°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇÑ°ÇÃàÇÐȸ|´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è 2015³â 7¿ù

³í¹®¸í ¸£ ²¿¸£ºßÁ¦ °ÇÃàÀÇ Åõ½Ãµµ¸¦ ÅëÇÑ °ø°£ºÐ¼®¿¡ ´ëÇÑ ¿¬±¸ / A Study of the Analysis of Architectural space on the Perspective of Le Corbusier¡¯s Villas - Focused on the analysis of Linear Perspective of Villas in 1920s - / 1920³â´ë ÁÖÅÃÀÛÇ°ÀÇ ¼±ÇüÅõ½Ãµµ¹ý¿¡ µû¸¥ ºÐ¼®À» Áß½ÉÀ¸·Î
ÀúÀÚ¸í µµÇöÇÐ
¹ßÇà»ç ´ëÇÑ°ÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è, Vol.31 No.07 (2015-07)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(93) ÃÑÆäÀÌÁö(8)
ISSN 1226-9093
ÁÖÁ¦ºÐ·ù ÀÌ·Ð
ÁÖÁ¦¾î ¸£²¿¸£ºßÁ¦ ; ¸£³×½Ö½º ; ¼±ÇüÅõ½Ãµµ¹ý ; 1¼ÒÁ¡¸ÅÁ÷µµ¹ý ; ±Ù´ë°ÇÃà°ø°£ ; Le Corbusier ; Renaissance ; Linear Perspective ; One-point Magic Method ; Modern Architecture space
¿ä¾à2 There has been lots of studies about Corbusier¡¯s house through typological and morphological way However, the majority of studies are emphasized in morphological analysis, not in spacial view Architects represent their architectural concept and architectural space in many ways, and ¡®perspective drawing[view]¡¯ is the most important way of expressing and planning architectural space ¡®Perspective drawing[view]¡¯ was used for expressing the space since Renaissance in the field of paintings and also in the architectural fields Comparison analysis about Renaissance(which established Human-centered view of the world by reviving the Greece Rome studies and the arts based on the Humanism) ¡®perspective¡¯ and Corbusier(who argued rationalism of architecture) ¡®perspective drawing[view]¡¯ will be the important way of understanding his architecture The purpose of this study is to show the process of formation of architectural space and the architectural vocabulary of Modern Architecture space appeared in Corbusier¡¯s ¡®perspective drawing[view]¡¯ Also I hope that this study can be a guideline for architectural expression of space through a perspective drawing
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
DOI http://dxdoiorg/105659/JAIK_PD201531793
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > ¼­¾ç ±Ù´ë°ÇÃà > ÀÛ°¡·Ð

¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
[³í¹®] ¸£ ²¿¸£ºßÁ¦ÀÇ ÁÖ°Å°ÇÃà ¹ßÀü°úÁ¤¿¡ ´ëÇÑ ¿¬±¸
µµÇöÇÐ - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : v.19 n.2(Åë±Ç 69È£) (201004)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
[ƯÁý] ģȯ°æ °ÇÃ๰ÀÇ °³³ä ¹× °èȹ ¹æ¹ý
À±Á¾È£ - °ÇÃàȯ°æ¼³ºñ(Çѱ¹°ÇÃàģȯ°æ¼³ºñÇÐȸÁö) : v.1 n.2 (200710)
±¹³» Æнúê°ÇÃ๰ ¼³°è ¹× ½Ã°ø»ç·Ê
À̸íÁÖ - Çѱ¹±×¸°ºôµùÇùÀÇȸ Ãß°èÇмú°­¿¬È¸ ³í¹®Áý : (200911)
°ÇÃà°³³äÀ¸·Î¼­ ±â´ÉÀÇ Àǹ̿¡ °üÇÑ ¿¬±¸
¼­Çö(Seo Hyun) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.06 (200906)
°ÇÃàÀû »êÃ¥ °üÁ¡¿¡¼­ ¹Ù¶ó º» ¶ó ·Î½´ ÀúÅÃÀÇ °ø°£ºÐ¼®
ÀüÀθñ(Jun In-Mok) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.23 n.9 (200709)