| ³í¹®¸í |
Äí¸¶Ä˰íÀÇ °ÇÃà·Ð¿¡¼ ³ªÅ¸³ª´Â ¹Ý(Úã) ¿ÀºêÁ§Æ®ÀÇ °³³äÀû Ư¼º°ú µðÀÚÀÎ ¹æ¹ý¿¡ °üÇÑ ¿¬±¸ / A Study on the Conceptual Characteristics and Design Methods of Anti-Object in Architectural Theory of Kengo Kuma |
| ¼ö·Ï»çÇ× |
Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, Vol.24 No.2(Åë±Ç 109È£) (2015-04) |
| ÆäÀÌÁö |
½ÃÀÛÆäÀÌÁö(67) ÃÑÆäÀÌÁö(9) |
| ÁÖÁ¦¾î |
Äí¸¶Ä˰í ; ¹Ý ¿ÀºêÁ§Æ® ; µðÀÚÀÎ ¹æ¹ý ; Kengo Kuma ; Anti-Object ; Design Method |
| ¿ä¾à2 |
This study is to contemplate an ultimate goal and new methodology the architecture and space design community should pursue forward by analyzing concepts in Kengo Kuma¡¯s idea of ¡°Anti-object¡± and examining his design methods and characteristics. To this end, I reviewed space design methods and features in his book of ¡¸Anti-Object¡¹ and his architectures built around in 2000. The result is as in the followings. (1) Contact is an essential concept of ¡°Anti-object¡± to connect and integrate divided materials and consciousness with time and space. (2) Elimination is a meaningful way to reverse ¡°cohesiveness¡± of agglomerated cluster which is a form of object and reconstruct it into the form of passive and acceptive ¡°Anti-object¡±. This idea is realized through overlap of material property and removal of massing. (3) Minimization is a concept of ¡°Anti-object¡± to set the temporality free from constraints of materials. Three-dimensional transparent faces and lines or patterns of porous materials can be used to remove static and coercive volume. (4) A particle is a ¡°reflector of its environment.¡± It rebuilds one-way or disconnected communication between human and architecture into an interactive one. Kengo Kuma materializes this ¡°particle¡± by exploring positional relation with physical paths, precise details and measurements. |