°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ|³í¹®Áý 2013³â 12¿ù

³í¹®¸í Çö´ë°ÇÃàÀÇ ±¸Á¶È­µÈ Ç¥ÇÇ¿Í ¼³°èÀû¿ë °¡´É¼º ¿¬±¸ / A Study on the Concept of Structured Surface and the Possibility of Its Application in Contemporary Architecture
ÀúÀÚ¸í õÀÇ¿µ
¹ßÇà»ç Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ
¼ö·Ï»çÇ× Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý, Åë±Ç Á¦44È£ (2013-12)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(57) ÃÑÆäÀÌÁö(8)
ISSN 1738818X
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è / µµ½Ã
ÁÖÁ¦¾î Çö´ë°ÇÃà ; Ç¥ÇÇ ; ±¸Á¶Àû Ç¥¸é ; ±¸Á¶È­µÈ Ç¥ÇÇ ; ´ÜÀϱ¸Ã¼ ; Contemporary Architecture ; Skin ; Structural Skin ; Structured Surface ; Monocoque
¿ä¾à2 This study aims to deal with structured surfaces in contemporary architecture, which is in part related with Gilles Deleuze's philosophical notion on the fold and skins. Actual concerns on 'skin' in architectural projects were from the Swiss architects' group, Herzog & de Meuron. Now the concept is being extended not only to its depth, but also to the media facade and the structured skin. In contemporary market society, architectural buildings are mostly produced not as an work of culture, but as a legal maximum FAR(floor area ratio) commodities. Architects themselves cannot resist the mega forces of global capital gain system. Therefore, the new development of the skin as a medium of architectural space to deal with, was one of the survival strategies of architects in my opinion. The skin, or the surface is not any more superficial part of the whole, as Deleuze describes it. The mediated multiple skins became one of the most trendy concerns among architects, as we have seen in many renowned architectural examples such as 2008 Beijing Olympic Stadium and Beijing National Aquatics Center, Water Cube. The concept of structured surfaces are being applied to the design of K-University's design studio as a case study for localization and actualization. Although, there were many difficulties and practical problems in design and construction, it was meaningful efforts to realize a architectural concept in an academy field into a concrete functioning entity through collaborations with other specialists in different fields.
¼ÒÀåó Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > Çö´ë°ÇÃà ÀÇÀå·Ð

¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
ÇÇÅÍ ÁÜÅÍÀÇ ÀÛÇ°¿¡ ³ªÅ¸³­ Àç·á¿Í ºûÀÇ °ø°£Àû ¿µÇâ¿¡ °üÇÑ ¿¬±¸
±èÀÚ¿µ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.20 n.5(Åë±Ç 88È£) (201110)
ÇÇÅÍ ÁÜÅÍ °ÇÃà¿¡ ³ªÅ¸³­ ±¸Ã༺¿¡ °üÇÑ¿¬±¸
±èÀÚ¿µ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.21 n.6(Åë±Ç 95È£) (201212)
ÇÇÅÍ ÁíÅÍÀÇ ½æ ¹ßÁî¿¡ ³ªÅ¸³­ °¨¼º µðÀÚÀÎ Á¢±Ù¿¡ °üÇÑ ¿¬±¸
¿ìÁö¿¬ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.19 n.3(Åë±Ç 80È£) (201006)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
Ãò¹Ì, ÄÝÇϽº, MVRDV¿¡ ³ªÅ¸³­ ÇÁ·Î±×·¥Àû ÀÌÁú¼º°ú ÀÌÁ¢¿¡ ´ëÇÑ ¿¬±¸
Àå¿ë¼ø(Chang Yong-Soon) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.06 (201006)
Ç츣Á¶±×¿Í µå ¸þ·Ð(Herzog & de Meuron)ÀÇ °ÇÃà¾ð¾î¿¡ °üÇÑ ¿¬±¸
½ÅÁ¤È­ ; ±è¹®´ö - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.13 n.3(Åë±Ç 44È£) (200406)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)