°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ|³í¹®Áý 2012³â 10¿ù

³í¹®¸í Çö´ë »ó¾÷°ø°£¿¡ Ç¥ÇöµÈ µðÀÚÀÎÄÚµð³×ÀÌ¼Ç °üÁ¡ÀÇ Çѱ¹¼º Ư¼º ºÐ¼® / Analysis of the Koreanity Expression Properties found in the Modern Commercial Spaces from a Design Coordination Viewpoint
ÀúÀÚ¸í ÀÓ¼±Èñ ; ¹Ú¿µ¼ø ; Á¤ÀÇö
¹ßÇà»ç Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, v.21 n.5(Åë±Ç 94È£) (2012-10)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(135) ÃÑÆäÀÌÁö(10)
ISSN 12297992
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
ÁÖÁ¦¾î Çѱ¹¼º Ç¥Çö ; µðÀÚÀÎÄÚµð³×ÀÌ¼Ç ; »ó¾÷°ø°£ µðÀÚÀÎ ; Koreanity expression ; Design coordination ; Commercial space design
¿ä¾à2 Since Seoul was selected as the world design capital at the end of 2007, the endeavors to modernize the Korean unique beauty is becoming more tangible. Especially, the commercial spaces to be used by the general public and tourists have the value for study in the respect that such spaces for the national iconic images and have a large and far-reaching effect to transmit the national identity. Therefore, this study analyzed the design coordination properties in the Koreanity expression found in the modern commercial spaces. the foundation for the analysis was based on Leonard Koren's work on the arrrangement rhetoric theory, 'Arranging things(2003), and the contents of Korean expression were reviewed with professional jounals. the results are as follows: First, the design coordination properties in the Koreanity expression shown in modern commercial spaces are black-white contrast, natural materials, curved shapes, brevity, and simple beauty. Especially, some elements such as wood, traditional Korean papers, stones, mid-to-low chroma natural colors, checked patterns, and crazy patterns are used with overlapping and it is viewed that it is necessay to more aggressively seek for the disappeared traditional elements in the Korean modeling properties. Second, the concrete images of Korean expressions could be summarized as four adjective image groups, Natural, Subtitle, Gentle and Magnificent.
¼ÒÀåó Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃà°èȹ ¹× ¼³°è > ºñÁְŰÇÃà °èȹ > »ó¾÷¡¤¾÷¹«½Ã¼³ °èȹ > ±âŸ

º» ³í¹®Àº »ó¾÷ °ø°£ÀÇ »óÈ£ ¹× ·Î°í, ÆÄ»çµå, ½Ç³»°ø°£, Àå½Ä µî¿¡ ³ªÅ¸³ª´Â Çѱ¹¼º Ç¥ÇöÀ» µðÀÚÀÎÄÚµð³×ÀÌ¼Ç °üÁ¡¿¡¼­ ºÐ¼®ÇÏ´Â °ÍÀ» ¸ñÀûÀ¸·Î ÇÑ´Ù. ÀÌ¿¡ º» ³í¹®¿¡¼­´Â µðÀÚÀÎÄÚµð³×À̼ÇÀÇ ¿ø¸®ÀÎ ¹èÄ¡ÀÇ ¼ö»çÇÐ ÀÌ·ÐÀ» Åä´ë·Î ºÐ¼®µµ±¸(ºÐ¼®Å×À̺í)À» Á¦¾ÈÇϰí, À̸¦ Ȱ¿ëÇÏ¿© ¼­¿ï½Ã ¼ÒÀçÀÇ ½ÄÀ½ »ó¾÷½Ã¼³ 25°³¼Ò¸¦ ºÐ¼®ÇÏ°í ºñ±³ÇÏ¿´´Ù.
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇѰÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
ÀüÅ뼺, Çѱ¹¼º ±×¸®°í Çѱ¹ Çö´ë ½Ç³»µðÀÚÀÎ
ÃÖ»óÇå - °ÇÃà(´ëÇѰÇÃàÇÐȸÁö) : v.45 n.2 (200102)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
½Ç³»°ÇÃà°ø°£¿¡ ¡®Çѱ¹¼º¡¯ Àû¿ëÀ» À§ÇÑ µðÀÚÀΰ³³ä ÃßÃâ
À¯¿µÈñ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.14 n.5(Åë±Ç 52È£) (200510)
Ȱµ¿±âÁØ¿ø°¡°è»ê¹ý(Actvitiy-Based Costing)¿¡ ÀÇÇÑ ¸ðµâ·¯ °ÇÃ๰ °øÀåÁ¦ÀÛ´Ü°è °£Á¢ºñ »êÁ¤ ¹æ¾È
ÀÌÁ¤ÈÆ(Lee, JeongHoon) ; ¹Ú¹®¼­(Park, Moonseo) ; ÀÌÇö¼ö(Lee, Hyun-Soo) ; À̱¤Ç¥(Lee, Kwang-Pyo) ; ÇöÈ£»ó(Hyun, Hosang) - Çѱ¹°Ç¼³°ü¸®ÇÐȸ ³í¹®Áý : Vol.16 No.4 (201507)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
¸®Á»°ú ÇÏÀÌÆÛÅØ½ºÆ® °üÁ¡¿¡¼­ º» µµ¼­°ü °ø°£±¸Á¶ÀÇ ÀÌÇØ
ÃÖÀ±°æ ; ±è¹ÎÁß - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.15 n.6(Åë±Ç 59È£) (200612)
Çѱ¹ Çö´ë ½Ç³»µðÀÚÀο¡¼­ Çѱ¹¼º Ç¥Çö¹æ¹ýÀÇ °æÇâ¿¡ °üÇÑ ¿¬±¸
À̼÷°æ ; ÃÖ»óÇå - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.15 n.1(Åë±Ç 54È£) (200602)
°ÇÃà °ø°£ÀÇ °æ°è ¸ðÈ£¼º°ú Åõ¸í¼º
°í°æÈ£(KO Kyeongho) ; ±è´ö¼ö(KIM Duk-Su) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.07 No.01 (201203)