°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇѰÇÃàÇÐȸ|´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è 2017³â 10¿ù

³í¹®¸í »ç³ª(SANAA) °ÇÃàÀÇ °ø°£ ±¸¼º¿¡ ³ªÅ¸³­ Åõ¸í¼º¿¡ ´ëÇÑ ¿¬±¸ / A Study on Meanings of Transparency in the Composition of Spaces of SANAA¡¯s Projects
ÀúÀÚ¸í ±è³²ÈÆ(Kim, Nam Hoon)½Äº°ÀúÀÚ
¹ßÇà»ç ´ëÇѰÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è, Vol.33 No.10 (2017-10)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(3) ÃÑÆäÀÌÁö(8)
ISSN 1226-9093
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è / µµ½Ã
ÁÖÁ¦¾î Åõ¸í¼º ; ½ÇÁ¦¿Í Çö»óÀû Åõ¸í¼º ; »ç³ª ; Ä«ÁÖ¿ä ¼¼Áö¸¶ ; ´ÏÁöÀÚ¿Í ·ù¿¡ ; Transparency ; Literal and phenomenal transparency ; SANAA ; Kazuyo Sejima ; Nishizawa Ryue
¿ä¾à2 SANAA founded by Kazuyo Sejima and Ryue Nishizawa is one of the leading architecture groups which shows transparency theories through their noble works. Further more, they mentioned new transparency in the concept of architectural works. Sejima mentioned ¡°I think that I try to find some kind of transparency without transparent material¡± in a conversation with Alejandro Zaera in 2000. It means that literal transparency and lightness which are main characteristics shown SANAA¡¯s works are not their intentions for architectural concepts. The purpose of this study is to analyze what transparency theories applies and how is constructed in SANAA¡¯s works. This research will shows a new direction to understand contemporary architecture based on transparency.
¼ÒÀåó ´ëÇѰÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
DOI https://doi.org/10.5659/JAIK_PD.2017.33.10.3
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > Çö´ë°ÇÃà ÀÇÀå·Ð

¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
SANAAÀÇ °ÇÃà¿¡¼­ ¡®ºÐÀ§±â¡¯ÀÇ °³³ä°ú ±¸Çö¹æ½Ä
¼­Á¤ÀÏ(Seo Jeong-Il) ; ÀÓ¸®»ç(Lim Lisa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.10 (201010)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇѰÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
SANAA °ÇÃàÀÇ °æ°è¿Í ÇÁ¶óÀ̹ö½Ã¿¡ °üÇÑ ¿¬±¸
ÀÓÁø¿ì(Lim, Jinwoo) - Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý : Åë±Ç Á¦61È£ (201802)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
SANAA ÁÖ°Å °ÇÃà¿¡ ³ªÅ¸³­ °ø°£ °ü°èÀÇ À籸¼º¿¡ ´ëÇÑ ¿¬±¸
Àå¿ë¼ø(Chang, Yong-Soon) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : Vol.31 No.02 (201502)
Äí¸¶ Ä˰í¿Í ¼Ò¿ì ÈÄÁö¸ðÅäÀÇ `¾àÇÑ °ÇÃà`¿¡ ´ëÇÑ ¿¬±¸
Àå¿ë¼ø(Chang, Yong-Soon) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.30 n.6 (201406)
SANAA°¡ ¼³°èÇÑ ¹Ì¼ú°ü¿¡ ³ªÅ¸³ª´Â °ø°£±¸¼º¿ä¼ÒÀÇ Æ¯¼º ¿¬±¸
ÀÌÇö¼­(LEE Hyunseo) ; Çã¹üÆÈ(HUR Bumpall) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.09 No.02 (201406)
[³í¹®] ¼¼Á Ä«Áî¿äÀÇ ¡®21¼¼±â ¹Ì¼ú°ü¡¯¿¡ Ç¥ÇöµÈ °ø°£Çü½Ä°ú ÇÁ·Î±×·¥
¼ÛÁ¤È­ ; ÀÓäÁø - Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý : Åë±Ç Á¦13È£ (200508)
¡á Á¦ 1 ÀúÀÚÀÇ ´Ù¸¥ ¹®Çå ½Äº°ÀúÀÚ´õº¸±â
[ÇÁ·ÎÁ§Æ® ¸®Æ÷Æ®] ÀÓ´ëÁÖÅà 100¸¸È£ ±â³ä´ÜÁö Çö»ó¼³°è ´ç¼±¾È
±è³²ÈÆ(Kim, Nam Hoon) ; ¹Ú¿ë±¸(Park, Yonggu) - °ÇÃà(´ëÇѰÇÃàÇÐȸÁö) : Vol.61 No.04 (201704)
°ø°ø¿µ¿ª °ø°£±¸¼ºÀ» Áß½ÉÀ¸·Î ÇÑ µµ½ÃÇü ¼Ò±Ô¸ð Çб³ ¼³°è
ÀÌ¿øÁØ(Lee, Won-jun) ; ±è³²ÈÆ(Kim, Nam Hoon) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : Vol.33 No.04 (201704)
OMAÀÇ µµ¼­°ü °ÇÃà¿¡ ³ªÅ¸³­ °ø°£ ±¸¼º ¹æ¹ý·Ð¿¡ °üÇÑ ¿¬±¸
±è³²ÈÆ(Kim, Nam Hoon) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : Vol.32 No.08 (201608)
¶óÁñ·Î ¸ðȦ¸®-³ª±â(Lazlo Moholy-Nagy)ÀÇ Å¸ÀÌÆ÷Æ÷Åä(Typophoto)ÀÇ Àǹ̿¡ °üÇÑ ¿¬±¸
±è³²ÈÆ(Kim, Nam Hoon) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.31 n.01 (201501)
[ÇÁ·ÎÁ§Æ® ¸®Æ÷Æ®] °í´ö°­ÀϺ¸±ÝÀÚ¸®ÁÖÅà 3Áö±¸ 13´ÜÁö Çö»ó¼³°è¾È -°¡ÀÛ(3µî)
±è³²ÈÆ ; ¹Ú¿ë±¸ - °ÇÃà(´ëÇѰÇÃàÇÐȸÁö) : v.57 n.8 (201308)
¶óÁñ·Î ¸ðȦ¸®-³ª±âÀÇ ` ºû-°ø°£ º¯Á¶±â ` ¿¡ ³ªÅ¸³­ ` ºû ` °ú ` °ø°£ ` ±¸Ãà¿¡ °üÇÑ ¿¬±¸
±è³²ÈÆ ; Á¤Áø±¹ - ´ëÇѰÇÃàÇÐȸ ³í¹®Áý : v.14 n.1 (199801)