°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇÑ°ÇÃàÇÐȸ|´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è 2015³â 2¿ù

³í¹®¸í ºÐÇرâ¼ú¿¡ ÀÇÇÑ ÀÚ¿¬Àç·áÀÇ ¹°¼ºº¯È­¿Í Ç¥¸éµðÀÚÀΠǥÇö¹æ¹ý / The Change of Materiality of Natural Material and the Method of Expression of Surface Design by Decomposition Techniques
ÀúÀÚ¸í ÀÌÁ¤¿ø½Äº°ÀúÀÚ ; ¼­ÁöÀº½Äº°ÀúÀÚ
¹ßÇà»ç ´ëÇÑ°ÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è, Vol.31 No.02 (2015-02)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(149) ÃÑÆäÀÌÁö(8)
ISSN 12269093
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
ÁÖÁ¦¾î õ¿¬ÀÚ¿ø ; ÀÚ¿¬Àç·á ; ºÐÇرâ¼ú ; ¹°¼ºº¯È­ ; Ç¥¸éµðÀÚÀÎ ; Raw Materials ; Natural Materials ; Decomposition Techniques ; Physical Property Change ; Surface Design
¿ä¾à2 This study was to grasp the change of materiality of natural material through decomposition techniques after the raw material are extracted from natural material. In addition, it is to analyze examples to achieve the purpose that is to apply expressive possibility of new material into the space design. The results of the research are as in the following. First, the development of technology could allow use in various directions on nature material which has not been applied on architectural and spatial until now. In particular, material properties and surface design are shown differently by 'decomposition techniques'. Second, decomposition techniques fall into two categories. One can be subdivided into 'thermal decomposition, catalytic decomposition and electrolysis' that is the technology to decompose nature material with the chemical combination. Other is 'cutting, grinding, crushing and pressing' that is to dissolve nature material with physical power. Third, 'thermal decomposition' and 'catalytic decomposition' technology changed into natural ingredients which are to complement properties than raw material by removing harmful or unnecessary ingredients of nature material and 'cutting' technology changed color, form, and patterns etc hidden in natural material into the ways to express outwards. In addition, 'grinding' and 'crushing' technology confirm characteristics that are unlike earlier by vanishing most of existing properties. Forth, surface design is appeared as realistically, metaphorically, concretely, timely and autonomically. Therefore, decomposition techniques expand the area of expression by leading (inducing) differences between the change of materiality and surface design. Also it will serve as a foundation that excellent properties of natural resources appear in a positive qualities and will have a great influence on various use as an advanced material.
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
DOI http://dx.doi.org/10.5659/JAIK_PD.2015.31.2.149
ºÐ¼®¼­Áö
°ÇÃà°èȹ ¹× ¼³°è > ½Ç³»°ÇÃà > Àç·á ¹× »öä

¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
[ƯÁý] ģȯ°æ °ÇÃ๰ÀÇ °³³ä ¹× °èȹ ¹æ¹ý
À±Á¾È£ - °ÇÃàȯ°æ¼³ºñ(Çѱ¹°ÇÃàģȯ°æ¼³ºñÇÐȸÁö) : v.1 n.2 (200710)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
¾ÆÀÌ·¹½º ¸¶Å׿콺 °ÇÃà¿¡ ³ªÅ¸³­ µðÀÚÀÎ Á¶Á÷ü·Î¼­ÀÇ ¼­ºêÆ®·¢¼Ç ¹æ¹ý°ú Ư¼º¿¡ °üÇÑ ¿¬±¸
±èÁ¾Áø(Kim, Jong-Jin) - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.25 No.2(Åë±Ç 115È£) (201604)
¸á¹ö¸¥ ½ÃÀÇȸ û»ç(CH2)ÀÇ Ä£È¯°æ ÅëÇÕ¼³°è Ư¼º¿¡ °üÇÑ ¿¬±¸
Á¤Å¿ë(Chung, Tae-Yong) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : Vol.31 No.04 (201504)
Çö´ë°ÇÃàÀÇ °ø°£ÇüÅ »ý¼ºÀ¸·Î¼­ÀÇ ´ÙÀ̾î±×·¥¿¡ °üÇÑ ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.28 n.04 (201204)
ģȯ°æ°ÇÃà ÅëÇÕ¼³°èÇÁ·Î¼¼½º¿¡ °üÇÑ ¿¬±¸
À̺´¿¬(Lee Byung-Yun) ; ±è±¤Çö(Kim Kwang-Hyun) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.04 (200904)
¡á Á¦ 1 ÀúÀÚÀÇ ´Ù¸¥ ¹®Çå ½Äº°ÀúÀÚ´õº¸±â
¹®È­Àç»ý°ø°£ÀÇ ¿î¿µÀ¯Çüº° È°¼ºÈ­ ¿ä¼Ò ÀνÄÂ÷ÀÌ ºñ±³ ¿¬±¸
ÀÌÁ¤¿ø(Lee, Jeong-Won) ; ¼­ÁöÀº(Seo, Ji-Eun) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý : Vol.40 No.6 (202406)
Àç»ýÇü ¹®È­°ø°£ÀÇ °ø°ø¼º Ç¥Çö¹æ¹ý ¿¬±¸
ÀÌÁ¤¿ø(Lee, Jeong-Won) ; ¼­ÁöÀº(Seo, Ji-Eun) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý : Vol.39 No.8 (202308)
Àç»ýÇü ¹®È­°ø°£ÀÇ ¿î¿µÈ°¼ºÈ­ ¹æ¾È ¿¬±¸
ÀÌÁ¤¿ø;¼­ÁöÀº - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Vol.43 No.1 (202304)
õ¿¬ÀÚ¿øÀ» È°¿ëÇÑ º¹ÇÕ ÀÚ¿¬Àç·áÀÇ È¥È­Àû Ç¥Çö¹æ¹ý
ÀÌÁ¤¿ø(Lee, Jeong-Won) ; ¼­ÁöÀº(Seo, Ji-Eun) - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Vol.36 No.2 (201610)
¸¶°¨Àç¿Í Á¶¸íÀÇ ÀÎÅÍ·¢¼Ç¿¡ ÀÇÇÑ °¨¼º È°¼ºÈ­ µðÀÚÀαâ¹ý ¿¬±¸
¼­ÁöÀº(Seo, Ji-Eun) ; ÀÌ°î¼÷(LeeGok-Sook) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.29 n.11 (201311)
ÇÒ·Î°Õ Á¶¸í¿¡¼­ÀÇ °¨¼º À¯µµ¸¦ À§ÇÑ ¸¶°¨Àç °èȹ¹æ¹ý ¿¬±¸
ÀÌ°î¼÷ ; ¼­ÁöÀº - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : v.33 n.1 (201304)
¸¶°¨Àç¿Í Á¶¸íÀÇ °ü°è¿¡ ÀÇÇÑ °ø°£°¨¼º º¯È­ ºÐ¼® ¿¬±¸
¼­ÁöÀº(Seo, Ji-Eun) ; ÀÌ°î¼÷(LeeGok-Sook) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.29 n.1 (201301)
¸¶°¨Àç¿Í Á¶¸í¿¡ ÀÇÇÑ Mix & Match °ø°£ Ç¥Çö¿¬±¸
¼­ÁöÀº(Seo, Ji-Eun) ; ÀÌ°î¼÷(LeeGok-Sook) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.28 n.10 (201210)
°ø°£À̹ÌÁö¿Í °¨¼º¾îÈÖ¿¡ µû¸¥ ¸¶°¨Àç Ç¥Çö¹æ¹ý ºñ±³ ¿¬±¸
¼­ÁöÀº ; ÀÌ°î¼÷ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.21 n.3(Åë±Ç 92È£) (201206)
°ø°£À̹ÌÁö º° ¸¶°¨Àç Ç¥Çö¹æ¹ý¿¡ °üÇÑ ¿¬±¸
ÀÌ°î¼÷ ; ¼­ÁöÀº - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : v.32 n.1(°èȹ°è) (201204)