°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇÑ°ÇÃàÇÐȸÁöȸ¿¬ÇÕȸ|³í¹®Áý 2012³â 9¿ù

³í¹®¸í ±¤ÁÖÆú¸®ÀÇ ½ÃÁö°¢ Ư¼º Æò°¡ ¿¬±¸ / A Study on the Characteristics of Visual Perception for Gwangju Folly - Focused on University Students Majoring in Architecture - / °ÇÃàÀü°ø ´ëÇлýÀ» ´ë»óÀ¸·Î
ÀúÀÚ¸í ¹Ú¿ë°ü ; ±èÀ±ÇÐ
¹ßÇà»ç ´ëÇÑ°ÇÃàÇÐȸÁöȸ¿¬ÇÕȸ
¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸÁöȸ¿¬ÇÕȸ ³í¹®Áý, v.14 n.03 (Åë±Ç51È£) (2012-09)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(143) ÃÑÆäÀÌÁö(12)
ISSN 1229-5752
ÁÖÁ¦ºÐ·ù µµ½Ã
ÁÖÁ¦¾î ±¤ÁÖÆú¸® ; µµ½ÃÀ̹ÌÁö Àç»ý ; ½ÃÁö°¢ ; Gwangju Folly ; Urban Image Regeneration ; Visual Perception
¿ä¾à2 This study examined the visual perception of Gwangju Folly designed by 10 well-known international architects by request of Gwangju Metropolitan City during the Gwangju Design Biennale. The results were as follows. The most preferred image of Gwangju Folly was the type with all visual elements of a solid, a plane, and a line. The characteristics of visual perception for adjective pairs showed high explanation in 'formativeness', 'stability', and 'creativity' in most images. It suggested that folly which showed formatively stronger contrast than surrounding scenery gave judges confusion rather than visual enjoyment and folly with strong 'unity' needed to introduce more diverse formative elements. Thus, formative consideration suitable for place characteristics is necessary for users' sufficient recognition of and contact with Gwangju Folly. Then, with more practical purposes, Gwangju Folly should change its viewpoint from formation-focused visual enjoyment to space-focused happy experience.
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸÁöȸ¿¬ÇÕȸ
¾ð¾î Çѱ¹¾î
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
Æú¸®(Poly) °³³äÀ» ±â¹ÝÀ¸·ÎÇÑ µµ½ÃÀç»ý¿¡ °üÇÑ ¿¬±¸
¿Á½Â¿ø ; Á¶Á¾¼ö - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : v.31 n.1(°èȹ°è) (201104)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
°ø°øµðÀÚÀÎÃø¸é¿¡¼­ º» ¾î¹Ý Æú¸® ÇÁ·ÎÁ§Æ®ÀÇ ÀÌ¿ë ÈÄ Æò°¡
¹Ú¼ºÁø ; ¿°´ëºÀ - ´ëÇÑ°ÇÃàÇÐȸÁöȸ¿¬ÇÕȸ ³í¹®Áý : v.14 n.02 (Åë±Ç50È£) (201206)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
±¤ÁÖÆú¸®ÀÇ ÀÔÁö ¹× °ø°£Àû Ư¼º¿¡ °üÇÑ Á¶»ç ¿¬±¸
¹Ú¿ë°ü ; ±èÀ±ÇÐ - Çѱ¹³óÃÌ°ÇÃàÇÐȸ ³í¹®Áý : v.14 n.3 (201208)
Áö¼Ó°¡´É¼ºÀ» À§ÇÑ µµ½ÃÀç»ý °èȹ¿ä¼Ò¿¡ °üÇÑ ¿¬±¸
ÀÌÀÏÈñ ; ÀÌÁÖÇü - µµ½Ã¼³°è(Çѱ¹µµ½Ã¼³°èÇÐȸÁö) : v.12 n.6(Åë±Ç Á¦48È£) (201112)
±¤ÁÖ Æú¸®ÀÇ ±â´É°ú Àǹ̿¡ ´ëÇÑ ºñÆÇÀû Àç°í
ÇѼº¹Ì(Han, Sung-Mi) - Á¶°æ¿¬±¸(Çѱ¹Á¶°æÇÐȸÁö) : Vol.43 No.6 (201512)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
±¤ÁÖÆú¸® ÇÁ·ÎÁ§Æ®¿¡ ³»Æ÷µÈ ±âÈ£ÇÐÀû ÀǹÌÀÛ¿ë ¿¬±¸
±èÁ¤¹Î(Kim, Jung-Min) ; À¯¿ì»ó(Yoo, Uoo-Sang) - Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý : Åë±Ç Á¦62È£ (201805)
°ø°ø µðÀÚÀÎÀÌ µµ½Ã ºê·£µå À̹ÌÁö¿Í µµ½ÃÀç»ý È¿°ú¿¡ ¹ÌÄ¡´Â ¿µÇâ ¿¬±¸
¾ÈÇü¼ø - µµ½ÃÇàÁ¤Çк¸(Çѱ¹µµ½ÃÇàÁ¤ÇÐȸ ³í¹®Áý) : v.25 n.2 (201206)