°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇѰÇÃàÇÐȸ|´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è 2014³â 8¿ù

³í¹®¸í ÀÚÇÏ ÇϵðµåÀÇ Ãʱ⠰ÇÃàµðÀÚÀο¡ Ç¥ÇöµÈ ½Ã°£Àû Ư¼º / Temporal Characteristics Shown in Zaha Hadid's Early Architectures - Focusing on the Effect of Malevich Paintings - / ¸»·¹ºñÄ¡ ȸȭÀÇ ¿µÇâÀ» Áß½ÉÀ¸·Î
ÀúÀÚ¸í ¹®Á¤Çʽĺ°ÀúÀÚ(Moon, Jung-Pil)
¹ßÇà»ç ´ëÇѰÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è, v.30 n.8 (2014-08)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(153) ÃÑÆäÀÌÁö(10)
ISSN 12269093
ÁÖÁ¦ºÐ·ù ÀÌ·Ð
ÁÖÁ¦¾î ÀÚÇÏ Çϵðµå ; °ÇÃàµðÀÚÀÎÀÇ Ç¥Çö ; ½Ã°£¼º ; ¸»·¹ºñÄ¡ÀÇ È¸È­ ; Zaha Hadid ; expression of architectural design ; temporality ; Malevich paintings
¿ä¾à2 The study brought temporality that examined Malevich's pictoriality to the expression of Hadid's architecture design, aiming to examine deconstructive tendency through temporal feature that achieved interpretation of architectural form and space. The following tendencies were drawn as a spatiotemporal feature represented in Hadid's architectural design with Malevich's pictoriality in the background. First, it was found that the fragmented iconography in Hadid's illustrations was influenced by Malevich paintings, and the underlying cubist and futurist temporality was added to three-dimensional space, which was expressed as explosiveness. Second, the icons in Hadid's illustrations showed liveliness that grows in the existing architecture in order to bring images out of dynamic and connotative space, and temporality with playfulness as its medium in order to awaken space routines present in a phenomenon. Third, Hadid's illustrations made multiple simultaneous arrangements for vanishing points of multi-point and one point perspectives and combined the building site with surroundings by overlapping individual projections of plane, elevation and cross-section to represent infinity of time. Therefore, the characteristic of Hadid's architectural illustration is understood as a deconstructive text that reveals space and time to perceptual systems to embrace complex and diverse thinking that modern architecture requires.
¼ÒÀåó ´ëÇѰÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > Çö´ë°ÇÃà ÀÇÀå·Ð

¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
ÇØÃ¼ÁÖÀÇ °ÇÃàÀÇ »ó´ëÀû ½Ã¡¤°ø°£ °³³äÀ» ¹ÙÅÁÀ¸·Î º» ÀÚÇÏ Çϵðµå ÀÛǰÀÇ Â÷¿¬Àû Ç¥ÇöƯ¼º¿¡ °üÇÑ ¿¬±¸
Á¤ÀºÈñ(Eunhee Jung) ; À±ÀçÀº(Jaeeun Yoon) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.12 No.02 (201704)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇѰÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
[Special Report] ÀÚÇÏ Çϵðµå
ÀÚÇÏ Çϵðµå ; ¹®ºÀÁÖ - ¿ù°£ °ÇÃ๮ȭ : No.274 (200403)
ÀÚÇÏ ÇϵðµåÀÇ °ÇÃàµðÀÚÀΰúÁ¤¿¡¼­ ´Ù½ÃÁ¡ Ç¥Çö±â¹ýÀÇ È°¿ë°ú Ư¼º¿¡ °üÇÑ ¿¬±¸
¹Ú¿µÈ£ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.13 n.5(Åë±Ç 46È£) (200410)
ÀÚÇÏ ÇϵðµåÀÇ Å»±¸Á¶ÁÖÀÇÀû Æä¹Ì´ÏÁò °ÇÃà¿¡ °üÇÑ ¿¬±¸
À̶õÇ¥ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.14 n.5(Åë±Ç 52È£) (200510)
ÀÚÇÏ ÇϵðµåÀÇ ¹ÂÁö¾ö°ÇÃà °ø°£±¸¼º Ư¼º¿¡ °üÇÑ ¿¬±¸
¼­¼ö°æ - Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý : Åë±Ç Á¦45È£ (201402)
¡á Á¦ 1 ÀúÀÚÀÇ ´Ù¸¥ ¹®Çå ½Äº°ÀúÀÚ´õº¸±â
Çѱ¹ ÀüÅë°ÇÃàÀÇ ¸í»óÃÊÀÔÀ» À§ÇÑ °ø°£ °íÂû
¹®Á¤ÇÊ(Moon, Jung-Pil) - ´ëÇѰÇÃàÇÐȸÁöȸ¿¬ÇÕȸ ³í¹®Áý : Vol.19 n.02 (Åë±Ç78È£) (201704)
·çÀ̽º ¹Ù¶ó°£ °ÇÃà¿¡ ³ªÅ¸³­ º®°ú »öÀÇ º»Áú
¹®Á¤ÇÊ(Moon, Jungpil) - ´ëÇѰÇÃàÇÐȸÁöȸ¿¬ÇÕȸ ³í¹®Áý : Vol.18 n.02 (Åë±Ç72È£) (201604)
¹°ÁúÀÇ °¡Ä¡·Ð °üÁ¡¿¡¼­ º» °ÇÃàÀÇ »çȸÀû Ç¥Çö ¾ç»ó
¹®Á¤ÇÊ(Moon, Jung-Pil) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : Vol.31 No.03 (201503)
ºÒ±¹»ç¿¡ ³ªÅ¸³­ À̵¥¿Ã·Î±âÀÇ °ü±¤ÀÚ¿ø
¹®Á¤ÇÊ(Moon, Jung-Pil) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.30 n.3 (201403)
ÀÌ¿À ¹Ö ÆäÀÌ °ÇÃà¾ð¾î¿¡ ³ªÅ¸³­ µ¿¡¤¼­¾ç ¹ÌÀÇ »óº¸¼º
¹®Á¤ÇÊ(Moon, Jung-Pil) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.29 n.7 (201307)
ºô¹Ù¿À ±¸°ÕÇÏÀÓ ¹Ì¼ú°ü¿¡ ³ªÅ¸³­ ÇÁ·©Å© °Ô¸®ÀÇ ¸®¾ó¸®Áò Ç¥Çö Ư¼º¿¡ °üÇÑ ¿¬±¸
¹®Á¤ÇÊ - ´ëÇѰÇÃàÇÐȸÁöȸ¿¬ÇÕȸ ³í¹®Áý : v.14 n.03 (Åë±Ç51È£) (201209)
ÀÚÅ© Ç츣Á¶±×¿Í ÇÇ¿¡¸£ µå ¸þ·ÕÀÇ °ÇÃà ¿ÜÇÇ¿¡ ³ªÅ¸³­ ¹Ìµð¾î ¸Þ½ÃÁö¿¡ °üÇÑ ¿¬±¸
¹®Á¤ÇÊ(Moon Jung-Pil) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.28 n.08 (201208)
º£¸¦¸° À¯ÅÂÀÎ ¹Ú¹°°ü¿¡ ³ªÅ¸³­ ´Ù´Ï¿¤ ¸®º£½ºÅ²Æ®ÀÇ ÀÀ½ÃÀû ¿å¸Á¿¡ °üÇÑ ¿¬±¸
¹®Á¤ÇÊ - ´ëÇѰÇÃàÇÐȸÁöȸ¿¬ÇÕȸ ³í¹®Áý : v.14 n.02 (Åë±Ç50È£) (201206)
·½ ÄÝÇϽº °ÇÃàÀÇ ÀÌÇ״븳¿¡ °üÇÑ ¿¬±¸
¹®Á¤ÇÊ(Moon, Jung-Pil) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.27 n.10 (201110)
·Î¹öÆ® º¥Ãò¸®ÀÇ µ¥ÆÄÆ®¸ÕÆ® ¶ó ¿ÀÆ® °¡·Ð³Ê È£ÅÚ¿¡ ³ªÅ¸³­ ±âÈ£¿¡ °üÇÑ ¿¬±¸
¹®Á¤ÇÊ(Moon Jung-Pil) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.27 n.4 (201104)