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¹Ú¹°°ü µðÀÚÀο¡¼ Ä«¿À½ºÀÌ·ÐÀÇ Àû¿ë°¡´É¼º¿¡ °üÇÑ ¿¬±¸ / A Study on the Possibility of Application of Chaos Theory to Museum Design |
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Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý, Vol.02 No.02 (2007-12) |
ÆäÀÌÁö |
½ÃÀÛÆäÀÌÁö(95) ÃÑÆäÀÌÁö(9) |
¿ä¾à1 |
¿ì¸®³ª¶ó ÀüÅë µðÀÚÀÎ ¾ç½ÄÀº ¿ª»ç¸¦ ÅëÇØ ´ç´ëÀÇ ÀÚ¿¬ÀνÄÀ¸·ÎºÎÅÍ ºñ·ÔµÈ ¼¼°è°ü°ú ±ä¹ÐÇÑ °ü°è¸¦ ¸Î¾î ¿Ô´Ù. ¶ÇÇÑ Ä«¿À½º ÀÌ·ÐÀÌ Ã¼°èÈ µÇÁö ¾Ê¾Ò´ø ¿À·¡Àü, ¿ì¸®ÀÇ ÀüÅë °ÇÃà °ø°£Àº Ä«¿À½º¸¦ Àû¿ëÇÑ °ø°£À» ±¸¼ºÇϰí ÀÖÀ¸¸ç ´Ù¾çÇÑ ÇüÅÂ¿Í °øÇÐÀ¸·Î Á¤¸®µÇ¾îÁø °ø°£À¸·Î Çü¼ºµÇ¾ú´Ù. ±×¸®°í Áö±Ý Çö´ëÀÇ µðÀÚÀÎ ¾ç½ÄÀº Ãæµ¹°ú ´ë¸³À» ³»¼¼¿î ÇØÃ¼ÁÖÀÇ, ´ÜÀÏÈ¿Í ¿ª»ç ¾ç½ÄÀÇ ºÎȰÀ» ³»¼¼¿î Áö¿ªÁÖÀdzª ½Å ¸ð´õ´ÏÁò, ½Å°íÀüÁÖÀÇ ÀÌÈÄ·Î ÇѰ迡 ºÎµúÄ¡°Ô µÇ¾ú´Ù. ÀÌ·¯ÇÑ Çö´ë»çȸÀÇ Á¤½ÅÀû, ½É¸®Àû °ø°£¿¡ ÀÖ¾î¼ ¿ì¸®ÀÇ ÀüÅë µðÀÚÀÎ ¾ç½ÄÀ» ¹Ú¹°°ü µðÀÚÀο¡ Àû¿ëÇÑ´Ù¸é ¼¼°è ¼Ó¿¡ À¯ÀÏÇÑ ¿ì¸®ÀÇ °ÍÀ» È«º¸ÇÏ¸ç ¹Ú¹°°ü µðÀÚÀο¡ »õ·Î¿î °¡Ä¡¸¦ ºÎ¿©ÇÏ°Ô µÉ °ÍÀÌ´Ù. º» ¿¬±¸¿¡¼´Â Ä«¿À½ºÀÇ Æ¯¼º°ú ¹Ú¹°°ü µðÀÚÀÎÀÇ ÀÎ½Ä º¯È, Ä«¿À½ºÀÌ·Ð µµÀÔ Çʿ伺À» °íÂûÇϸç, ¿ì¸®ÀÇ ÀüÅë °ø°£ ¼Ó¿¡, Ä«¿À½ºÀ̷п¡ µû¸¥ µðÀÚÀÎ °³³ä°ú ±ä¹ÐÇÑ °ü°è°¡ ³»ÀçÇϰí ÀÖ´Ù´Â °ÍÀ» »ìÆìº¸°í, ÀÌ·¯ÇÑ Ä«¿À½ºÀÌ·ÐÀÇ Á¶ÇüÀûÀÎ ÇüŰ¡ ¹Ú¹°°ü µðÀÚÀο¡ Àû¿ë °¡´ÉÇÑÁö¿¡ ´ëÇØ ¿¬±¸ÇϰíÀÚ ÇÑ´Ù. |
¿ä¾à2 |
Korea's traditional design format has a close relation with a world view originated from the current recognition of nature over the entire history. Moreover, in the past when chaos theory was not systemized, Korea's traditional architectural space organizes the space, to which chaos theory is applied, and it is created by various shapes and technologies. Current design format is facing the limit of Deconstructionism insisting collision and confrontation, Neo-Modernism insisting simplification and restoration of historical format and Neo-Classicism. If Korea's traditional design format is applied to the mental space of modern society, Korea's unique thing will be advertised and new value will be given to museum. The purpose of this study is to consider the characteristic of chaos, the recognition change of design and the necessity to introduce chaos theory to make "Monad Space", to survey whether chaos theory has the close relation with a design concept and to study whether formative figure of chaos theory can be applied to museum design. |