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¾Ë¹Ù·Î ½ÃÀÚÀÇ °ÇÃà¿¡¼ °î¼± À¯Çü ¹× Æò¸é ±¸¼º ¹æ¹ý¿¡ °üÇÑ ¿¬±¸ / A Study on the Curved Forms and Plan Compositions of Alvaro Siza's Architecture |
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Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý, Vol.12 No.06 (2017-12) |
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½ÃÀÛÆäÀÌÁö(185) ÃÑÆäÀÌÁö(13) |
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¾Ë¹Ù·Î ½ÃÀÚ ; °î¼± À¯Çü ; °î¼± Æò¸é ±¸¼º ; ¿îÇü °î¼± ; Àá½ÄÇü ±¸¼º ; Alvaro Siza ; Curve Type ; Plan Composition by Curve ; Irregular Curve ; Encroached Composition |
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(Background and Purpose) To understand Alvaro Siza's architecture, we look into the generally known characteristics; however, there will be some questions about the essence of Siza's architecture. In order to discover essential elements, one must separate Siza's line concepts into straight lines and curved lines. Following a study of the irregular plan compositions is a study of curved forms and plan composition. If we understand the line, we will be able to correctly understand the architecture made by the line. This study aims to categorize and analyze the curved forms and plan compositions of Siza's works, because it is very hard to define the characteristics of the curved line Siza used in many works over 50 years. (Method) There are several background reasons for using the curved form: First, free sketch; second, drawing and transformation; third, geometric composition. The study method will first clearly identify all of the elements that influenced the curved form of Siza's architecture. Second, the formal types of 103 works will be analyzed. Because there are vast numbers of cases and types, it is very difficult to account for all of them, so the range of this research will be limited to the forms and plan composition of curved lines. Third, in order to analyze the characteristics of the composition principles, the study is constructed to categorize various cases of composition type. Finally, based on the results of the analysis, the interrelationships between types and plan compositions will be presented. (Results) The analysis derived the following correlations from the types of irregular forms and plan compositions. First, Siza adopted the circle, ellipse, spiral, and irregular curve. The spiral and irregular curves are more complex and free. Second, using these curve forms, Siza created various compositions, such as space between two straight lines, concentric circles, arcs of different widths, and overlapping compositions; this point is what makes the study unique. Third, the "space between straight lines" type is composed in such a way as to smooth mass and create spatial hierarchy, while the "concentric circle" type enhances the spatiality of curves. Fourth, the overlapping composition type is newly defined as an original concept of Siza. Furthermore, in more recent works in which the scale of building increases and the programs vary, plan compositions become more complex. (Conclusion) This study clarifies the details and nuances of the delicate forms and compositions of the curved plans in Siza's architecture, and can be suggested as a practical methodology for architectural work analysis to be applied while designing architectural works. With further study of the straight line, irregular forms, and plans, another essential aspect of Siza can be fully understood. |