°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇѰÇÃàÇÐȸ|´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è 2012³â 5¿ù

³í¹®¸í ¾Ëµµ ·Î½ÃÀÇ °ÇÃà¿¡ À־ »î°ú Á×À½ÀÇ ÀÇ¹Ì / The Meaning of Life and Death in Aldo Rossi¡¯s Architecture
ÀúÀÚ¸í ÀÓ¼ºÈƽĺ°ÀúÀÚ(Lim Sung-Hun)
¹ßÇà»ç ´ëÇѰÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è, v.28 n.05 (2012-05)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(181) ÃÑÆäÀÌÁö(8)
ISSN 12269093
ÁÖÁ¦ºÐ·ù ÀÌ·Ð
ÁÖÁ¦¾î »î ; Á×À½ ; ¹Ýº¹ ; À¯Ãß ; Áߺ¹ ; ¾Ëµµ ·Î½Ã ; À¯·É·Ð ; Life ; Death ; Repetition ; Analogy ; Double ; Aldo Rossi ; Hauntology
¿ä¾à2 Aldo Rossi is known as a rationalist. However, his later works against the common rationalism that the exalted rationalism by the irrationalness was headed to. Rossi presented the concept of repetition and analogy. Repetition is oriented to rational, and analogy does irrational. He revealed life and death by the opposing concepts of repetition and analogy, and the space of life and death. But Rossi, everything was back to total over rationalism that would be reached in the schizophrenic situation. In this paper, the double attitude of the space of life and death is Rossi's personal problem as well as historical circumstances of modern architects, and tries to analyze its meaning.
¼ÒÀåó ´ëÇѰÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > ¼­¾ç ±Ù´ë°ÇÃà > ÀÛ°¡·Ð

ÀÌ ¿¬±¸´Â ´Ü¼øÇÑ ÇüŰ¡ »îÀ» »ó¡ÇÏ´Â °ÍÀ¸·Î, ±ä ½Ã°£À» ´ãÀº À̹ÌÁö°¡ Á×À½À» »ó¡ÇÏ´Â °ÍÀ¸·Î º¸°í, »îÀÇ °ø°£°ú Á×À½ÀÇ °ø°£ÀÇ °ü°è¸¦ ÅëÇØ ·Î½ÃÀÇ °ÇÃàÀ» »ìÆìº¸°íÀÚ ÇÏ¿´´Ù. Á×À½ÀÇ À̹ÌÁö¸¦ ¼þ°íÇÔ °°Àº Áú¼­³ª °¡Ä¡·Î ¾ï´©¸¥ ´ëºÎºÐÀÇ »ç°í¿Í ´Ù¸£°Ô ¾Ëµµ ·Î½Ã´Â ´Ü¼øÇÏ°í ¸í·áÇÑ ÇüŸ¦ »ç¿ëÇÏ¿© ¿À·£¼¼¿ù ¼Ó¿¡¼­ ³²°ÜÁ® ¿Â ´Ü¼ø ÇüÅ ¼Ó¿¡¼­ °ÇÃà°ú °ø°£¿¡ ´ëÇÑ ¸¹Àº Ãß¾ïÀ» ¶°¿Ã¸®°Ô ÇØÁÖ°íÀÚ ÇÏ¿´´Ù.
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇѰÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
¾Ëµµ ·Î½ÃÀÇ °ÇÃà¿¡ ³ªÅ¸³ª´Â Á×À½ÀÇ °ü³ä¿¡ °üÇÑ ¿¬±¸
°û±âÇ¥(Kwak Ki-Pyo) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.10 (201010)
Çѱ¹ À幦¹®È­¿Í Çö´ëÀû Á×À½ÀÇ ÀÇ¹Ì °íÂûÀ» ÅëÇÑ À幦½Ã¼³ °èȹ¾È
ÇѼÛÀÌ ; À̰­¾÷ - ´ëÇѰÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : (200710)
°ø°£½ÃÄö½º·Î »ìÆìº» ¾Ëµµ ·Î½Ã °ÇÃàÀÇ Àå¼Ò¼º ±Ô¸í¿¡ °üÇÑ ¿¬±¸
¾È¿ìÁø ; Á¤Áý¹® - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.15 n.6(Åë±Ç 59È£) (200612)
¾Ëµµ ·Î½ÃÀÇ °ÇÃà¿¡ À־ ¹Ýº¹ÀÇ ÀǹÌ
ÀÓ¼ºÈÆ(Lim, Sung-Hun) ; À̵¿¾ð(LeeDong-Eon) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.28 n.01 (201201)
Çö»óÇÐÀÌ °ÇÃàÀ̷п¡ ¹ÌÄ£ ¿µÇâ°ú Çö»óÇÐÀû °ÇÃ༳°è ¹æ¹ý·ÐÀÇ °¡´É¼º¿¡ ´ëÇÑ ¿¬±¸
±è±¤¹è(Kim Kwang-Bae) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.23 n.12 (200712)