and reproducing, on what individual symbols or symbol systems are excluded, which symbols are selected, and how the selected symbols are recombined. The purpose of this study is to examine what socio-cultural influence ultimately influences the meaning of the newly constructed spaces around 'Gwangju Follies'. The analyses was conducted by comparison among three phases of Gwangju Folly Project analyzing each follies through 'semiotics signification structure'. The study of Gwangju Folly through semiotic analysis found the followings: The original theme of the first folly was the restoration of history, expressed in a superficial sense. However, the intrinsic meaning derived from semiotic analysis was the communication and solidarity between citizens through follies. The second folly works reflect the principles of democracy. Citizens are able to reclaim the spirit of democratization that the good old people have maintained and to think about the values that must be preserved for a better democratic society in the future. The third folly project takes into consideration local contexts, and works that convey universal value and social critical meaning are prominent, and the subjects actively occupy, produce and consume the follies. Through the process of signifying the individual follies in three different phases, it can be seen that the Gwangju Folly project operates as a social entity reflecting the local culture and the identity of the place where the folly is placed. |
