°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇÑ°ÇÃàÇÐȸ|´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è 2018³â 5¿ù

³í¹®¸í ±Ù´ëÈ­·Î ÀÎÇÑ ¹¦Áö¿Í µµ½Ã »çÀÌÀÇ °Å¸® º¯È­¿¡ °üÇÑ ¿¬±¸ / A Study on the Change of Distance between the Cemetery and the City caused by Modernization - Through Comparative Analysis between Paris and Seoul - / Æĸ®¿Í ¼­¿ïÀÇ ºñ±³¸¦ ÅëÇØ
ÀúÀÚ¸í ±â¼¼È£½Äº°ÀúÀÚ
¹ßÇà»ç ´ëÇÑ°ÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è, Vol.34 No.05 (2018-05)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(97) ÃÑÆäÀÌÁö(12)
ISSN 1226-9093
ÁÖÁ¦ºÐ·ù ¿ª»ç
ÁÖÁ¦¾î ±Ù´ëÈ­ ; ¹¦Áö ; ºÀ¾È´ç ; modernization ; cemetery ; ossuary
¿ä¾à2 Death is the side of life which is turned away from us. The life of people in Seoul, however, is disconnected from death. Why? This article compares the historical changes in the cemetery disposition of Paris and Seoul to answer this question. The cemetery is always a meeting place between the living and the dead. In pre-modern cities, the cemetery was close to the people's daily life. However, the fundamental change of urban structure due to modernization has a great influence on the cemetery. With the advent of the train, the world has shrunk and the city has expanded unprecedentedly. In such a situation, the cemetery is expelled to the outside of the city. However, while Paris and Seoul share the same overall flow, they responded differently to the plans for the establishment of large-scale remote cemeteries. In Paris, the plan was canceled by citizens who value their relationship with the dead. On the other hand, Seoul was unable to manage the cemetery due to social confusion in 20th century. All cemeteries were expelled as industrialization began. As a result, there is no public cemetery or ossuary at present in Seoul. In Seoul, about 20 years ago however, a new kind of place for the dead began to appear. It is an ossuary attached to religious facilities. In other words, the current cemetery of Seoul is divided into two forms : the public cemetery, which is expelled from the city, and the private ossuary, which is attached to religious facilities built in the city.
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
DOI https://doi.org/10.5659/JAIK_PD.2018.34.5.97
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > °ÇÃà·Ð ÀϹÝ

°ÇÃ࿪»ç ¹× ÀÌ·Ð > ¼­¾ç ±Ù´ë°ÇÃà > ½Ã¼³À¯Çüº° ¿¬±¸

°ÇÃ࿪»ç ¹× ÀÌ·Ð > Çѱ¹ ±Ù´ë °ÇÃà > °ø°ø°ÇÃà

¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
Ä¿¹Â´ÏƼ °ø°£À» ¿¬°èÇÑ ºÀ¾È´ç(ÜåäÌÓÑ) °ø°£°èȹ¿¡ °üÇÑ ¿¬±¸
ÇÑÇý¼± - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.2(Åë±Ç 61È£) (200704)
¹¦Áö °ÇÃàÀ» ÅëÇÑ »ê ÀÚ¿Í Á×Àº ÀÚ »çÀÌÀÇ ¸¸³²ÀÇ ¹æ½ÄÀÇ º¯È­¿¡ °üÇÑ ¿¬±¸
±â¼¼È£(Kee, Se-Ho) ; ¹éÁø(Baek, Jin) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý : Vol.37 No.06 (202106)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
Çѱ¹ À幦¹®È­¿Í Çö´ëÀû Á×À½ÀÇ ÀÇ¹Ì °íÂûÀ» ÅëÇÑ À幦½Ã¼³ °èȹ¾È
ÇѼÛÀÌ ; ÀÌ°­¾÷ - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : (200710)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
Àå»ç¹®È­ÀÇ º¯È­¿¡ µû¸¥ ºÀ¾È´ç °ÇÃà°èȹ¿¡ °üÇÑ ¿¬±¸
¼ÕÁø¼º(Son, Jin-Seong) ; ±èµ¿ÈÆ(Kim, Dong-Hoon) - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Vol.39 No.1 (201904)
ÀϺ» À幦½Ã¼³ÀÇ °ø°£ºÐ¼®À» ÅëÇÑ °èȹƯ¼º ¿¬±¸
¹ÚÇü¹Î(Park, Hyeong-Min) ; ±è¿µÈÆ(Kim, Young-Hoon) - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Vol.37 No.2 (201710)
¡á Á¦ 1 ÀúÀÚÀÇ ´Ù¸¥ ¹®Çå ½Äº°ÀúÀÚ´õº¸±â
À̽ð¡¹Ì ÁؾßÀÇ KAIT °ø¹æ¿¡¼­ ³ªÅ¸³ª´Â ÇüÅÂ¿Í ±â´É »çÀÌÀÇ °ü°è¿¡ °üÇÑ ¿¬±¸
±â¼¼È£ - Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý : Åë±Ç Á¦86È£ (202405)
µµ½Ã¹¦ÁöÀÇ ¹ýÁ¦µµÀû À¯Çü¿¡ °üÇÑ ¿¬±¸
±â¼¼È£(Kee, Se-Ho) ; ¹éÁø(Baek, Jin) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý : Vol.40 No.1 (202401)
µµ½Ã¹¦Áö °ü·Ã ¹ýÁ¦µµÀÇ º¯Ãµ °úÁ¤¿¡ ´ëÇÑ ¿¬±¸
±â¼¼È£(Kee, Se-Ho) ; ¹éÁø(Baek, Jin) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý : Vol.39 No.9 (202309)
¹¦Áö °ÇÃàÀ» ÅëÇÑ »ê ÀÚ¿Í Á×Àº ÀÚ »çÀÌÀÇ ¸¸³²ÀÇ ¹æ½ÄÀÇ º¯È­¿¡ °üÇÑ ¿¬±¸
±â¼¼È£(Kee, Se-Ho) ; ¹éÁø(Baek, Jin) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý : Vol.37 No.06 (202106)
¿ä¼ÒÀÇ ¹«ÀÛÀ§Àû ¹èÄ¡·Î ±¸¼ºµÈ °ÇÃà¿¡ ³»ÀçÇÏ´Â ÇüÅÂ¿Í ±â´É »çÀÌÀÇ ±äÀå °ü°è¿¡ °üÇÑ ¿¬±¸
±â¼¼È£(Kee, Se-Ho) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : Vol.35 No.08 (201908)
°ÇÃà °³³äÀÇ ±â´ÉÀû Ãø¸é°ú Ç¥ÇöÀû Ãø¸éÀÇ °ü°è¿¡ °üÇÑ ¿¬±¸
±â¼¼È£(Kee, Se-Ho) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : Vol.34 No.12 (201812)
±Ù´ëÈ­·Î ÀÎÇÑ ¹¦Áö ¹èÄ¡ÀÇ µµ½ÃÀû º¯È­
±â¼¼È£(Kee, Se-Ho) ; ¹éÁø(Baek, Jin) - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Vol.36 No.1 (201604)
[SERIAL] ¼­¿ï´ëÇб³: PRIVATE CITY / PUBLIC HOME
±â¼¼È£ ; ÀÌÁø°æ - ¿ù°£ °ÇÃ๮ȭ : No.366 (201111)
WALKING ON THE URBAN CANVAS
±â¼¼È£ ; ÀÌÁø°æ - ¿ù°£ °ÇÃ๮ȭ : No.344 (201001)