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1900³â´ë ÀÌÈÄÀÇ ±³¿Ü ÁÖÅÿ¡¼ ³ªÅ¸³ª´Â Á߽ɼº°ú ¿ÜÇâÀû ÇüÅ¿¡ °üÇÑ ¿¬±¸ / A Research about the Centrality and Outer Form of Suburban Houses Since 1900 - focused on Villa Rotonda and Villa Emo in Italy - / ºô¶ó ·ÎÅæ´Ù¿Í ºô¶ó ¿¡¸ð¸¦ ±âÁØÀ¸·Î |
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Çѱ¹ÁÖ°ÅÇÐȸ³í¹®Áý, v.24 n.6 (2013-12) |
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½ÃÀÛÆäÀÌÁö(123) ÃÑÆäÀÌÁö(10) |
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ºô¶ó ·ÎÅ÷´Ù ; ºô¶ó ¿¡¸ð ; ºô¶ó »çº¸¾Æ ; Æǽº¿öµå ÁÖÅà ; ³«¼öÀå ; °ñµ§¹ö±× ÁÖÅà ; Villa Rotonda ; Villa Emo ; Villa Savoye ; Farnsworth House ; J. Kaufmann House(Falling Water) ; Goldenberg House |
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This study covers centrality of villas after Renaissance and architectural forms corresponding to the nature in the aspect of Karl Popper and Gilles Deleuze. In addition, the researcher tries to understand the changes in architectural forms according to the changes in places. To do that, Pascal and Hans Meyer's theory was introduced as a major theory. The researcher tries to set up the standard by analyzing the architectural form related with the nature and the form of center in the housing through Villa Rotonda and Villa Emo. And with key analysis of the centrality and architectural form corresponding to the nature and the four houses that are historically and morphologically important. It is found that due to the development in modern technology and materials, a variety of architectural approach is developed and they are implemented as various architectural forms. However, due to various theories of modern architectural approach, it is found that the morphological differences of suburban housing exists by forming a universal relationship constructed by four architects. The researcher expects to be understood and realized in real life construction. |