°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ|³í¹®Áý 2016³â 8¿ù

³í¹®¸í Ç÷Ô(Plot) °³³äÀ» Àû¿ëÇÑ Àü½Ã°ø°£ »ç·Ê¿¬±¸ / A Study on the Exhibition Space Formation through the Concept of Plot - Focus on Exhibition Design of the special exhibition 'Embracing, Neo-Confucion Ideals' in National Folk Museum of Korean - / ±¹¸³¹Î¼Ó¹Ú¹°°ü Ưº°Àü '¼±ºñ, ±× ÀÌ»ó°ú ½Çõ'Àü Àü½ÃµðÀÚÀÎÀ» Áß½ÉÀ¸·Î
ÀúÀÚ¸í Ãֹ̿Á
¹ßÇà»ç Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ
¼ö·Ï»çÇ× Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý, Åë±Ç Á¦55È£ (2016-08)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(3) ÃÑÆäÀÌÁö(8)
ISSN 1738-818X
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è / µµ½Ã
ÁÖÁ¦¾î ÇÃ·í°³³ä ; °ø°£Çü¼º ; Àü½ÃµðÀÚÀÎ ; ÄÜÅÙÃ÷ °ø°£È­ ; ¼±ºñ ±× ÀÌ»ó°ú ½ÇõÀü ; Concept of Plot ; Space Formation ; Exhibition Design ; Spaced Contents ; Embracing ; Neo-Confucion Ideals
¿ä¾à2 The basic purpose of the exhibition design is to provide a space for empathy between the exhibits and audiences that can allow optimal viewing. That makes smoothly convey the information and messages of the exhibition. For this, creating exhibition space is very important which cannot be overlooked. Therefore this study conducted research about design methodology through consideration of the special exhibition of National Folk Museum of Korea: Embracing, Neo-Confucian Ideals which would be the example of the application of plot concept. Plot(Flot) is a literary term about imagery of the work, but the concept has similarities with creating space by mental activities adding imagination and constructing space by selecting materials and arranging them. Therefore the concept is useful as spatial composition or methodology of space analysis. Especially in the case of exhibition design, it is important to convey information of contents within the contextualization of stories through the structure. The introduction of the plot concept in spatial planning is highly expected to increase the utility in communication with audiences. As a result, I could find out the exhibition space which brings in such methodology plays the role of creating exhibition atmosphere. And the space itself connotes stories enough to influence whole visitor experience.
¼ÒÀåó Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃà°èȹ ¹× ¼³°è > ºñÁÖ°Å°ÇÃà °èȹ > ¹®È­¡¤Ã¼À°½Ã¼³ °èȹ > Àü½Ã

¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
°ÇÃà°³³äÀ¸·Î¼­ ±â´ÉÀÇ Àǹ̿¡ °üÇÑ ¿¬±¸
¼­Çö(Seo Hyun) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.06 (200906)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
±×¸®µåü°èÀÇ º¯ÇüÀ» ÅëÇÑ ÇüÅ»ý¼ºÇÁ·Î¼¼½º ¿¬±¸
ÇÑ»ó±æ ; ÀÌ°øÈñ - Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý : Åë±Ç Á¦22È£ (200806)
Ç÷԰³³ä¿¡ ÀÇÇÑ °ÇÃà°ø°£ÀÇ ¿¬ÃⱸÁ¶¿¡ °üÇÑ ¿¬±¸
À̱ÝÁø(Lee Kum-Jin) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.20 n.7 (200407)
Åõ»óµµ¹ýÀ» ÀÌ¿ëÇÑ °ÇÃàµðÀÚÀÎÀÇ ÇüÅ»ý¼º¿¡ °üÇÑ ¿¬±¸
¹ÚÇö¼ö(Park Hyeon-Soo) ; ½ÉÀºÁÖ(Shim Eun-Ju) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.20 n.6 (200406)
°ÇÃà´ëÀü ÀÛÇ°ºÐ¼®À» ÅëÇØ º» °ÇÃàÇüÅ ±¸¼º±â¹ý¿¡ °üÇÑ ¿¬±¸
±¸º»´ö ; À¯ÈñÁØ - ´ëÇÑ°ÇÃàÇÐȸ ³í¹®Áý : v.4 n.2 (198804)
¾Ë¹Ù·Î ½ÃÀÚÀÇ °ÇÃà¿¡¼­ ºÒ±ÔÄ¢ ÇüÅ ¹× Æò¸é ±¸¼º ¹æ¹ý¿¡ °üÇÑ ¿¬±¸
±è¿¬ÁØ(Yonjun Kim) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.12 No.05 (201710)