°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ|³í¹®Áý 2012³â 10¿ù

³í¹®¸í Çö´ëµµ½Ã¿¡¼­ ³ªÅ¸³ª´Â »óÈ£ÀÛ¿ë °ø°£¿¡ ´ëÇÑ ¿¬±¸ / A Study on the Interactive space of Contemporary City - focused on interactive space of citize - / ½Ã¹Î°ú »óÈ£ÀÛ¿ëÇÏ´Â °ø°£À» Áß½ÉÀ¸·Î
ÀúÀÚ¸í °í±ÍÇѽĺ°ÀúÀÚ ; ±èÁ¤°ï
¹ßÇà»ç Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, v.21 n.5(Åë±Ç 94È£) (2012-10)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(57) ÃÑÆäÀÌÁö(8)
ISSN 12297992
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
ÁÖÁ¦¾î Ä¿¹Â´ÏƼ ; Ä¿¹Â´ÏÄÉÀÌ¼Ç ; °ø°ø°ø°£ ; »óÈ£ÀÛ¿ë ; ½º¸¶Æ® °ø°£ ; Community ; Communication ; Public space ; Interactive ; Smart space
¿ä¾à2 The ideologie of modern society as per something to phenomenology problem is to show various different looks. The community space is spring from Greek and Roman of community place by agora and forum is make a active communicate to interpersonally. Subject to centrically In the context, this paper is study on the Sustainable development for community space about interactive space. and focusing is Response to human of interact in each other intelligent space. And this paper suggestion is composition method of community space in technology advanced, Interactive interface form for human, sustainable to community space direction elements. First, I'll rearrange the distinctive features of modern society through references of various scholars. This is to understand how interactivity affects the whole society and what is the importance of this interactive wave. Second, I'll analyze several trends of modern community space and figure the change of methodology of design based on the advancement of design technology. This is to understand the interactive relation of the subjects. Third, I'll seek how community space design has changed in modern society and under which process design is made. This is to clarify the fact that the portion of interaction will increase in future design according to the intervention of equipment, which is one of the objects of interaction space.
¼ÒÀåó Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
µµ½Ã¼³°è > µµ½Ã¼³°è > °¡·Îȯ°æ

º» ¿¬±¸´Â µµ½ÃÀÇ ¼ÒÅëÀÇ ºÎÀ縦 ÇØ¼ÒÇϱâ À§ÇÑ ¹æ¾ÈÀÎ Ä¿¹Â´ÏÄÉÀÌ¼Ç °ø°£¿¡ ´ëÇÑ ¿ø·ÐÀûÀÎ ºÐ¼®¿¡¼­ºÎÅÍ ½ÃÀÛÇÏ¿© °³³ä°ú ÀÌ·ÐÀû °íÂû ±×¸®°í »ç·ÊºÐ¼®À» ÅëÇØ Çö´ë µµ½Ã °ø°£¿¡¼­ ½Ã¹Îµé°ú »óÈ£ÀÛ¿ëÇÏ´Â Ä¿¹Â´ÏÄÉÀÌ¼Ç °ø°£ÀÇ ±¸¼º ¿ä¼Ò ¹× Ư¼ºÀ» ÆÄ¾ÇÇÏ°í °ø°£ ¿ª½Ã ÀÌ¿¡ ´ëÀÀÇÏ´Â »õ·Î¿î ¿ä±¸¸¦ ¿¹ÃøÇϰíÀÚ ÇÏ¿´´Ù. Àι®ÇÐÀû °íÂûÀ» ÅëÇØ µµ½Ã¿¡¼­ ³ªÅ¸³ª´Â Ä¿¹Â´ÏƼ °ø°£¿¡ ´ëÇÑ ºÐ¼®³»¿ëÀ» Åä´ë·Î ÀçÁ¤¸³ÇÏ¿© Ä¿¹Â´ÏƼ °ø°£ÀÇ Àü°³¿Í ¹è°æ ±×¸®°í »çȸÀü¹Ý¿¡ ¹ÌÄ¡´Â ¿µÇâ°ú Ä¿¹Â´ÏÄÉÀ̼ÇÀÇ µµ½Ã¿¡¼­ ³ªÅ¸³ª´Â ¿µÇâ·ÂÀÇ Á¤µµ¿Í Á߿伺À» °¡´ÆÇÒ ¼ö ÀÖ¾ú´Ù.
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇѰÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
Áö¼Ó°¡´É¼ºÀ» À§ÇÑ µµ½ÃÀç»ý °èȹ¿ä¼Ò¿¡ °üÇÑ ¿¬±¸
ÀÌÀÏÈñ ; ÀÌÁÖÇü - µµ½Ã¼³°è(Çѱ¹µµ½Ã¼³°èÇÐȸÁö) : v.12 n.6(Åë±Ç Á¦48È£) (201112)
½Ã·Ð: Äڷγª ÀÌÈÄ, °ÇÃà°ú µµ½Ã°ø°£ÀÇ º¯È­¸¦ »ý°¢ÇÏ´Ù
¹Ú¼ÒÇö - °ÇÃà°ú µµ½Ã°ø°£ : Vol.38 (202006)
±Ù´ë °ÇÃàÀÇ °¡Ä¡¸¦ ¹Ý¿µÇÑ ¸®³ëº£À̼ǰú º¸Á¸¿¡ °üÇÑ ¿¬±¸
ÃÖ»ó±â - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.23 n.1(Åë±Ç 102È£) (201402)
°ÇÃà °ø°£ÀÇ °æ°è ¸ðÈ£¼º°ú Åõ¸í¼º
°í°æÈ£(KO Kyeongho) ; ±è´ö¼ö(KIM Duk-Su) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.07 No.01 (201203)
»óÈ£Àۿ뼺 ¿µÇâ¿äÀÎÀÌ Àû¿ëµÈ °ø°£µðÀÚÀÎ ÇÁ·Î¼¼½º¿¡ °üÇÑ ¿¬±¸
ÀÌÁ¤¹Î - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.20 n.5(Åë±Ç 88È£) (201110)
¡á Á¦ 1 ÀúÀÚÀÇ ´Ù¸¥ ¹®Çå ½Äº°ÀúÀÚ´õº¸±â
°æÁú Æú¸®¿ì·¹Åº ÆûÀÇ ¹ü¿ë¼º È®´ë¸¦ À§ÇÑ ¼³ºñ º¸¿ÂÀç Àû¿ëÀ» À§ÇÑ ½ÇÇèÀû ¿¬±¸
°í±ÍÇÑ - ´ëÇѰÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Vol.45 No.1 (202504)
¼³ºñ ¹è°ü º¸¿Â ¼ÒÀçÀÇ È­Àç ¾ÈÀü¼º Çâ»óÀ» À§ÇÑ Áغҿ¬ ¹è°ü º¸¿ÂÀç °³¹ß ¿¬±¸
°í±ÍÇÑ - ´ëÇѰÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Vol.45 No.1 (202504)
°­È­µÈ È­Àç¾ÈÀü±âÁØÀ» ¸¸Á·ÇÏ´Â °íÈ¿À² º¹ÇÕ´Ü¿­Àç °³¹ß
°í±ÍÇÑ(Ko, Gyi-Han) ; ÃÖÀº¼ö(Choi, Eun-Soo) ; ±Ç¿µÃ¶(Kwon, Young-Cheol) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý : Vol.38 No.7 (202207)
Àú¹æ»ç ¹Ú¸·¿¡ Á¢ÇÑ °ø±âÃþ ¿­ÀúÇ× ¼º´É ¹× °ÇÃ๰ Àû¿ë¼º¿¡ °üÇÑ ½ÇÇèÀû ¿¬±¸
¼­ÁؽÄ(Seo, Jun-Sik) ; È«½ÂÈÆ(Hong, Seung-Hun) ; ¼º¿íÁÖ(Sung, Uk-Joo) ; ½ÅÀçÀ±(Shin, Jae-Yoon) ; °í±ÍÇÑ(Kho, Gwi-Han) ; ±è´ë¼ö(Kim, Dae-Su) - Çѱ¹°ÇÃàģȯ°æ¼³ºñÇÐȸ ³í¹®Áý : Vol.15 No.4 (202108)
°ÇÃà¿ë ´Ü¿­Àç ½Ã°£ È帧¿¡ µû¸¥ ¿­Àüµµµµ ¹× ¿­ ¹æÃâ·®¿¡ °üÇÑ Æ¯¼ººÐ¼®
È«½ÂÈÆ;ÀÌȯ¿õ;Á¶¿µÈÆ;°í±ÍÇÑ;Á¤Àç¿ø - Ãß°èÇмú¹ßÇ¥´ëȸ : 2019 (201911)
Àú¹æ»ç Ç¥¸éÀ» Á¢ÇÑ °ø±âÃþ ¿­ÀúÇ× ¼º´É¿¡ °üÇÑ ºÐ¼®
¼­ÁؽÄ(Seo, Jun-Sik) ; È«½ÂÈÆ(Hong, Seung-Hun) ; °í±ÍÇÑ(Koh, Gwi-Han) ; ³ë»óÅÂ(No, Sang-Tae) - Ãß°èÇмú¹ßÇ¥´ëȸ : 2018 (201811)
±¹³»¿Ü ´Ü¿­Àç Àå±â ¿­ÀüµµÀ² °ü·Ã Ç¥ÁØ ºñ±³
ÃÖ¹ÎÈ£(Choi, Min-ho) ; È«½ÂÈÆ(Hong, Seung-hun) ; °í±ÍÇÑ(Koh, Gwi-Han) ; ³ë»óÅÂ(No, Sang-Tae) - ´ëÇѰÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Vol.38 No.2 (201810)
Çѱ¹°ú ¹Ì±¹ ³ì»ö°ÇÃà ÀÎÁõÁ¦µµÀÇ ºñ±³ºÐ¼®À» ÅëÇÑ È£È¯¼º ¿¬±¸
±èÁ¤°ï(Kim, Jung-Gon) ; °í±ÍÇÑ(Goh, Kwi-Han) ; ¹æ¹®¼±(Bang, Moon-Sun) - Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý : Åë±Ç Á¦57È£ (201702)
Çö´ë°ÇÃà¿¡¼­ÀÇ À¯±âÀû ÀÌ·ÐÀÇ Àû¿ë°ú ÇØ¼®
±èÁ¤°ï(Kim, Jung-Gon) ; ÀÌÇÑÁ¤(Lee, Han-jeong) ; ¹®Àº¼³(Moon. Eun-seol) ; °í±ÍÇÑ(Koh, Gwi-Han) - Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý : Åë±Ç Á¦54È£ (201605)
½Ç¹°´ë ½ÃÇèÀ» ÅëÇÑ ±¹³» âȣ °á·Î¼º´É ½ÃÇè¹æ¹ý¿¡ ´ëÇÑ ºñ±³ ºÐ¼®
°í±ÍÇÑ(Koh, Gwi-han) - ´ëÇѰÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Vol.36 No.1 (201604)