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ÆÐ¼Ç Ç÷¡±×½± ½ºÅä¾îÀÇ °ø°£µðÀÚÀο¡ °üÇÑ ¿¬±¸ / A Study on the Spatial Design of a Fashion Flagship Store - With a focus on brand communication strategies - / ºê·£µå Ä¿¹Â´ÏÄÉÀÌ¼Ç Àü·«À» Áß½ÉÀ¸·Î |
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±èÁ¤Àº(Kim jung eun) ; ÀÌÁ¤±³(Lee Jung Kyo) |
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Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý, Vol.05 No.01 (2010-03) |
| ÆäÀÌÁö |
½ÃÀÛÆäÀÌÁö(95) ÃÑÆäÀÌÁö(12) |
| ÁÖÁ¦¾î |
ÆÐ¼Ç Ç÷¡±×½± ½ºÅä¾î ; ºê·£µå Ä¿¹Â´ÏÄÉÀÌ¼Ç Àü·« ; Fashion Flagship Store ; Brand Communication Strategy |
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Advancements in information technologies and a higher income level for consumers led to increased diversity in shopping, whereby purchasing a product was no longer its sole purpose. Consumers began to make purchases for experiential and comparative purposes as well. The interior design of fashion flagship stores lately requires diverse emotional elements to implement brand identity in the space in addition to the common presentation of commercial space. Essential to expressing a brand culture and establishing a brand identity, flagship stores serve as one of the strategic elements of brand communication and have characteristics differentiated from general stores. That is, they today provide various programs, contain a space of experience and culture that goes beyond mere consumption, and have changed to open public spaces laced with cultural values considering customers in the social aspects. When experiential and cultural marketing is applied, flagship stores can offer sensory experiences of cultural consumption in addition to simple products. |