°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹°ø°£µðÀÚÀÎÇÐȸ|³í¹®Áý 2010³â 3¿ù

³í¹®¸í ÆÐ¼Ç Ç÷¡±×½± ½ºÅä¾îÀÇ °ø°£µðÀÚÀο¡ °üÇÑ ¿¬±¸ / A Study on the Spatial Design of a Fashion Flagship Store - With a focus on brand communication strategies - / ºê·£µå Ä¿¹Â´ÏÄÉÀÌ¼Ç Àü·«À» Áß½ÉÀ¸·Î
ÀúÀÚ¸í ±èÁ¤Àº(Kim jung eun) ; ÀÌÁ¤±³(Lee Jung Kyo)
¹ßÇà»ç Çѱ¹°ø°£µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý, Vol.05 No.01 (2010-03)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(95) ÃÑÆäÀÌÁö(12)
ISSN 1976-4405
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è / µµ½Ã
ÁÖÁ¦¾î ÆÐ¼Ç Ç÷¡±×½± ½ºÅä¾î ; ºê·£µå Ä¿¹Â´ÏÄÉÀÌ¼Ç Àü·« ; Fashion Flagship Store ; Brand Communication Strategy
¿ä¾à1 Á¤º¸±â¼úÀÇ ¹ßÀü°ú ¼ÒºñÀÚµéÀÇ ¼Òµæ¼öÁØÀÌ ³ô¾ÆÁö¸é¼­ »óǰÀÇ ±¸ÀÔ ¸ñÀûÀÌ ¾Æ´Ñ °æ¿ìµµ Á¦Ç°À» üÇèÇϰí, ºñ±³ÇÏ¸ç ±¸¸Å·Î À̾îÁö´Â ¼îÇÎÀÇ ´Ù¾ç¼ºÀÌ »ý°Ü³µ´Ù. µû¶ó¼­ ÃÖ±Ù ÆÐ¼Ç Ç÷¡±×½± ½ºÅä¾îÀÇ ½Ç³»µðÀÚÀÎÀº ÀϹÝÀû »ó¾÷°ø°£ÀÇ ¿¬Ãâ¿¡¼­ ³ª¾Æ°¡ ºê·£µåÀÇ Á¤Ã¼¼ºÀ» °ø°£¿¡ ±¸ÇöÇϱâ À§ÇØ ´Ù¾çÇÑ °¨¼ºÀû ¿ä¼ÒµéÀÇ Àû¿ëÀÌ ¿ä±¸µÈ´Ù. ºê·£µåÀÇ ¹®È­¸¦ Ç¥ÇöÇÏ¸ç ºê·£µåÀÇ ¾ÆÀ̵§Æ¼Æ¼¸¦ È®¸³Çϴµ¥ ÇʼöÀûÀÎ Ç÷¡±×½± ½ºÅä¾î´Â ºê·£µå Ä¿¹Â´ÏÄÉÀ̼ÇÀÇ Àü·«Àû ¿ä¼Ò·Î¼­ ÀϹÝÀûÀÎ ¸ÅÀå°ú Â÷º°È­µÇ´Â Ư¡À» º¸ÀδÙ. Áï, ´Ù¾çÇÑ ÇÁ·Î±×·¥À» Á¦½ÃÇÏ°í ¼Òºñ °ø°£À» ³Ñ¾î¼­ üÇè°ø°£, ¹®È­°ø°£À» Æ÷ÇÔÇϰí ÀÖÀ¸¸ç, »çȸÀûÀÎ Ãø¸é¿¡¼­ ¼ÒºñÀÚ¸¦ ¹è·ÁÇÏ´Â ¹®È­Àû °¡Ä¡¸¦ Áö´Ï´Â ¿­¸° °ø°£-°ø°ø °ø°£À» Æ÷ÇÔÇϰí ÀÖ´Â °ø°£À¸·Î º¯¸ðÇϰí ÀÖ´Ù. üÇ衤¹®È­ ¸¶ÄÉÆÃÀ» Àû¿ëÇÑ Ç÷¡±×½± ½ºÅä¾î´Â ´Ü¼øÈ÷ Á¦Ç° ÆÇ¸Å¸¸ÀÌ ¸ñÀûÀÌ ¾Æ´Ñ ¹®È­ ¼ÒºñÀÇ °¨°¢ °æÇèÀ» Á¦°øÇÏ´Â ¿ªÇÒÀ» ÇÑ´Ù°í Á¤ÀÇÇÒ ¼ö ÀÖ´Ù.
¿ä¾à2 Advancements in information technologies and a higher income level for consumers led to increased diversity in shopping, whereby purchasing a product was no longer its sole purpose. Consumers began to make purchases for experiential and comparative purposes as well. The interior design of fashion flagship stores lately requires diverse emotional elements to implement brand identity in the space in addition to the common presentation of commercial space. Essential to expressing a brand culture and establishing a brand identity, flagship stores serve as one of the strategic elements of brand communication and have characteristics differentiated from general stores. That is, they today provide various programs, contain a space of experience and culture that goes beyond mere consumption, and have changed to open public spaces laced with cultural values considering customers in the social aspects. When experiential and cultural marketing is applied, flagship stores can offer sensory experiences of cultural consumption in addition to simple products.
¼ÒÀåó Çѱ¹°ø°£µðÀÚÀÎÇÐȸ
¾ð¾î Çѱ¹¾î
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇѰÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
ºê·£µå ½ºÄÉÀÌÇÎÀ» Àû¿ëÇÑ Ç÷¡±×½± ½ºÅä¾î °ø°£µðÀÚÀο¡ °üÇÑ ¿¬±¸
ÃÖÇü¿í(CHOI Hyungwook) ; ±èÁÖ¿¬(KIM Jooyun) ; ¾ÈÁø±Ù(AHN Jinkeun) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.08 No.04 (201312)
°ÇÃà °ø°£ÀÇ °æ°è ¸ðÈ£¼º°ú Åõ¸í¼º
°í°æÈ£(KO Kyeongho) ; ±è´ö¼ö(KIM Duk-Su) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.07 No.01 (201203)
º¹ÇÕ¹®È­°ø°£¿¡ °üÇÑ ¿¬±¸
³ª¼±¿µ(Sunyoung Ra) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.12 No.02 (201704)
À¯ÈÞ»ê¾÷½Ã¼³À» Ȱ¿ëÇÑ º¹ÇÕ¹®È­°ø°£ÀÇ °ø°£Àû Ư¼º¿¡ °üÇÑ ¿¬±¸
¹Ú¼ö¸°(Soolin Park) ; ÀÌÁ¤±³(Jungkyo Lee) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.13 No.06 (201812)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
ÆÐ¼Ç Ç÷¡±×½± ½ºÅä¾î¿¡ ³ªÅ¸³­ ÆÛ³î·ÎÁö(Funology) °ø°£ Ư¼º¿¬±¸
¿ÀÇý¸°(Oh, Hye-Lin) ; ±è°³Ãµ(Kim, Kai-Chun) - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.26 No.6(Åë±Ç 125È£) (201712)