°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹°ø°£µðÀÚÀÎÇÐȸ|³í¹®Áý 2017³â 10¿ù

³í¹®¸í ¼ø¹¦(?ÙÖ)±¸Á¶¸¦ È°¿ëÇÑ Æ˾÷ Àü½Ã°ø°£ µðÀÚÀο¡ °üÇÑ ¿¬±¸ / A Study on Pop-up Exhibition Space Design Using Sunmyo(?ÙÖ) Structure
ÀúÀÚ¸í Á¤Ã»´Ü ; ÀÌÁ¤±³
¹ßÇà»ç Çѱ¹°ø°£µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý, Vol.12 No.05 (2017-10)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(49) ÃÑÆäÀÌÁö(12)
ISSN 1976-4405
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è / µµ½Ã
ÁÖÁ¦¾î ¼ø¹¦±¸Á¶ ; ÀüÅë ¸ñ±¸Á¶ ; Æ˾÷ Àü½Ã°ø°£ ; Æ˾÷ °ø°£ ; °ø°£µðÀÚÀÎ ; Sunmyo structure ; Traditional wooden structure ; Pop-up exhibition space ; Pop-up space ; Spatial design
¿ä¾à1 (¿¬±¸¹è°æ ¹× ¸ñÀû) ÇöÀç ÃÊ°í¼Ó Á¤º¸È­ ½Ã´ë¿¡ ´Ü ½Ã°£¿¡ È¿À²ÀûÀÌ°í ¹®È­Àû °¡Ä¡¸¦ Á¦°øÇÒ ¼ö ÀÖ´Â Æ˾÷ Àü½Ã°ø°£ÀÌ ¹®È­¸¶ÄÉÆà Àü·«¿¡ ¿ä±¸µÇ°í ÀÖ´Ù. ÀÌ·¯ÇÑ ¹è°æ ¼Ó¿¡ ¸ðµâÈ­ µÈ À¯´ÖÀ» ¸Þ´º¾ó¿¡ µû¶ó ºÐÇØ¿Í Á¶¸³ÀÌ ½±°Ô ÀÌ·ç¾îÁö´Â ¸ðµâÈ­ ¹æ½ÄÀÇ È°¿ëÀÌ Àý½ÇÈ÷ ÇÊ¿äÇÒ ¶§ÀÌ´Ù. µû¶ó¼­ ÀüÅë ¸ñ±¸Á¶ ¸ÂÃã°ú ÀÌÀ½À¸·Î Â¥ÀÎ °á±¸ üÀÌÀÚ ¹®È­¿ä¼Ò°¡ ³»Æ÷µÈ ¼ø¹¦±¸Á¶¸¦ È°¿ëÇÏ¿© ´õ¿í È¿À²ÀûÀÌ°í Áö¼Ó°¡´ÉÇÑ °ø°£ °¡Ä¡¸¦ Á¦°øÇÏ°íÀÚ ÇÑ´Ù. À̸¦ À§ÇÏ¿© ÀüÅë ¸ñ±¸Á¶ÀÎ ¼ø¹¦±¸Á¶ ¿ä¼Ò¸¦ È¿°úÀûÀ¸·Î È°¿ëÇÑ Æ˾÷ Àü½Ã°ø°£ÀÇ Æ¯¼ºÀ» ºÐ¼®ÇÏ°íÀÚ Çϴµ¥ ±× ¸ñÀûÀÌ ÀÖ´Ù. (¿¬±¸¹æ¹ý) º» ¿¬±¸´Â ¼±Çà³í¹®°ú Âü°í¹®ÇåÀ» Áß½ÉÀ¸·Î ÇÑ ÀÌ·ÐÀû °íÂûÀ» ÅëÇÏ¿© ÀüÅë ¸ñ±¸Á¶¿Í ¼ø¹¦±¸Á¶ÀÇ °³³ä ±×¸®°í ¼ø¹¦±¸Á¶ Ư¼º¿ä¼Ò¸¦ µµÃâÇÏ¿´´Ù. ¶ÇÇÑ ½ÇÁõ¿¬±¸¸¦ À§ÇÏ¿© Æ˾÷ Àü½Ã°ø°£ÀÇ °³³ä°ú °ø°£Àû Ư¼ºÀ» ÃßÃâÇÏ¿´À¸¸ç ¼ø¹¦±¸Á¶ Ư¼º¿ä¼Ò¿Í Æ˾÷ Àü½Ã °ø°£Àû Ư¼ºÀ» Åä´ë·Î °ü·Ã »ç·Ê ºÐ¼®À» ÁøÇàÇÏ¿´´Ù. (°á°ú) 'ȭdz', 'ÇϿ콺ºñÀü', 'ÃÊ°æÃá(õ±?õ½)', '¿¡¸£¸Þ½º(Herm?s)'¿¡¼­ Æ˾÷ Àü½Ã°ø°£ÀÇ Æ¯¼ºÀÎ ÀϽüº, À¯µ¿¼º, ¹®È­ À̺¥Æ®¼º, »óÈ£ ¼ÒÅ뼺ÀÇ Ç׸ñµéÀÌ Àü¹ÝÀûÀ¸·Î Àß º¸¿© Áö°í, ¼ø¹¦±¸Á¶ÀÇ Æ¯¼º¿ä¼ÒÀÎ °ß°í¼º, ÇÕ¸®¼º, °£°á¼º, Àå½Ä¼º, ¸ðµâÈ­, ¹®È­¼ºÀÌ Àû±ØÀûÀ¸·Î È°¿ëµÇ°í ÀÖ´Ù. ¼ø¹¦±¸Á¶ÀÇ ¸ðµâÈ­ µÈ À¯´ÖµéÀÌ ¸Þ´º¾ó¿¡ µû¶ó ºÐÇØ, Á¶¸³À» ÀÌ·ç´Â ¸ðµâÈ­¿Í °£°á¼ºÀÇ Æ¯¼º¿ä¼Ò¸¦ È°¿ëÇÔÀ¸·Î½á ÇѽÃÀûÀ¸·Î ÁøÇàµÇ´Â ÀϽüº°ú ´Ù¾çÇÑ Àå¼Ò·Î À̵¿ÀÌ ¿ëÀÌÇÑ À¯µ¿ÀûÀÎ ¼º°ÝÀ» °¡Áø Æ˾÷ Àü½Ã °ø°£Àû Ư¼º¿¡ Àû±ØÀûÀÎ ¿µÇâÀ» ÁØ´Ù°í ºÐ¼®ÇÏ¿´´Ù. ¶ÇÇÑ, µ¶Æ¯ÇÑ µðÀÚÀÎÀ¸·Î º¸°í Áñ±æ ¼ö ÀÖ´Â Àå½Ä¼º°ú ÀüÅë ¹®È­»ç»óÀÌ ´ã±ä ¹®È­¿¹¼ú°ú ±× ¹®È­¼ºÀ» °¡Áø ¼ø¹¦±¸Á¶¸¦ È°¿ëÇÔÀ¸·Î½á ¹®È­À̺¥Æ®¼º°ú »óÈ£ ¼ÒÅ뼺ÀÇ °ø°£Àû Ư¼ºÀ» »ì·Á Æ˾÷ Àü½Ã°ø°£ÀÇ À̹ÌÁö Á¦°í¿Í ¾ÆÀ̵§Æ¼Æ¼¸¦ ºÎ°¢½ÃŲ´Ù°í ºÐ¼®µÈ´Ù. (°á·Ð) º» ¿¬±¸¸¦ ÅëÇØ Æ˾÷ Àü½Ã°ø°£ÀÇ ÀϽüº, À¯µ¿¼º, ¹®È­À̺¥Æ®¼º, »óÈ£ ¼ÒÅ뼺ÀÇ °ø°£Àû Ư¼ºµéÀº ¼ø¹¦±¸Á¶ÀÇ Æ¯¼º¿ä¼Ò¿Í ±íÀº ¿¬°ü¼ºÀ» °¡Áø´Ù´Â °Í°ú À§¿¡¼­ ÃßÃâÇÑ ¸Å°³ Ư¼ºµéÀÌ ¸Å¿ì Áß¿äÇÑ ¿ä¼ÒÀÓÀ» ¾Ë ¼ö ÀÖ´Ù. ƯÈ÷ ÃÊ°í¼Ó Á¤º¸È­ ½Ã´ë¿¡ È¿À²ÀûÀÌ°í ÀüÅë ¹®È­¸¦ Áß¿ä½ÃÇÏ´Â È帧¿¡¼­ À§ Ư¼ºµéÀÌ ¸Å¿ì Áß¿äÇÑ ¿ä¼ÒÀÓÀ» ¾Ë ¼ö ÀÖ´Ù. µû¶ó¼­ ¼ø¹¦±¸Á¶¸¦ Æ˾÷ Àü½Ã°ø°£¿¡ È°¿ëÇÔÀ¸·Î½á °ø°£ »ç¿ëÀÚÀÇ Àû±ØÀûÀÎ Âü¿©¸¦ À̲ø¾î³»±â À§ÇÑ ´õ¿í È¿À²ÀûÀÌ°í ¹®È­Àû °¡Ä¡°¡ ÀÖ´Â °ø°£À» Á¦°øÇÒ °ÍÀ¸·Î ±â´ëÇÑ´Ù.
¿ä¾à2 (Background and Purpose) Recently, in the high-speed information age, pop-up exhibition spaces are being required for cultural marketing strategies, to provide efficient and cultural values in a short period of time. Under these circumstances, according to the manual, it is inevitable that the modularized system should be easily disassembled and assembled. In this sense, Sunmyo structure is used to provide efficiency and continuity since it is structured with traditional wooden structure containing cultural factors. The purpose of this research is to analyze spatial characteristics of pop-up exhibition spaces, using factors of the Sunmyo structure. (Method) In this research, based on theoretical examination focusing on previous theses and references, the concept and characteristics of the Sunmyo structure and traditional wooden structure are derived. For empirical research, the concept and spatial characteristics of pop-up exhibition spaces were identified. The related case studies focus on characteristics of the Sunmyo structure and spatial features of pop-up exhibition spaces. (Results) In "Hwapung," "House Vision," "Chao Qingcun Project," and "Herm?s," the items such as temporality, flexibility, cultural event features, and mutual communication are characteristics of the pop-up exhibition spaces. Visibility, robustness, rationality, simplicity, ornamentality, modularity, and cultural factors are actively utilized as characteristic elements of the Sunmyo structure. By using characteristics of the Sunmyo structure, which are variable, according to the manual, it is inevitable that the modularized system can be easily disassembled and assembled and simplicity, it has great positive impact on spatial characteristics of pop-up exhibition space since it is held temporarily, flexile, and convenient to be moved to other places. In addition, by using the Sunmyo structure, utilizing the ornamental design that can be enjoyed and viewed with a unique design containing decorative and traditional cultural ideas, the image and identity of pop-up exhibition spaces are magnified by taking advantage of cultural event features and mutual communication. (Conclusions) According to this study, it can be proved that the spatial characteristics of pop-up exhibition space, it is verified that temporality, flexibility, cultural event features, mutual communication the spatial characteristics of pop-up exhibition space are deeply related to the characteristics of Sunmyo structure. Especially in the high-speed information age, the above-mentioned characteristics are very important factors in the flow of efficient and traditional culture. Therefore, it is expected that more efficient and cultural space can be provided by inducing active participation of the users by using the Sunmyo structure in pop-up exhibition spaces.
¼ÒÀåó Çѱ¹°ø°£µðÀÚÀÎÇÐȸ
¾ð¾î Çѱ¹¾î
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
±¹³» Æнúê°ÇÃ๰ ¼³°è ¹× ½Ã°ø»ç·Ê
À̸íÁÖ - Çѱ¹±×¸°ºôµùÇùÀÇȸ Ãß°èÇмú°­¿¬È¸ ³í¹®Áý : (200911)
°ÇÃà °ø°£ÀÇ °æ°è ¸ðÈ£¼º°ú Åõ¸í¼º
°í°æÈ£(KO Kyeongho) ; ±è´ö¼ö(KIM Duk-Su) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.07 No.01 (201203)
[ƯÁý] Æ÷½ºÆ® Äڷγª19 µµ½Ã°èȹÀÇ °úÁ¦¿Í ¹æÇâ
Á¤Àç¿ë(Chung, Jae-Yong) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.64 No.06 (202006)
¾Æ¸ð·¹ÆÛ½ÃÇÈ »ç¿Á ¼³°è»ç·Ê
ÃÖµµ¼® - ¼³ºñÀú³Î(´ëÇѼ³ºñ°øÇÐȸÁö) : Vol.47 No.12 (201812)
½Ã·Ð: Äڷγª ÀÌÈÄ, °ÇÃà°ú µµ½Ã°ø°£ÀÇ º¯È­¸¦ »ý°¢ÇÏ´Ù
¹Ú¼ÒÇö - °ÇÃà°ú µµ½Ã°ø°£ : Vol.38 (202006)