°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹°ø°£µðÀÚÀÎÇÐȸ|³í¹®Áý 2016³â 6¿ù

³í¹®¸í À̵¿°ø°£À¸·Î¼­ ¿¤¸®º£ÀÌÅÍÀÇ È®ÀåµÈ ÀüÀ̼º ¿¬±¸ / The Expanded Transition of the Elevator as a Moving Space
ÀúÀÚ¸í ¹èÁÖÇö(Joohyun Bae) ; ¾È¼º¸ð(Seongmo Ahn)
¹ßÇà»ç Çѱ¹°ø°£µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý, Vol.11 No.03 (2016-06)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(151) ÃÑÆäÀÌÁö(10)
ISSN 1976-4405
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è / µµ½Ã
ÁÖÁ¦¾î ¿¤¸®º£ÀÌÅÍ ; À̵¿°ø°£ ; µ¿¼±°ø°£ ; ÀüÀ̰ø°£ ; °ÇÃà°ø°£ ; Elevator ; Moving Space ; Circulation Space ; Transitional Space ; Architecture space
¿ä¾à1 (¿¬±¸¹è°æ ¹× ¸ñÀû) ¿À´Ã³¯ Çö´ë °ÇÃà °ø°£¿¡ À¯µ¿ÀûÀÌ¸ç ´Ù¿øÈ­µÈ ÇÁ·Î±×·¥ÀÌ ¿ä±¸µÇ¾îÁü¿¡ µû¶ó °íÁ¤µÈ °ø°£ÀÇ °³³äÀÌ À¯¿¬ÇÏ°í ´Ù¾çÇÑ ¼º°ÝÀ¸·Î º¯È­µÇ°í ÀÖ´Ù. ÀÌ¿¡ µû¶ó µ¿¼±°ø°£ ¿ª½Ã ºÎ°¡ÀûÀÎ ¿ä¼Ò°¡ ¾Æ´Ñ °ÇÃà¿¡¼­ ÁÖµµÀûÀÎ ¿ä¼Ò·Î ±â´ÉÇÏ¸ç ±× ÀÇ¹Ì¿Í ÇØ¼®ÀÌ È®´ëµÇ°í ÀÖ´Ù. º» ¿¬±¸ÀÇ ¸ñÀûÀº ´ëÇ¥ÀûÀÎ µ¿¼±°ø°£ Áß ÇϳªÀÎ ¿¤¸®º£ÀÌÅÍÀÇ À̵¿°ø°£À¸·Î¼­ÀÇ ÀüÀÌ °³³äÀÌ ±â´ÉÀûÀÎ ¸é¿¡¼­ °¡Ä¡ÀûÀÎ ¸éÀ¸·Î º¯È­Çϰí ÀÖ´Ù´Â Ãø¸é¿¡¼­ Çö´ë ¿¤¸®º£ÀÌÅÍ °ø°£°ú °ÇÃà°ø°£ÀÇ °ü°è¿Í °¡Ä¡Àû ÀüÀÌÀÇ °³³äÀÌ È®ÀåµÇ¾ú´ÂÁö¸¦ ¹àÈ÷´Â °ÍÀÌ´Ù. (¿¬±¸¹æ¹ý) º» ¿¬±¸´Â ù°, µ¿¼±°ø°£ÀÇ ÀÌ·ÐÀû °³³ä°ú ¿¤¸®º£ÀÌÅÍÀÇ ÀÌ·ÐÀû °³³äÀ» È®¸³ÇÑ ÈÄ µÑ°, Çö´ë ¿¤¸®º£ÀÌÅÍ °ø°£°ú °ÇÃà°ø°£°úÀÇ º¯È­ÇÑ °ü°è ºÐ¼®À» ÅëÇØ È®ÀåµÈ ÀüÀ̰³³äÀ» µµÃâÇϰí, Çö´ë ¿¤¸®º£ÀÌÅÍ¿¡¼­ ¾î¶»°Ô ¹ßÇöµÇ´ÂÁö¸¦ °íÂûÇÑ´Ù. ¼Â°, ºÐ¼®ÇÑ ÀüÀÌ °³³äÀ» ¹ÙÅÁÀ¸·Î ¿¤¸®º£ÀÌÅÍÀÇ °¡Ä¡°¡ È®ÀåµÇ¾î ¼³°èµÇ¾î Á³´Ù°í ÆÇ´ÜµÇ´Â °ÇÃà »ç·ÊºÐ¼®À» ÅëÇØ ¿¤¸®º£ÀÌÅÍÀÇ À̵¿°ø°£À¸·ÎÀÇ ÀüÀ̰³³äÀÇ ¾ç»óÀ» µµÃâÇÑ´Ù. (°á°ú) µ¿¼±°ø°£°ú ¿¤¸®º£ÀÌÅÍÀÇ ÀǹÌ, ¿ªÇÒ, Ư¼º¿¡ ´ëÇÑ ºÐ¼®°ú ¨ç³»ºÎ °ø°£ÀÇ ¿¬°á¼º ¨è³»¡¤¿ÜºÎ °ø°£ÀÇ °ü°è¼ºÀ» ºÐ¼®ÇÏ¿© ¿¤¸®º£ÀÌÅÍ¿Í °ÇÃà°ø°£ »çÀÌÀÇ ¹°¸®Àû ÀüÀÌ, ½Ã°¢Àû ÀüÀÌ, ½Ã°£Àû ÀüÀÌ °³³äÀÌ µµÃâµÇ¾ú´Ù. ù°, ¹°¸®Àû ÀüÀÌ´Â »óÃæµÇ´Â µÎ °³ ÀÌ»óÀÇ °ø°£ÀÇ ¿ÏÃæ ¶Ç´Â È®Àå½ÃÄÑÁÖ¸ç °ø°£ÀÇ Á¶È­¸¦ À̲ø¾î³»°í ¹°¸®Àû ¿ä¼ÒÀÇ ¹Ýº¹À¸·Î »ç¿ëÀÚÀÇ ÇàÀ§°¡ »õ·Ó°Ô º¯È­ÇÒ ¼ö ÀÖ°Ô ÇÑ´Ù. µÑ°, ½Ã°¢Àû ÀüÀÌ´Â ¼öÁ÷ÀûÀÎ »õ·Î¿î Ãø¸é¿¡¼­ ÀÇ °üÂûÀ» °¡´ÉÇϰÔÇÏ°í ½Ã°¢ÀûÀ¸·Î °ø°£¿¡ ÀüüÀûÀÎ ÅëÀϰ¨À» À̲ø¾î ³»¸ç ÀÌ·¯ÇÑ Çö»óÀº °ø°£ÀÌ Á¡Â÷ÀûÀ¸·Î È®ÀåÇØ ³ª°¡¸ç ½Ã°¢ÀûÀ¸·Î ºñ¿¹ÃøÀûÀÎ Àå¸é ±¸ÇöÀ» °¡´ÉÇÏ°Ô ÇÑ´Ù. ¼Â°, ½Ã°£Àû ÀüÀÌ´Â ¹°¸®Àû, ½Ã°¢Àû »ç¹°µéÀ» ±³¼·ÇÏ°í ±â¾ïÀÇ ½Ã°£Àû È帧¿¡ µû¶ó ÁßøµÇ¾î »õ·Î¿î °¡Ä¡¸¦ ¶ì´Â Ãß»óÀû Çö»óÀÇ ±¸ÇöÀ» °¡´ÉÇÏ°Ô ÇÑ´Ù. ÀÌ·¯ÇÑ ÀüÀ̰³³äÀ» Åä´ë·Î °ÇÃà»ç·Ê¸¦ ºÐ¼®ÇÑ °á°ú ¿¬°á¼º, À¶ÇÕ¼º, ÁÖü¼º, ÅëÀϼº, ºñ¿¹Ãø¼º, Åõ¸í¼º, È®À强À̶ó´Â Àϰö °¡ÁöÀÇ È®Àå°³³ä Ű¿öµå¸¦ µµÃâÇÏ¿´´Ù. (°á·Ð) »çȸÀû º¯È­´Â °ø°£ ÀÎ½Ä ¹× °³³ä¿¡ ¿µÇâÀ» ¹ÌÄ¡°Ô µÇ°í ±Ã±ØÀûÀ¸·Î Àΰ£ÀÇ °æÇè°ú ÇüÅ¿¡ ¿µÇâÀ» ¹ÌÄ¡´Â ¹°¸®Àû ½Çü·Î ±¸ÇöµÈ´Ù. º» ¿¬±¸´Â Çö´ë ¿¤¸®º£ÀÌÅÍÀÇ À̵¿°ø°£À¸·ÎÀÇ ÇØ¼®°ú °¡Ä¡ÀÇ È®Àå °¡´É¼º¿¡ ´ëÇØ °íÂûÇØº½À¸·Î¼­ ÀüÀ̼ºÀÇ È®ÀåµÈ °³³ä°ú Çö´ëÀû Ư¼ºÀ» Á¦½ÃÇϰíÀÚ ÇÏ¿´´Ù.
¿ä¾à2 (Background and Purpose) With the current demand for the fluid and diversified programs of modern architectural space, the concept of fixed space is changing into something diverse and flexible. Thus, the circulation space also works as a leading element, instead of an additional element while the meaning and interpretation are expanding. The objective of this study is to examine the relation between modern elevator space and architectural space, and if the value transitional concept has been expanded in the aspect that the transitional concept of elevator as a moving space, one of the representative circulation spaces is changing from the functional aspect to the aspect of value. (Method) This study, first, establishes the theoretical concepts of circulation space and elevator. Second, through the analysis on the changed relations between modern elevator space and architectural space, the expanded transitional concept is drawn, and then how it has been expressed into modern elevator is considered. Third, through the case analysis on architecture showing the expanded value of elevator based on the analyzed transitional concept, the aspect of the transitional concept of elevator as a moving space is drawn. (Results) On top of the analysis on the meaning, role, and characteristics of elevator and circulation space, analyzing ¨çconnectivity of internal space, and ¨èrelations between internal and external spaces, the concepts of physical transition, visual transition, and temporal transition between elevator and architectural space were drawn. First, the physical transition buffers or expands more than two conflictual spaces, leads the spacial harmony, and also lets users' behaviors newly change through the repetition of physical elements. Second, the visual transition makes it possible to have observation in the vertical new aspect and also visually draws the overall unity of space, which makes it possible that space is gradually expanding and unpredictable scenes can be visually realized. Third, the temporal transition makes it possible to realize abstract phenomenons showing new value as it confers with physical/visual objects, and also get overlapped in accordance with the temporal flow of memory. In the results of analyzing architectural cases based on such transitional concepts, total seven expanded concept keywords including connectivity, convergence, independence, unity, unpredictability, transparency, and expandability were drawn. (Conclusions) Social changes have influence on the awareness and concept of space, which is eventually realized as a physical truth having influence on humans' experience and form. This study aimed to suggest the expanded concept and modern characteristics of transition by considering the expandability of interpretation and value of modern elevator as a moving space.
¼ÒÀåó Çѱ¹°ø°£µðÀÚÀÎÇÐȸ
¾ð¾î Çѱ¹¾î
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇѰÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
½Ã·Ð: Äڷγª ÀÌÈÄ, °ÇÃà°ú µµ½Ã°ø°£ÀÇ º¯È­¸¦ »ý°¢ÇÏ´Ù
¹Ú¼ÒÇö - °ÇÃà°ú µµ½Ã°ø°£ : Vol.38 (202006)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
°ÇÃà °ø°£ÀÇ °æ°è ¸ðÈ£¼º°ú Åõ¸í¼º
°í°æÈ£(KO Kyeongho) ; ±è´ö¼ö(KIM Duk-Su) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.07 No.01 (201203)
·çÀ̽º ¹Ù¶ó°£ °ÇÃà¿¡ ³ªÅ¸³­ ÀüÀ̰ø°£ Á¢±Ù¿ä¼ÒÀÇ Æ¯¼º¿¡ °üÇÑ ¿¬±¸
±è¹Î°æ(Minkyung Kim) ; À±ÀçÀº(Jaeeun Yoon) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.12 No.03 (201706)
µµ¼­°ü °ÇÃàÀÇ ÀüÀ̰ø°£ ±¸¼º¿¡ °üÇÑ ¿¬±¸
¹èµ¿½Ä(Dongsig Bae) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.12 No.03 (201706)
µ¿¼±¿¬±¸¿Í ¹Ì¼ú°ü Àü½Ã°ø°£
¹é¿ë¿î(Baek Young-Won) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.12 (200912)