°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ|³í¹®Áý 2014³â 2¿ù

³í¹®¸í µðÁöÅÐ °ø°£¿¡¼­ ³ªÅ¸³ª´Â »ç¿ëÀÚ °æÇèÀÇ È®ÀåÀ» À§ÇÑ Àû¿ë ¿ä¼Ò¿¡ °üÇÑ ¿¬±¸ / A Study on Applied Elements fo the Extension of User Experience in Digital Space
ÀúÀÚ¸í ±è¼¼¿µ½Äº°ÀúÀÚ
¹ßÇà»ç Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, v.23 n.1(Åë±Ç 102È£) (2014-02)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(52) ÃÑÆäÀÌÁö(9)
ISSN 12297992
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
ÁÖÁ¦¾î »ç¿ëÀÚ °æÇèÀÇ È®Àå ; µðÁöÅÐ ¹Ìµð¾î ; µðÁöÅÐ °ø°£ ; Extension of User Experience ; Digital Media ; Digital Space
¿ä¾à2 The purpose of this study is to analyze about the extension of user experience in the digital space. Through the digital technology and virtual space, the city's new environment is being changed. it makes people activate their aesthetic experience. Simultaneously, it elevates satisfaction levels regarding people's aesthetic experience. Research methods and settings of the range to study on the Extension of User Experience are as follows: First, establish digital space's characteristics comparing digital space at the structural change-points in modern society. Second, experience's approch way through the digital media in the contemporary space. And understand the concept about a variety of User Experience. Third. to classify the elements of access control for the user experience. Experience is being expanded through the generation process. Fourth, investigate analysis of the case studies, focused on the architecture and space design_Media installations that appear in the city park, the city's landmark buildings facade, the building facade by offering commercially applied for brand marketing_ announced through the media recently. Also, it is to look at the physical elements through digital media and to analyze the applicability of the public space. Therefore, the new approach to digital implementation shall be determined by looking in the direction of the user approaches.
¼ÒÀåó Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃà°èȹ ¹× ¼³°è > ½Ç³»°ÇÃà > ±âŸ

¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇѰÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
µðÁöÅÐ ±â¼ú°ú °¨¼º ±â¼úÀ» ÀÌ¿ëÇÑ ¹Ì·¡°ø°£ÀÇ Æ¯¼º°ú ±¸¼º¿ä¼Ò¿¡ °üÇÑ ¿¬±¸
°­¹Î¼ö(Kang Min-Soo) ; Ã߽¿¬(Choo Seung-Yeon) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.04 (201004)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
[ƯÁý] ģȯ°æ °ÇÃ๰ÀÇ °³³ä ¹× °èȹ ¹æ¹ý
À±Á¾È£ - °ÇÃàȯ°æ¼³ºñ(Çѱ¹°ÇÃàģȯ°æ¼³ºñÇÐȸÁö) : v.1 n.2 (200710)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
»ç¿ëÀÚ °æÇèÀ» À§ÇÑ ÀÎÅÍ·¢¼Ç °ø°£µðÀÚÀΠǥÇö¿¡ °üÇÑ ¿¬±¸
±è¼¼¿µ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.21 n.4(Åë±Ç 93È£) (201208)
°ÇÃà °ø°£ÀÇ °æ°è ¸ðÈ£¼º°ú Åõ¸í¼º
°í°æÈ£(KO Kyeongho) ; ±è´ö¼ö(KIM Duk-Su) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.07 No.01 (201203)
µðÁöÅÐ ÇнÀÄÜÅÙÃ÷ °ø°£Æ¯¼º ºÐ¼®°ú µðÀÚÀÎ ¹æÇâ Á¦½Ã
±è¹Ì½Ç ; ¹®Á¤¹Î - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.19 n.6(Åë±Ç 83È£) (201012)
½Ã·Ð: Äڷγª ÀÌÈÄ, °ÇÃà°ú µµ½Ã°ø°£ÀÇ º¯È­¸¦ »ý°¢ÇÏ´Ù
¹Ú¼ÒÇö - °ÇÃà°ú µµ½Ã°ø°£ : Vol.38 (202006)
°³ÀÎÁְŰø°£ÀÇ ÇÁ¶óÀ̹ö½Ã¿Í °øÀû°ø°£°ü°è¿¡ °üÇÑ ¿¬±¸
½Åº´À±(Shin Byang-Youn) ; ±è±¤Çö(Kim Kwang-Hyun) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.07 (200907)
¡á Á¦ 1 ÀúÀÚÀÇ ´Ù¸¥ ¹®Çå ½Äº°ÀúÀÚ´õº¸±â
Çö´ë °ÇÃà¿¡¼­ ³ªÅ¸³­ Áö¿ª¼ºÀÇ Áö¼Ó °¡´ÉÇÑ °¡Ä¡¿¡ °üÇÑ ¿¬±¸
±è¼¼¿µ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.22 n.5(Åë±Ç 100È£) (201310)
¿¹¼ú°ú Å×Å©³î·¯Áö¸¦ Ȱ¿ëÇÑ À¯ÈñÀû °ø°£¿¡¼­ÀÇ ¹ÌÀû °æÇè¿¡ °üÇÑ ¿¬±¸
±è¼¼¿µ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.22 n.3(Åë±Ç 98È£) (201306)
»ç¿ëÀÚ Áß½ÉÀÇ °ø°ø¼º ½ÇÇöÀ» À§ÇÑ °ø°øµµ¼­°üÀÇ °ø°£ °èȹ ¹× Ư¼º¿¡ °üÇÑ ¿¬±¸
±è¼¼¿µ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.22 n.3(Åë±Ç 98È£) (201306)
»ç¿ëÀÚ °æÇèÀ» À§ÇÑ ÀÎÅÍ·¢¼Ç °ø°£µðÀÚÀΠǥÇö¿¡ °üÇÑ ¿¬±¸
±è¼¼¿µ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.21 n.4(Åë±Ç 93È£) (201208)