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³í¹®¸í ¸Æ¶ôÁÖÀÇ·Î º» ¡®Áö´Ï¾î½º ·Î»çÀÌ¡¯(Genius loci) / 'Genius Loci' Grasped by Contextualism / Á¦1ºÐ¾ß : °ÇÃà°èȹ ¹× ¼³°è
ÀúÀÚ¸í ±èÁöÀº ; À̵¿¾ð½Äº°ÀúÀÚ
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¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸÁöȸ¿¬ÇÕȸ Çмú¹ßÇ¥´ëȸ³í¹®Áý, v.2012 n.01 (2012-12)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(97) ÃÑÆäÀÌÁö(4)
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ÁÖÁ¦¾î ¸Æ¶ôÁÖÀÇ ; »óÈ£°üÀÔ ; º¯È­¿Í »õ·Î¿ò ; ¿ª»çÀû »ç°Ç ; ºñÀÏ»ó ; ½ÉÃþÀû ; contextualism ; interpenetration ; Change and Novelty ; historical events ; non-everyday lives ; deep approaches
¿ä¾à2 So many events, in other words, architectures make a context. It consists of change and novelty with fusion and spread. When they are in silence, the flux of them stops. the flux with them is reduced to a fixed one. According to semiotics the flux with fusion and spread stops, a signifer has a signified. As a historic event happens, the flux with them and is in movement. There is no longer a gap between a subject and an object, the past and the present. the flux with them returns to movement. signifer has so many signified. Tadao Ando realizes that a historic event has multiple signified. He overarches superficial abstract techniques and reaches deep abstract techniques. Considering the above facts, he is an authentic Modernist that creates based upon a historic event.
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¾ÈµµÅ¸´Ù¿À(Ando Tadao)+ °£»ïÆÄÆ®³Ê½º(Gansam Partners 2009) - Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ NEWSLETTER : Vol.45 AUTUMN 2009 (200911)
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À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
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¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
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À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
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Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
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±è±¤¹è(Kim Kwang-Bae) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.23 n.12 (200712)
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¼­Á¤ÀÏ(Seo Jeong-Il) ; ÀÓ¸®»ç(Lim Lisa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.10 (201010)
Àü½ÃÇÁ·Î±×·¥À» °í·ÁÇÑ ¿ì¸®³ª¶ó ¹Ú¹°°ü°ú ¹Ì¼ú°üÀÇ ½ºÆäÀ̽º ÇÁ·Î±×·¥ ºñ±³ ¿¬±¸
¼­À¯¼®(Sea You-Seok) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.20 n.10 (200410)