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°ø°£±¸¹®·ÐÀ» ÅëÇÑ ¾Æµ¹ÇÁ·Î½º ´Üµ¶ÁÖÅÃÀÇ °ø°£ ±¸Á¶ Ư¼º ¿¬±¸ / A Study of Special Features of Adolf Loos' house through Space Syntax - in Comparison to Villa Savoye / Villa Savoye¿Í ºñ±³¸¦ ÅëÇÏ¿© |
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Çѱ¹ÁÖ°ÅÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý, 2016 Vol.1(Ãá°è) (2016-04) |
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¾Æµ¹ÇÁ ·Î½º ; °ø°£ ±¸Á¶ ; °ø°£±¸¹®·Ð ; Adolf Loos ; Spatial Structure ; Space Syntax |
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Architecture is a field that embodies human behavior, and depending on the function and importance of space, each architecture shows difference in size, variety in height and form. In terms of composing space, among modern architects, Adolf Loos utilizes freedom and interconnectivity the best. In his work Ornament und Verbrechen, he stated that ornaments are relics of barbaric customs and all architecture should be deprived of ornaments. He also wholeheartedly believed that, even by fulfilling only the necessary functions, art form can be achieved. Such philosophy of Adolf Loos, as the first architect to attempt European rationalism in architecture, influenced great architects like Gropius and Le Corbusier. This study set out to explore Adolf Loos¡¯s house, which emphasizes the functional aspect of space, and uses space syntax, a quantitative analytical method, to make a comparison with Villa Savoye, one of Le Corbusier¡¯s representative works. In the process, spatial structure features of Adolf Loos¡¯ house will be studied. |