°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇÑ°ÇÃàÇÐȸ|´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è 2011³â 11¿ù

³í¹®¸í µµ½Ã¾îÃÌ »ýÈ°°æ(ßæüÀÌØ) µµÃâ¿¡ °üÇÑ ¿¬±¸ / A Study on 'Living-scape' for Revitalizing Urbanized Fishing Villages - Focused on Fishing Villages in Pusan - / ºÎ»ê½Ã ¾îÃÌÀ» Áß½ÉÀ¸·Î
ÀúÀÚ¸í °­È¿Àº½Äº°ÀúÀÚ(Kang, Hyo-Eun) ; Á¶¿¬°æ(Cho, Youn-Kyung) ; ¿ì½Å±¸½Äº°ÀúÀÚ(Woo, Shin-Koo)
¹ßÇà»ç ´ëÇÑ°ÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è, v.27 n.11 (2011-11)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(277) ÃÑÆäÀÌÁö(12)
ISSN 12269093
ÁÖÁ¦ºÐ·ù µµ½Ã
ÁÖÁ¦¾î µµ½Ã¾îÃÌ ; »ýÈ°°æ ; °æ°üÀÚ»ê ; Urbanized Fishing Village ; Living-scape ; Local Resource
¿ä¾à2 Recently, the place identity of fishing villages which represents Korean geographical peninsula and traditional properties has decreasing and they are perceived as deteriorated area, though there are still many fishing villages, even in urbanized regions. Drawing the natural and cultural values with showing the social and cultural properties are needed to get vitality. This study is focused on ¡®living-scape¡¯ as a revitalization method of urbanized fishing villages, especially in Pusan. The common 'living-scape' of 7 fishing villages in Pusan, which have specific characteristics of urbanized fishing villages, are as follows; First, they have a deep communality because the fishing activities need cooperative relationship and sharing common properties. Second, religious beliefs with the geographical facts as coast are expressed as various ways from land to seaside area. Third, most fishing villages are located along with coastline, especially at bay area and residences because the fishing industry do not need individual work places. The living styles are also showed in residential landscape, like tight dwelling spatial structure, or narrow paths. As stated above, the purpose of this study is the awareness of the place identity through living-scape of urbanized fishing villages and provide opportunities of recognizing as resources of Korean tradition and culture.
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
µµ½Ã¼³°è > µµ½Ã¼³°è > µµ½Ã°æ°ü

º» ³í¹®Àº ¿À·£ ½Ã°£¿¡ °ÉÃÄ Çü¼ºµÇ¾î Áö¿ªÀÇ ÀüÅë°ú ¿©°¡°¡ ´ã°ÜÀÖ´Â ¾îÃÌ(ÀüÅë)¸¶À» °ø°£ÀÇ Àι®ÇÐÀû Ư¼ºÀ» ºÐ¼®ÇÏ°íÀÚ ÇÏ¿´´Ù. ƯÈ÷ µµ½Ã ³» À§Ä¡ÇÑ ¾îÃÌÀÎ µµ½Ã¾îÃÌÀ» ´ë»óÀ¸·Î ÇÏ¿© Áö¿ªÀÇ ¿ª»ç, ¹®È­, ÀÚ¿¬ÀÌ ¹¯¾îÀÖ´Â »ýÈ°°æ µµÃâÀ» ¸ñÀûÀ¸·Î ÇÑ´Ù. ¿¬±¸ ´ë»óÁö ¼±Á¤À» À§ÇÏ¿© µµ½Ã¾îÃÌÀÇ Æ¯¼ºÀÎ ¾îÇ× ±âº» ½Ã¼³, °ú°Å Ã̶ô±¸Á¶, ¾î¾÷È°µ¿ ¿©ºÎ¿¡ µû¶ó ºÎ»ê½Ã ³» À§Ä¡ÇÑ 50°³ÀÇ ¾îÃÌÀ» ºÐ¼®ÇÏ¿´´Ù. ÀÌ ¼¼ °¡Áö Ư¼º ¸ðµÎ¿¡ ºÎÇÕÇÏ´Â ¾îÃÌÀ¸·Î ÃÑ 9°³ÀÇ ¸¶À»ÀÌ ºÐ·ùµÇ¾úÀ¸³ª, ÀÌ Áß 2°³ÀÇ ¸¶À»ÀÌ °³¹ß°èȹÁö¿ªÀ¸·Î À̸¦ Á¦¿ÜÇÑ 7°³ ¸¶À», °ø¼ö¸¶À», ±¸´öÆ÷¸¶À», û»çÆ÷¸¶À», Çϸ®¸¶À», Áø¸ñ¸¶À», ¼ø¾Æ¸¶À», ³ì»ê¸¶À»À» µµ½Ã¾îÃÌÀ¸·Î ¼±Á¤ÇÏ¿© ÇöȲÀ» ºÐ¼®ÇÏ¿´´Ù. º» ¿¬±¸´Â µµ½Ã Áö¿ª ³»¿¡ »ê¹ßÀûÀ¸·Î ºÐÆ÷ÇÏ°í ÀÖÀ¸³ª ¼Ò¿Ü ½Ã µÇ°í ÀÖ´Â µµ½Ã ¾îÃÌÀÇ °ø°£ ¼Ó¿¡ ¹Ý¿µµÇ¾î ³ªÅ¸³ª´Â »ýÈ°°æÀÇ ºÐ¼­À» ÅëÇÏ¿©, µµ½ÃÈ­¿Í »ê¾÷È­ÀÇ ºü¸¥ º¯È­ ¼Ó¿¡ »ç¶óÁ® °¡´Â »ýÈ°, ¹®È­ ÀÚ¿øÀÇ ÀÇ¹Ì¿Í °¡Ä¡¿¡ ´ëÇÑ ÀÌÇظ¦ ¸ñÀûÀ¸·Î ÇÑ´Ù. ³ª¾Æ°¡ µµÃâµÈ »ýÈ°°æÀ» ¹ÙÅÁÀ¸·Î ¾îÃÌÁö¿ª ¼öº¯°ø°£ÀÇ °ø°£¼ºÀÇ È¸º¹°ú ¾îÃÌÀüÅ빮ȭ Ç¥Ãâ, ÁÖ¹ÎÀÇ °øµ¿Ã¼¼º °­È­ µî°ú °°Àº µµ½Ã¾îÃÌÀ» È°¼ºÈ­ ÇÒ ¼ö ÀÖ´Â ¹æ¾È ¸ð»öÀÇ Åä´ë°¡ µÉ ¼ö ÀÖ´Ù. Áï, µµÃâµÈ »ýÈ°°æÀº µµ½Ã¾îÃÌÀÇ Á¤Ã¼¼­ÀÌ ¹Ý¿µµÈ ¸ð½ÀÀ¸·Î Àå¼Ò¸¶ÄÉÆÃÀÇ ¼ö´Ü¿¡ °¡Àå ÀûÇÕÇÑ¿ä¼ÒÀÌ´Ù.
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
ÁֹΠÂü¿©Çü µµ½Ã¾îÃÌ ¼³°è¿¡ °üÇÑ ¿¬±¸
Á¶¿¬°æ ; °­È¿Àº ; ¿ì½Å±¸ ; ÀÌ¿ø¿µ ; Á¶ÇüÀå - µµ½Ã¼³°è(Çѱ¹µµ½Ã¼³°èÇÐȸÁö) : v.12 n.4(Åë±Ç Á¦46È£) (201108)
µµ½Ã¾îÃÌ ÀÌ¿ë Ư¼º¿¡ °üÇÑ ¿¬±¸
Á¶¿¬°æ(Cho Youn-Kyung) ; ¿ì½Å±¸(Woo Shin-Koo) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.27 n.5 (201105)
¹Ì¼ú°ü Àü½Ã°ø°£¿¡ »ç¿ëµÇ´Â °ø°£À¯Çü
¹é¿ë¿î(Baek Young-Won) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.24 n.8 (200808)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
µµ½Ã¾îÃÌ ¼³°è¸¦ À§ÇÑ ÆÐÅϾð¾î ±¸Ãà¿¡ °üÇÑ ±âÃÊÀû ¿¬±¸
Á¶¿¬°æ(Cho Youn-Kyung) ; ¿ì½Å±¸(Woo Shin-Koo) ; °­È¿Àº(Kang Hyo-Eun) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.12 (201012)
[Àå¼ÒŽ¹æ] ÇູÇÑ µµ½Ã¾îÃÌ Ã»»çÆ÷ ¸¸µé±â
¿ì½Å±¸ - °ÇÃà°ú µµ½Ã°ø°£ : Vol.27 (201709)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
ÀÚ¿¬Àû ¿ä¼Ò¿¡ ÀÇÇÑ ÀϺ» ¾îÃ̸¶À»ÀÇ °ø°£±¸Á¶¿Í Ư¼º¿¡ ´ëÇÑ ¿¬±¸
±è°­¼·(Kim Kang-Sub) ; ÀÌ»óÁ¤(Lee Sang-Jung) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.22 n.9 (200609)
¸¶À» ¸¸µé±â À¯Çü Áß µµ½Ã¾îÃÌ Á¤ºñ¸¦ À§ÇÑ ¼³¹®Á¶»ç µµ±¸ °³¹ß ¹× ½ÇÁõÀû ºÐ¼®
Á¶¿¬°æ(Cho, Youn-Kyung) ; ¿ì½Å±¸(Woo, Shin-Koo) ; ¾öºØÈÆ(Eom, Boong-Hoon) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.29 n.3 (201303)
¡á Á¦ 1 ÀúÀÚÀÇ ´Ù¸¥ ¹®Çå ½Äº°ÀúÀÚ´õº¸±â
ÁֹΠÂü¿©Çü µµ½Ã¾îÃÌ ¼³°è¿¡ °üÇÑ ¿¬±¸
Á¶¿¬°æ ; °­È¿Àº ; ¿ì½Å±¸ ; ÀÌ¿ø¿µ ; Á¶ÇüÀå - µµ½Ã¼³°è(Çѱ¹µµ½Ã¼³°èÇÐȸÁö) : v.12 n.4(Åë±Ç Á¦46È£) (201108)
µµ½Ã¾îÃÌ ¼³°è¸¦ À§ÇÑ ÆÐÅϾð¾î ±¸Ãà¿¡ °üÇÑ ±âÃÊÀû ¿¬±¸
Á¶¿¬°æ(Cho Youn-Kyung) ; ¿ì½Å±¸(Woo Shin-Koo) ; °­È¿Àº(Kang Hyo-Eun) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.12 (201012)
»ýÈ°°æ(ßæüÀÌØ)À» È°¿ëÇÑ ºÎ»ê½Ã µµ½Ã¾îÃÌÀÇ Àå¼Ò¸¶ÄÉÆà ¹æ¾È ¿¬±¸
°­È¿Àº ; ¿ì½Å±¸ - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : (201010)
ßæ÷¾ùÊÀ» ¹ÙÅÁÀ¸·Î ÇÑ ÍëÍìÍöò¢°èȹ¾È
°­È¿Àº ; À̵¿¾ð - ´ëÇÑ°ÇÃàÇÐȸÁöȸ¿¬ÇÕȸ Çмú¹ßÇ¥´ëȸ³í¹®Áý : n.2008 v.01 (200812)