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»ýŹڹ°°ü ¸®´º¾ó¿¡ ÀÖ¾î¼ È¯°æÀû °æÇèµðÀÚÀο¡ °üÇÑ ¿¬±¸ / A Study on Ambient Experience Design in Renewal of Ecological Museum |
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Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý, Vol.12 No.05 (2017-10) |
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½ÃÀÛÆäÀÌÁö(203) ÃÑÆäÀÌÁö(13) |
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»ýŹڹ°°ü ; üÇè ; Àü½ÃµðÀÚÀÎ ; ¸®´º¾ó ; ȯ°æÀû °æÇèµðÀÚÀÎ ; Ecological Museum ; Experience ; Exhibition Design ; Renewal ; Ambient Experience Design |
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(Background and Purpose) Museums have been expanding into cultural spaces that value various spatial experiences. In recent years, as part of efforts to improve the level of visitors' diverse needs and exhibitions, renewal during the exhibition are expanding in the medium to long term. However, due to the development of accelerated media and changes in viewing behavior, the frequency of contents is shortened, and this satisfies temporary visitors. Currently, many exhibitions are lacking in delivering emotions due to predictable topic delivery and superficial experiences in exhibits, and it is difficult to maintain sustainability of exhibition content and presentation media. This research aims to find a direction of renewal from the viewpoint of improving the "Ambient Visitor Experience" rather than improving the physical environment by rebuilding and planning the ecological museum. (Method) The comparative analysis of the experience theory of John Dewey, as well as the experience of major researchers such as Bernd H. Schmitt and Douglas Wort were conducted. We redefined the concept of design of ambient experiences, and analyzed the structure of the "Ambient Visitor Experience". The ecological museum, which is set as the subject space of this study, is an experiential learning space that makes people think about a way of life in which human beings and nature can coexist through the relationship between living creatures and the ecological environment of the ecosystem. In this research, five kinds of expressive elements of ambient experience design have been analyzed and applied to the case analysis of domestic ecological museums, and directionality and a proposal is made for an ambient experience design methodology which should be renewed before exhibitions. (Results) The success factors of the improvement of the exhibition environment are related not to the improvement of the physical environment, the exhibition scale, and the exhibitions of experience but to the ambient experience of the visitors and the relational density of the overall experience factors. That is, the enhancement of the viewer's experience is possible when the exhibition theme, narrative structure, and development. (Conclusions) In the renewal of the ecological museum, exhibitions using environmental experience design model, rather than physical and surface experience, result in creative thinking and the improvement of visitor experience. The model also provides the viewer with a true sense of experience, and creates an atmosphere. This will lead to the joy of discovering new things through the "transformation of thoughts" and meaningful behavior and practice. This study is valuable because it presents practical guidelines for environmental experience design in the renewal process of ecological museums. |