°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇÑ°ÇÃàÇÐȸ|´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è 2012³â 8¿ù

³í¹®¸í ±Ù´ë ÇÙ°¡Á·ÀÇ º¯È­¿¡ ´ëÀÀÇÑ SANAAÀÇ ÁÖ°Å °ø°£ ¿¬±¸ / A Study on SANAA¡¯s Domestic Spaces for Changes of Modern Nuclear Family
ÀúÀÚ¸í ½ÅÀº±â ; ¹éÁø
¹ßÇà»ç ´ëÇÑ°ÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è, v.28 n.08 (2012-08)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(83) ÃÑÆäÀÌÁö(8)
ISSN 12269093
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
ÁÖÁ¦¾î ¼¼Áö¸¶ Ä«Áî¿ä ; ´Ï½ÃÀÚ¿Í ·ù¿¡ ; ±Ù´ë ÇÙ°¡Á· ; Nl¾Æ ; Kazuyo Sejima ; Ryue Nishizawa ; Modern Nuclear Family ; nLDK
¿ä¾à2 This study is purposed to analyze the changes of domestic spaces for modern nuclear family in comtemporary situations through SANAA¡¯s works. Regarding composition of rooms, SANAA¡¯s works tried to make a new relationship between common spaces and individuals¡¯ spaces at their early works, however, their later works showed non hierarchial composition of independent rooms. These rooms also were tried to be redefined in the aspect of uses and spatial concepts instead of conventional nLDK systems. Moreover, those compositions amplified the distinctive perceptual experiences in the relationship between a residence and a city, or a room and another room. Those experiences are based on complexity revealing feeling of privacy within boundary and connectivity to another space at the same time. SANAA¡¯s domestic spaces can be one of strategies for contemporary family spaces showing individualization of family members and ideological family togetherness at the same time.
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > Çö´ë°ÇÃà ÀÇÀå·Ð

ÀÌ ¿¬±¸ÀÇ ¸ñÀûÀº ÀϺ» °ÇÃà°¡ SANAAÀÇ ÁÖ°Å °ø°£ ±¸¼º°ú ÀÌ·¯ÇÑ ±¸¼ºÀÌ Á¦°øÇÏ´Â °ø°£ °æÇèÀ» ÆľÇÇÏ¿© ±Ù´ë ÇÙ°¡Á·ÀÌ º¯È­ÇØ°¡´Â °úÁ¤¿¡ ´ëÀÀÇÏ´Â ÁÖ°Å °ø°£ º¯È­ÀÇ »ç·Ê·Î Çؼ®ÇÏ´Â °ÍÀÌ´Ù. 20¼¼±â ÈÄ¹Ý ÀϺ» ÁÖ°Å¿¡¼­ °¡Á·ÀÇ °ø¿ë°ø°£°ú °³½Ç °ø°£ÀÇ °ü°è¸¦ »ìÆ캸¸é¼­ SANAAÀÇ ÁÖ°Å °ø°£ ±¸¼º°ú °æÇè°úÀÇ °ü°è¸¦ 1990³â´ë¿¡´Â °³Àΰø°£°ú °ø¿ë°ø°£ »çÀÌÀÇ °ü°è¸¦, 2000³â´ë Àü¹Ý¿¡´Â °³½Ç¿¡ ´ëÇÑ Á¤ÀÇ º¯È­¸¦, 2000³â´ë Á߹ݿ¡´Â ÀÚÀ¯·Î¿î °î¼±°ú ¹æÀÇ ¿µ¿ªÇü¼ºÀ» Áß½ÉÀ¸·Î ³íÀÇÇÏ°í ÀÖ´Ù.
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
SANAAÀÇ °ÇÃà¿¡¼­ ¡®ºÐÀ§±â¡¯ÀÇ °³³ä°ú ±¸Çö¹æ½Ä
¼­Á¤ÀÏ(Seo Jeong-Il) ; ÀÓ¸®»ç(Lim Lisa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.10 (201010)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
SANAA ÁÖ°Å °ÇÃà¿¡ ³ªÅ¸³­ °ø°£ °ü°èÀÇ À籸¼º¿¡ ´ëÇÑ ¿¬±¸
Àå¿ë¼ø(Chang, Yong-Soon) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : Vol.31 No.02 (201502)
OMA, MVRDV, SANAA¿¡ ³ªÅ¸³­ ¸ÅÆ®-ºôµùÀÇ ¿µÇâ¿¡ ´ëÇÑ ¿¬±¸
Àå¿ë¼ø(Chang Yong-Soon) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.27 n.4 (201104)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
SANAA °ÇÃàÀÇ °æ°è¿Í ÇÁ¶óÀ̹ö½Ã¿¡ °üÇÑ ¿¬±¸
ÀÓÁø¿ì(Lim, Jinwoo) - Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý : Åë±Ç Á¦61È£ (201802)
¼¼Áö¸¶ °¡Áî¿äÀÇ ÁÖ°Å°ÇÃà¿¡ ³ªÅ¸³ª´Â °æ°è°ø°£¿¡ °üÇÑ ¿¬±¸
±èÇüÁØ - Çѱ¹ÁÖ°ÅÇÐȸ³í¹®Áý : v.17 n.1 (200602)