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³í¹®¸í ÀϺ» °úÇаüÀÇ Àü½Ã±¸¼º°ú °ü¶÷°´ÀÇ ÀÎÁö ÆÐÅÏ¿¡ °üÇÑ ¿¬±¸ / A Study on the Exhibition Composition of a Science Museum and Visitors' Cognitive Experiences - Focusing on the Exhibition Composition and Pattern of MIRAIKAN in Tokyo and Osaka Science Museum - / µ¿°æ °úÇй̷¡°ü, ¿À»çÄ« ½Ã¸³°úÇаüÀ» Áß½ÉÀ¸·Î
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¼ö·Ï»çÇ× Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý, Åë±Ç Á¦49È£ (2015-02)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(13) ÃÑÆäÀÌÁö(8)
ISSN 1738-818X
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è / µµ½Ã
ÁÖÁ¦¾î °¨°¢¼ö¿ë±â ; Àü½Ã¸Åü ; Á¤º¸Àü´Þ ; °úÇаü ; Sensory receptor ; Exhibition medium ; Information transmission ; Science museum
¿ä¾à2 Contemporary science museums are enhancing their roles and functions reflecting social changes. In addition, exhibits using diverse exhibition techniques and medium are in very active application in the facilities recently built and in the projects to enhance the environments of existing facilities. In this way, the plan for exhibition environment to cope with social changes and upcoming future is being used as the display concept to be considered importantly for exhibition plan, and is also social demand which needs to be reflected to each exhibit generally rather than applied to certain exhibits. This research focuses on that, accordingly, the fact that a variety of visitors are aware of display and behave in an exhibition space based on the reactions of their own sensory receptors is closely related to the plan for exhibition space. Therefore, this study aims at comparing and analyzing the process for visitors to process information transmission of exhibition medium in terms of cognitive science, and reasoning the influence on the organization of an exhibition program. In particular, this research aims at interpreting the process of information transmission of exhibition medium formed in each exhibition area, suggesting the meanings implied in the distribution aspect of exhibition medium inside the exhibition area and the interpretation range, and empirically reviewing a series of preceding researches.
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