°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹°ø°£µðÀÚÀÎÇÐȸ|³í¹®Áý 2017³â 12¿ù

³í¹®¸í ¾Èµµ ´Ù´Ù¿À ÁְŰÇÃàÀÇ °ø°£±¸¼º°ú µ¿¼±¿¡ °üÇÑ ¿¬±¸ / The Study of Ando Tadao's Space configuration and Circulation of Residential Architecture
ÀúÀÚ¸í ¹ÚÇ×¼·(Hangsub Park) ; ±è¿ë¼º(Yongsung Kim)
¹ßÇà»ç Çѱ¹°ø°£µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý, Vol.12 No.06 (2017-12)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(275) ÃÑÆäÀÌÁö(13)
ISSN 1976-4405
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è / µµ½Ã
ÁÖÁ¦¾î ¾Èµµ ´Ù´Ù¿À ; ÁÖ°Å °ÇÃà ; °ø°£ ±¸¼º ; µ¿¼± ; °ÇÃàÀû »ç°í ; »ç·ÊºÐ¼® ; Ando Tadao ; Residential Architecture ; Spatial Composition ; Circulation ; Architectural Thought ; Case Study
¿ä¾à1 (¿¬±¸¹è°æ ¹× ¸ñÀû) ¾Èµµ ´Ù´Ù¿À´Â Ãʱâ ÁְŰÇÃà¿¡¼­ºÎÅÍ ±×ÀÇ °ÇÃàÀûÀÎ ½Å³äÀ» ¹ÙÅÁÀ¸·Î ÇÑ ÁÖÅÃÀÛǰÀ¸·Î °ÇÃà°¡ÀÇ ¸í¼ºÀ» ¾ò±â ½ÃÀÛÇß´Ù. ¾Èµµ´Â °ÇÃàÀÇ ½ÃÀÛºÎÅÍ ÀϺ»ÀÇ ÀüÅ뼺°ú ÇÕ¸®Àû ¸ð´õ´ÏÁòÀ» µ¿½Ã¿¡ ³»Æ÷ÇÏ´Â °ÇÃàÀ» ½ÃµµÇÏ¿´À¸¸ç, ¾Èµµ °ÇÃàÀÇ Æ¯Â¡À¸·Î´Â ³ëÃâÄÜÅ©¸®Æ®, ±âÇÏÇÐ ±¸¼º, ÀÚ¿¬ÀÇ µµÀÔ µîÀ» ¾ð±ÞÇÑ´Ù. ¾ÈµµÀÇ ÁÖÅÿ¡´Â º¸ÆíÀûÀ¸·Î ¸ð´õ´ÏÁò, ³ëÃâ ÄÜÅ©¸®Æ®, °£°áÇÑ ¼ÒÀç»ç¿ë°ú ´Ü¼ø ±âÇÏÇÐ ±¸¼º, ÁßÁ¤°ú ÀÚ¿¬ÀÇ µµÀÔ, ºñ¿ò°ú dz¿ä·Î¿ò, ºñ¿¬¼ÓÀûÀÎ µ¿¼±, Áö¿ª¼º°ú Àΰ£ÀÇ »î, ÀϺ» ÀüÅ뼺ÀÇ Á¢¸ñ, ³¶ºñÇÔÀÌ ¾ø´Â Ä¡¹ÐÇÑ µðÀÚÀÎ µîÀÌ ¹Ý¿µµÈ ¾Èµµ¸¸ÀÇ °ÇÃà ¾ð¾î¸¦ ³»Àç½Ã۰í ÀÖ´Ù. ¾ÈµµÀÇ ÁְŰÇÃà¿¡´Â °ÇÃàÀûÀÎ »ç°í°¡ Åõ¿µµÇ¾î ÀÖÀ¸¸ç, ¿¬ÃâÀûÀÎ °ø°£±¸¼º°ú µ¿¼±À» °ü°è½ÃŲ´Ù. º» ¿¬±¸´Â ¾Èµµ ÁְŰÇÃàÀÇ °ø°£±¸¼º°ú µ¿¼±ÀÇ ¿ªÇÒÀ» ¹àÈ÷´Â µ¥¿¡ ¿¬±¸ÀÇ ¸ñÀû°ú ÀÇÀǸ¦ µÎ¸ç, ÀÌ·¯ÇÑ ¿¬±¸°¡ ÁְŰÇÃàÀÇ ¿¬±¸ ¹× ¼³°è¿¡ µµ¿òÀÌ µÇ±æ ±â´ëÇÑ´Ù. (¿¬±¸¹æ¹ý) º» ¿¬±¸´Â ¾Èµµ ´Ù´Ù¿À ÁְŰÇÃàÀÇ °ø°£±¸¼º°ú µ¿¼±À» Á¶»ç ºÐ¼®ÇÏ¿© ±×¿¡ ´ëÇÑ Æ¯¼º°ú »óÈ£°£ÀÇ °ü·Ã¼ºÀ» Á¦½ÃÇϱâ À§ÇÑ ¿¬±¸·Î¼­ ¾ÈµµÀÇ ÁְŸ¦ ¼±º°ÇÏ¿© ¹®ÇåÀûÀÎ °íÂû°ú ´Ù¾çÇÑ ÀÚ·áÀÇ Á¶»ç, ºÎºÐÀûÀÎ ´ä»ç µîÀ» ¹ÙÅÁÀ¸·Î ÇÏ¿© ¾Èµµ ÁְŰÇÃàÀÇ °ø°£±¸¼º°ú µ¿¼±¿¡ ´ëÇÑ Æ¯À̼ºÀ» Á¦½ÃÇÏ·Á ÇÑ´Ù. ¿¬±¸´ë»óÀÌ µÇ´Â ÁÖ°Å´Â ¾ÈµµÀÇ ´ëÇ¥µÇ´Â ÁÖ°ÅÀÛǰÀ» ´Üµ¶ÁÖÅÃÀ¸·Î ÇÑÁ¤ÇÏ¿© ¿¬´ëº°°ú °ø°£±¸¼ºÀÇ Æ¯À̼ºÀ¸·Î Æò°¡µÈ ÁÖÅÃÀ» ¼±º°ÇÏ¿´À¸¸ç, ±× ´ë»óÀÇ ÁÖÅÃÀ¸·Î´Â ½º¹Ì¿ä½Ã ³ª°¡¾ß ÁÖÅÃ(Sumiyoshi-Azuma House, 1975-1976), ±âµµ»çŰ ÁÖÅÃ(Kidosaki House, 1982-1985), ³ªÄ«¾ß¸¶ ÁÖÅÃ(Nakayama House, 1983-1985), °í½Ã³ë ÁÖÅÃ(Koshino House, 1983-1984), À̾¾ ÁÖÅÃ(Lee House, 1991-1992), È÷¶ó³ë ÁÖÅÃ(Hirano House, 1995-1996) µîÀ» ´ë»óÀ¸·Î ÇÏ¿´´Ù. ¿¬±¸¹æ¹ýÀÇ ÁøÇàÀº ù°, ¾ÈµµÀÇ ÁÖ°Å¿¡ ´ëÇÑ »ç°í¸¦ °íÂûÇÏ°í µÑ°, ¾ÈµµÀÇ Àü¹ÝÀûÀÎ ÁְŰÇÃàÀÇ °ø°£±¸¼º°ú µ¿¼±¿¡ ´ëÇÑ Á¶»ç¿Í Ư¡À» Á¦½ÃÇÏ¸ç ¼Â°, ¼±º°µÈ °¢ Áְź°¿¡ µû¸¥ »ç·Ê¸¦ ºÐ¼®ÇÏ¿© Á¾ÇÕÀûÀÎ °á°ú¸¦ µµÃâÇϸç, ³¡À¸·Î ÀÌ·¯ÇÑ °úÁ¤À¸·Î ÃßÃâµÇ¾îÁø ³»¿ëµéÀ» Á¤¸®ÇÏ¿© ¾Èµµ ÁְŰÇÃàÀÇ °ø°£±¸¼º°ú µ¿¼±¿¡ ´ëÇÑ °á·ÐÀ» Á¦½ÃÇÑ´Ù. (°á°ú) ¾Èµµ ÁְŰÇÃàÀÇ °ø°£±¸¼º°ú µ¿¼±ÀÇ Æ¯¼ºÀ» ÃßÃâÇϱâ À§ÇÏ¿© ¾Õ¿¡¼­ ¾ð±ÞÇÑ 6°³ÀÇ ÁÖÅÃÀ» ´ë»óÀ¸·Î »ç·ÊºÐ¼®À» ½ÃµµÇÏ¿´°í, »ç·ÊºÐ¼®¿¡¼­ ÃßÃâÇÑ ³»¿ëµéÀ» °ø°£±¸¼º°ú µ¿¼±Ã¼°èÀÇ °üÁ¡À¸·Î ±¸ºÐÇÏ¿© ºÐ¼®ÇÏ¿´´Ù. °ø°£±¸¼ºÀº ¿¡¿ö½Ó°ú ³»ºÎ Áß½ÉÀû °ø°£, Çüżº µîÀ¸·Î ÀçºÐ·ùÇÏ¿© ¿¬±¸ÇÏ¿´À¸¸ç, µ¿¼±Ã¼°è´Â ¿Üº®°ú ÃâÀÔµ¿¼±, ¿¬Ãâ°ø°£°ú ¼öÁ÷µ¿¼± µîÀ¸·Î ÀçºÐ·ùÇÏ¿© ¿¬±¸¡¤Á¤¸®ÇÏ¿´´Ù. ¶ÇÇÑ ÀÌ·¯ÇÑ ³»¿ëµéÀ» Á¾ÇÕÀûÀ¸·Î Æò°¡Çϱâ À§ÇÏ¿© ÁÖÅÃÀ» °ø°£±¸¼ºÀÇ Æ¯Â¡, µ¿¼±ÀÇ Æ¯Â¡, ÁÖ°ÅÀÇ Çüżº µîÀ¸·Î ±¸ºÐÇÏ¿© Ç¥·Î¼­ Á¾ÇÕ Á¤¸®ÇÏ¿© ¼­¼úÇÏ¿´´Ù. (°á·Ð) º» ¿¬±¸¸¦ ÅëÇØ ¾Èµµ ÁְŰÇÃàÀÇ °ø°£±¸¼º°ú µ¿¼±ÀÇ Æ¯Â¡À¸·Î ÃßÃâÇÑ °á·ÐÀº ù°, ¿¡¿ö½Ó°ú °³¹æÀû ³»ºÎ°ø°£ ¿¬ÃâÀÌ°í µÑ°, ³»ºÎ Áß½ÉÀû °ø°£±¸¼ºÀÌ¸ç ¼Â°, ºû°ú °ø°£±¸¼ºÀÌ¸ç ³Ý°, ¿¬Ãâ°ø°£°ú ¼öÁ÷µ¿¼± »ðÀÔÀÌ¸ç ´Ù¼¸Â°, ¿Üº®°ú ÃâÀÔµ¿¼±ÀÇ À¯µµÀÌ¸ç ¿©¼¸Â°, ÁְŰÇÃà¿¡ °¡±¸ÀÇ Àû±ØÀû µµÀÔ µîÀÌ´Ù. º» ¿¬±¸´Â ¾Èµµ ´Ù´Ù¿ÀÀÇ ÁְŰø°£¿¡ °ÇÃàÀû ½Å³ä°ú °ø°£ÀÇ ¿¬Ãâ°ú Àǵµ, ÀÚ¿¬ µîÀÌ ¾î¶°ÇÑ ¹æ¹ýÀ¸·Î Á¢¸ñµÇ¾î Àִ°¡¸¦ ¹àÈ÷´Â µ¥¿¡ ¿¬±¸ÀÇ ÀÇÀǸ¦ µÎ¸ç ÀÌ·¯ÇÑ ¿¬±¸°¡ ÁְŰÇÃà ¿¬±¸ ¹× ¼³°è¿¡ ½Ç¹«Àû µµ¿òÀÌ µÇ±æ ±â´ëÇÑ´Ù.
¿ä¾à2 (Background and Purpose) Ando Tadao became famous by build things based on architectural concepts he learned from early housing construction. From the beginning, Ando attempted to create architecture that simultaneously incorporated Japanese traditions and rational modernism, as well as features of relief architecture, including exposed concrete, geometry and the introduction of nature. Ando's housing embodies his architectural language of modernism, exposed concrete, simple ingredients, and simple geometry, the introduction of nature, the opacity of poverty, the richness of human nature, the gap between tradition and modernity, and the refinement of Japanese heritage. The work of Ando has an architectural mindset that directly relates to spatial composition and transfer. The study aims to establish the purpose and significance of research and development in the field of housing architecture, and hopes that this study will contribute to the field. (Method) Based on research into and investigation of residential architecture and the correlation between spatial composition and building characteristics, the study aims to propose the spatial composition of residential buildings and housing based on research into various materials and research. Houses were screened for housing projects that were designated as single residences, based on detached dwelling in the chronological order of housing and spatial composition, and the homes of the residents of SumiyoshI-Zuuma House, 1975 and 1985 (Kidosaki House, 1982-1985), the Archaeological Site of Nakayama (Republic of Korea), and the Gosino were selected. The research method was to examine the dwelling, and to present the spatial composition of the housing, the spatial composition of the overall residence of Ando, to derive the overall outcome of the housing construction by analyzing the overall housing of the screened out housing according to the screening and analysis of each derived dwelling. (Results) In order to extract the characteristics of the spatial composition of the housing, the spatial composition of the housing was analyzed, and the contents extracted from the case analysis were analyzed separately from the perspective of the spatial composition and Circulation System. The spatial organization was reclassified as bounded by surrounding areas, and was reclassified as the outer area, and the Circulation System was reclassified to the outer walls, the entrance lines, the direction of circulation and the vertical circulation. To comprehensively evaluate these contents, the classification of houses was organized by dividing the characteristics of the spatial composition, the characteristics of the vessel, the morphology of the dwelling, etc. (Conclusions) First, the spatial composition of the residential architecture and the spatial composition of the housing was identified. Second, the spatial composition of the interior was identified. Third, the vertical circulation was identified. Fourth, the entrance to the interior of the house and the introduction of the furniture was done. The study focuses on how to incorporate architectural beliefs and intentions into the residential space of Ando Tadao's residential space, and the ideas and intentions. I hope that these studies will be practical for the study and for designing residential buildings.
¼ÒÀåó Çѱ¹°ø°£µðÀÚÀÎÇÐȸ
¾ð¾î Çѱ¹¾î
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇѰÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
°ÇÃà °ø°£ÀÇ °æ°è ¸ðÈ£¼º°ú Åõ¸í¼º
°í°æÈ£(KO Kyeongho) ; ±è´ö¼ö(KIM Duk-Su) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.07 No.01 (201203)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
¾Ë¹Ù·Î ½ÃÀÚÀÇ °ÇÃà¿¡¼­ ´ëÁö ¸Æ¶ôÀ» °í·ÁÇÑ °Ç¹° ¹èÄ¡ ¹æ¹ý¿¡ °üÇÑ ¿¬±¸
±è¿¬ÁØ(Yonjun Kim) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.13 No.02 (201804)
¾Èµµ ´Ù´Ù¿À ÁְŰÇÃàÀÇ Æ¯¼º¿¡ °üÇÑ ¿¬±¸
±è¿ë¼º(Kim, Yong-Sung) - Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý : Åë±Ç Á¦56È£ (201611)
¾Èµµ ´Ù´Ù¿À °ÇÃà¿¡ ³ªÅ¸³­ ±âÇÏÇÐÀû Ư¡°ú ÀÚ¿¬ ¿ä¼Ò ºÐ¼®
±è½ÅÇý(Kim, Shin-Hye) ; ±è⼺(Kim, Chang-Sung) - Çѱ¹»ýÅÂȯ°æ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Åë±Ç30È£(v.16 n.1) (201605)
[³í¹®] ÄÝÇϽº¿Í Ãò¹ÌÀÇ ¶ó ºô·¹¶ß °ø¿ø °èȹ¾È ºñ±³ ºÐ¼®
±èÀμº - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.20 n.4(Åë±Ç 77È£) (201108)