| ³í¹®¸í |
¼Ò¼È À̳뺣ÀÌ¼Ç °üÁ¡ÀÇ ¾÷»çÀÌŬ¸µ µðÀÚÀÎ ½Ã¹Î±³À° ÇÁ·Î±×·¥ ¿¬±¸ / A Study on Upcycling Design Citizen Education Program as Social Innovation -In the Cases of Non-Profit Organization's Programs of Overseas- / ÇØ¿Ü ºñ¿µ¸®±â°ü ÇÁ·Î±×·¥ »ç·Ê¸¦ Áß½ÉÀ¸·Î |
| ÀúÀÚ¸í |
¾È¼ºÈñ(Sunghee Ahn) ; ½ÅÀ±Àç(Yoonjae Shin) |
| ¼ö·Ï»çÇ× |
Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý, Vol.13 No.01 (2018-02) |
| ÆäÀÌÁö |
½ÃÀÛÆäÀÌÁö(43) ÃÑÆäÀÌÁö(14) |
| ÁÖÁ¦¾î |
¾÷»çÀÌŬ¸µ ; ¾÷»çÀÌŬ¸µ µðÀÚÀÎ ; ½Ã¹Î±³À° ÇÁ·Î±×·¥ ; ºñ¿µ¸®±â°ü ÇÁ·Î±×·¥ ; ¼Ò¼È À̳뺣ÀÌ¼Ç ; Upcycling ; Upcycling Design ; Citizen Education Program ; Non-Profit Organization's Program ; Social Innovation |
| ¿ä¾à1 |
(¿¬±¸ ¹è°æ ¹× ¸ñÀû) 4Â÷ »ê¾÷Çõ¸íÀ¸·Î ºÒ¸®´Â ±â¼úÇõ¸íÀº, ±×µ¿¾È ¹Ì·ç¾î µÎ¾ú´ø »çȸ¹®Á¦µé°ú °¡¼Óȵǰí Àִ ȯ°æÀû À§Çù°ú ¸Â¹°·Á »çȸ¿Í »ê¾÷ÀÇ ÃÑüÀû Àüȯ±â¸¦ Á¶¼ºÇϰí ÀÖ´Ù. ÀÌÁ¦ ¸ðµç »ç¶÷ÀÌ µðÀÚÀÎÀ» ÇÏ´Â ½Ã´ëÀÇ ¹®Åο¡ ¿Í ÀÖ´Ù°í ÇØµµ °ú¾ðÀÌ ¾Æ´Ñ ½ÃÁ¡¿¡ ´Ù´Ù¶ú´Ù. ¶ÇÇÑ ÈçÈ÷ °ø°£À» Á¦ÀÏ ¸ÕÀú »ý°¢ÇÏ°Ô µÇ´Â µðÀÚÀÎ ±³À° ¿ª½Ã °ø°£º¸´Ù´Â ÄÜÅÙÃ÷ Áß½ÉÀûÀÎ »õ·Î¿î ´ë¾È¿¡ ´ëÇÑ ¼ö¿ä°¡ »ý°Ü³ª°í ÀÖ´Ù. Áö³ª°£ 20¼¼±âÀÇ »ê¾÷ÀÇ ºÐ·ù¿¡ ¸ÂÃß¾îÁ® ÀÖ´ø µðÀÚÀΰú µðÀÚÀÎ ±³À°ÀÇ ºÐ·ùü°è´Â ÀÌÁ¦ »õ·Ó°Ô ÅëÇյǰí ÀÖ´Ù. ÀÌ·¯ÇÑ ½Ã´ëÀûÀÎ ¾ç»ó¿¡¼ ÇÑ ¹ß ´õ ³ª¾Æ°¡ ¾÷»çÀÌŬ¸µ µðÀÚÀÎ(Upcycling Design)À» ´Ü¼øÈ÷ ȯ°æÀûÀÎ Â÷¿øÀ̳ª Àü¹® µðÀÚÀ̳ÊÀÇ Â÷¿øÀÌ ¾Æ´Ñ ½Ã¹Î ¸ðµÎ¸¦ À§ÇÑ µðÀÚÀα³À°À̶ó´Â »çȸÀûÀÎ °üÁ¡À» ´ã¾Æ¼ Ãâ¹ßÇϰíÀÚ ÇÑ´Ù. º» ¿¬±¸´Â ÀÌ·¯ÇÑ ½Ã´ëÀÇ È帧À» ¹Ý¿µÇÏ¿© ÃÖ±Ù ´ëµÎµÇ°í ÀÖ´Â ¾÷»çÀÌŬ¸µ µðÀÚÀÎÀ» »çȸ¹®Á¦ ÇØ°á¿¡ ´ÏÁ µÐ ¼Ò¼È À̳뺣ÀÌ¼Ç °üÁ¡ÀÇ ½Ã¹Î±³À° ÄÜÅÙÃ÷·Î º¸°í, âÀÇÀû ½Ã¹Î±³À°ÀÇ ´ë¾ÈÀ¸·Î¼ ¾÷»çÀÌŬ¸µ µðÀÚÀÎÀÇ »õ·Î¿î °¡Ä¡¸¦ ¿¬±¸¸¦ ÅëÇØ ÀÚ¸®¸Å±èÇØ º¸°íÀÚ ÇÏ¿´´Ù. (¿¬±¸¹æ¹ý) ¿¬±¸ÀÇ °¡¼³Àº, ȯ°æÀû °¡Ä¡¿¡¼¸¸ ´Ù·ç¾îÁ³´ø ¾÷»çÀÌŬ¸µ µðÀÚÀÎÀÌ ±× Ư¼º »ó ÃÖ±Ù µðÀÚÀο¡ ÀÖ¾î ¿ä±¸µÇ°í ÀÖ´Â »çȸÀûÀÎ ±â¿©, °øµ¿ Á¦ÀÛ µîÀÇ ¼Ò¼È À̳뺣À̼ÇÀû ¿ä¼ÒµéÀ» µðÀÚÀ̳Ê(±³À°ÀÚ)¸¦ ºñ·ÔÇÑ ÇDZ³À°ÀÚÀÎ Âü¿©ÀÚ ¸ðµÎ¿¡°Ô °æÇèÇÏ°Ô ÇÏ´Â Èï¹Ì·Î¿î ´ë¾ÈÀû µðÀÚÀÎ Á¶Çü ±³À° ÇÁ·Î±×·¥ÀÇ ÄÜÅÙÃ÷¸¦ Á¦°øÇÒ ¼ö ÀÖ´Â °¡´É¼ºÀÌ ÀÖ´Ù´Â °ÍÀÌ´Ù. ¿¬±¸ ¹æ¹ý·ÐÀº »ç·Ê¿¬±¸¸¦ ÅëÇÑ Á¤¼º¿¬±¸ ¹æ¹ý·ÐÀÌ´Ù. º» ³í¹®Àº °¡¼³À» ±â¹ÝÀ¸·Î ¹®Ç忬±¸¸¦ ÁøÇàÇϰí ÇØ¿Ü ºñ¿µ¸® ±â°üÀÇ ¾÷»çÀÌŬ¸µ µðÀÚÀÎ »ç·Ê¿¬±¸¿Í ºÐ¼®À» ÅëÇØ ¼Ò¼È À̳뺣ÀÌ¼Ç ½Ã¹Î±³À° ÇÁ·Î±×·¥ÀÇ Æ¯Â¡¿ä¼ÒµéÀ» ÃßÃâÇÏ¿´´Ù. (°á°ú) ¿¬±¸ÀÇ °á°ú·Î¼ »ç·Ê¸¦ ÅëÇØ ¼Ò¼È À̳뺣ÀÌ¼Ç °üÁ¡ÀÇ ½Ã¹Î±³À° ÄÜÅÙÃ÷·Î¼ÀÇ Æ¯Â¡À» ºÐ¼®Çϰí, '¾÷»çÀÌŬ¸µ µðÀÚÀÎ ¼Ò¼È À̳뺣ÀÌ¼Ç ½Ã¹Î±³À° ÇÁ·Î±×·¥ ¿ä¼Ò'¸¦ 4°¡Áö·Î ÃßÃâÇÏ¿´´Ù. ±×¸®°í À̸¦ ¹Ý¿µÇÑ '¾÷»çÀÌŬ¸µ µðÀÚÀÎ ±³À° ÇÁ·Î±×·¥ Ư¼º ¸Ê'°ú '¼Ò¼È À̳뺣ÀÌ¼Ç °üÁ¡ ¾÷»çÀÌŬ¸µ ½Ã¹Î±³À° ÇÁ·Î±×·¥ÀÇ Æ¯¼º ¸ðÇü'À» °³¹ßÇÏ¿´´Ù. (°á·Ð) À̸¦ ÅëÇÏ¿© º» ¿¬±¸´Â ¾÷»çÀÌŬ¸µ µðÀÚÀÎ °³³äÀÇ ÀÌ·ÐÀû?½ÇÁ¦Àû ¿µ¿ªÀÇ È®Àå¿¡ ´ëÇÑ À¯È¿ÇÑ ±âÃÊ¿¬±¸¸¦ Á¦°øÇÒ °ÍÀÌ´Ù. µ¿½Ã¿¡ ÀÛ±ÝÀÇ ½Ã´ëÀû ¿ä±¸¸¦ ¹Ý¿µÇÑ ¼Ò¼È À̳뺣ÀÌ¼Ç °üÁ¡ µðÀÚÀÎ ±³À°ÀÇ ½ÇõÀû ´ë¾ÈÀ» ¸¶·ÃÇϴµ¥ ¹æÇ⼺À» Á¦°øÇϰí ÇâÈÄ ´ë¾ÈÀû °ø°ø ±³À°±â°üÀÇ ±³À° ÇÁ·Î±×·¥ °³¹ß°ú ±âȹ¿¡ ÇÊ¿äÇÑ °Å¹ö³Í½º ÄÜÅÙÃ÷ µðÀÚÀο¡µµ ±â¿©ÇÒ ¼ö ÀÖÀ» °ÍÀÌ´Ù. |
| ¿ä¾à2 |
(Research Background and Purpose) Various social problems, environmental threats, and an accelerating technological revolution have emerged in the 21st century. An upcycling design is rapidly emerging in response to the social and environmental demand for sustainable life resulting from changes in society and industry. We are at the threshold of the age of design, thanks to a networked society connected by Internet broadband. Design educators?often the first to think about space?are also creating a demand for new content-oriented alternatives . Corresponding to the current wave of change, the fields of design and design education have become tailored to a new integrated system, which represents a transformation from the early industrial format of the 20th century. This paper begins from the viewpoint that upcycling design is an innovation, not just as an environmental dimension or a professional designer's dimension. The purpose of this study is to investigate and revise the value of upcycling design according to creative educational contents for citizens reflecting current trends?in other words, as a "social innovation." (Research Method) The hypothesis of the study is that upcycling design has the potential to provide the content for an interesting alternative design education program based on problem solving, social innovations (contributions), co-designs, and collaboration among participants and designers (educators). The methodology of this paper is qualitative research based on case studies and analyses. Based on the hypothesis, cases of overseas upcycling design education programs were surveyed, and relevant characteristics were extracted and verified. (Results) As a result, this paper identifies the four characteristic elements of social innovation for a citizen education program (based on a case study). This paper presents a "characteristic map of the contents of the upcycling design education program" and a "characteristic model of the citizen education program." (Conclusions) In summary, this paper provides the groundwork for a basic study on the expansion of theoretical and practical domains of upcycling design concepts. It also gives direction for the practical alternative of design education from the perspective of social innovation reflecting the needs of the times. This paper will contribute to the design of a suitable content governance system that is necessary for educational program development and planning of alternative public education institutions and cultural spaces. |