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³í¹®¸í ±Ù¡¤Çö´ë °ÇÃàÇ¥¸éÀÇ °¡¸²°ú µå·¯³¿ÀÇ Ç¥Çö¼º¿¡ °üÇÑ ¿¬±¸ / A Study on the Expressivity of Covering and Exposing of Architecture Surface after Modern Architecture - Focused on the Tectonic Concept through Semper's Theory "Dressing" - / ÁªÆÛÀÇ ÇǺ¹·ÐÀ» ÅëÇÑ ÅØÅä´Ð°³³äÀ» Áß½ÉÀ¸·Î
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¼ö·Ï»çÇ× Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, v.23 n.3(Åë±Ç 104È£) (2014-06)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(29) ÃÑÆäÀÌÁö(10)
ISSN 12297992
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
ÁÖÁ¦¾î Ç¥¸é ; ÁªÆÛ ; ÇǺ¹ ; °¡¸² ; µå·¯³¿ ; ±¸Ãà ; ±¸Á¶ ; »ó¡(Àå½Ä) ; Surface ; Semper ; Dressing ; Covering ; Exposing ; Tectonic ; Structure ; Symbol(Ornament)
¿ä¾à2 This paper is to analysis covering and exposing elements through surface in the spirit of the time through the meaning of relationship between structure and symbol(ornament) in the theory of dressing of Gottfrid Semper. In other words, The purpose is to illuminate how complementary tectonic between structure and symbolic of an architecture surface is expressed in accordance with the biased required conditions relating with the paradigm of the era. The advancement of the new method of tectonic and the new aesthetic taste have a deep relation with the reconsidering the dichotomy classification discussing a dominant position between structure and symbol(ornament). Expression of surface representing the era comes across the combined interpretation of technology, structure, and the non-physical culture's art of the community and the era.
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