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³í¹®¸í 1929³â Á¶¼±¹Ú¶÷ȸ¿¡¼­ ³ªÅ¸³­ ±Ù´ëÀû °æÇè¿¡ °üÇÑ ¿¬±¸ / A Study on the Modern Experiences found in the Joseon Exposition of 1929 - Focus on Architectural and Urban Experiences - / °ÇÃà ¹× µµ½ÃÀû °æÇèÀ» Áß½ÉÀ¸·Î -
ÀúÀÚ¸í Á¤À±Ãµ(Jung, Yoon-chun) ; ¹Îº´¿í(Min, Byoung-wook) ; ½ÅÀº±â(Cinn, Eun-gee)
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¼ö·Ï»çÇ× Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý, Åë±Ç Á¦59È£ (2017-08)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(65) ÃÑÆäÀÌÁö(9)
ISSN 1738-818X
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è / µµ½Ã
ÁÖÁ¦¾î ¹Ú¶÷ȸ ; ±Ù´ë¼º ; °ÇÃà ; µµ½Ã ; °æÇè ; Exposition ; Modernity ; Architecture ; Urban ; Experience
¿ä¾à2 This paper examines the architectural modernity found in the Joseon Exposition that took place in the Gyeongbok Place in 1929. So far, it has been simply argued that the architectural planning of the Joseon Exposition portrays the Japanese political intentions legitimizing the Japanese colonial rules over the Korean peninsula by displaying the visual and spatial contrast between the modern and the traditional. However, this perspective shows the fundamental problem in understanding architectural conditions only through their forms and styles. Furthermore, the limitations of the previous studies are the fact that they unconsciously employ the colonialist perspective in understanding architectural modernity and continuously victimize our views on architectural and urban conditions from the same time period. In this regard, this paper tries to suggest an alternative approach by exploring how people experienced the newly introduced architectural and urban conditions, such as extended boulevards and axis, parks and squares, playgrounds and shops, and even amusement facilities with visual (movie) and acoustic (music) effects. Finally, the paper proves that Korean architectural modernity can be detected in the midst of destructing Korean architectural traditions and questions the contemporary formal and stylistic obsessions in understanding architecture.
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