°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇѰÇÃàÇÐȸ|´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è 2011³â 11¿ù

³í¹®¸í ÀÚÀ¯·Î¿î Æò¸é À¯Çü ¹× Ư¼º¿¡ °üÇÑ ºñ±³ ¿¬±¸ / A Comparative Study on Typology and Characteristics of Plan Libre - Focusing on 4 Architects - / ¾Ó¸® ½Ã¸®¾Æ´Ï µî 4ÀÎÀÇ °ÇÃà°¡¸¦ Áß½ÉÀ¸·Î
ÀúÀÚ¸í ±è¿¬ÁØ(Kim, Yon-Jun)
¹ßÇà»ç ´ëÇѰÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è, v.27 n.11 (2011-11)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(269) ÃÑÆäÀÌÁö(8)
ISSN 12269093
ÁÖÁ¦ºÐ·ù ÀÌ·Ð
ÁÖÁ¦¾î ÀÚÀ¯·Î¿î Æò¸é ; º¸À̵å ; À¯Çü ; ±¸¼º ; °ø°£ÀÇ °¨Èï ; Plan Libret ; Void ; Typology ; Composition ; Sensation of Space
¿ä¾à2 Plan Libre was conceived by Le Corbusier in 1920s and developed during his career bringing emotion in the space. This concept became an important element of architecture and one of the main themes of many architects. Plan Libre was applied to theirs works through its function and form. Among those architects, Henri Ciriani, Alvaro Siza, Richard Meier and Laurent Beaudouin have adapted and developed Plan Libre actively in proper ways. Therefore, this study aims to understand the typologies and characteristics in terms of Plan Libre in their works. Their Plan Libre can be classified into several categories by its form. Furthermore, the characteristics of these categories is also qualified by means of some criteria, such as form, space etc. As a result, it is possible to classify their Plan Libre into several types and each type has its proper characteristics. In conclusion, each architects has interpreted Plan Libre with his own way of perception of emotion in the space. These architects have influenced one another by adopting some types in theirs works but theirs own interpretations.
¼ÒÀåó ´ëÇѰÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > Çö´ë°ÇÃà ÀÇÀå·Ð

¸ð´õ´ÏÁò ½Ã´ë ÀÌÈÄÀÇ ¾Ë¹Ù·Î ½ÃÀÚ, ¾Ó¸® ½Ã¸®¾Æ´Ï, ¸®Â÷µå ¸¶À̾î, ·Î¶û º¸µÎ¾ÓÀÇ ÀÛǰÀ» ÅëÇÏ¿© ÀÚÀ¯·Î¿î Æò¸é »ç¿ë À¯Çü ¹× ±â¹ýÀ» ¼¼ºÐÈ­ÇÏ°í ±× Æ¯¼ºÀ» ºñ±³ ºÐ¼®ÇÏ¿© °¢ °ÇÃà°¡µéÀÇ ÀÚÀ¯·Î¿î Æò¸é¿¡ ´ëÇÑ Àνİú ±¸Ã¼ÀûÀÎ »ç¿ë ±â¹ýÀ» ¹àÈ÷°íÀÚ ÇÏ¿´´Ù. ¾Ó¸® ½Ã¸®¾Æ´Ï´Â °¡Àå ÀýÁ¦µÇ¸é¼­µµ ±ØÀûÀÎ È¿°ú¸¦ ³ë¸®°í, ¾Ë¹Ù·Î ½ÃÀÚ´Â ÀÚÀ¯·Î¿î Æò¸é¿¡ÀÇ ±¸¼º¿¡ ÀÖ¾î Á¦ÇÑÀûÀÎ ÀÔÀåÀ» º¸À̰í ÀÖ´Ù. ¸®Â÷µå ¸¶À̾î´Â µ¿ÀûÀÎ °ø°£À» Á¶¼ºÇϰí ÀÖÀ¸¸ç, º¸µÎ¾ÓÀº ½Ã¸®¾Æ´Ï¿Í °øÅëÁ¡À» °¡Áö°í ÀÖÀ¸³ª Á¤ÀûÀÎ ¿ÀºêÁ¦Àû ¿ä¼Ò¸¦ °­Á¶Çϰí ÀÖ´Ù.
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇѰÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
¸£ ÄÚ¸£ºßÁö¿¡ÀÇ º¸À̵忡 ÀÇÇÑ ÀÚÀ¯·Î¿î Æò¸é ±¸¼º¿¡ °üÇÑ ¿¬±¸
±è¿¬ÁØ(Kim, Yon-Jun) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.28 n.06 (201206)
SANAAÀÇ °ÇÃà¿¡¼­ ¡®ºÐÀ§±â¡¯ÀÇ °³³ä°ú ±¸Çö¹æ½Ä
¼­Á¤ÀÏ(Seo Jeong-Il) ; ÀÓ¸®»ç(Lim Lisa) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.10 (201010)
´Ü¸é ±¸¼ºÀ» ÅëÇÑ °ø°£ ³»ºÎ °æ°èÀÇ ¸ðÈ£¼º¿¡ °üÇÑ ¿¬±¸
ÀÓÁ¾¿± ; ÀÌÈ« - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.14 n.6(Åë±Ç 53È£) (200512)
·½ ÄðÇϽºÀÇ ÀÚÀ¯·Î¿î Æò¸é¿¡ ÀÇÇÑ °ø°£ Ư¼º¿¡ °üÇÑ ¿¬±¸
±è¿¬ÁØ ; À̽¿ë - ´ëÇѰÇÃàÇÐȸÁöȸ¿¬ÇÕȸ ³í¹®Áý : v.13 n.04 (Åë±Ç48È£) (201112)
°ÇÃà°³³äÀ¸·Î¼­ ±â´ÉÀÇ Àǹ̿¡ °üÇÑ ¿¬±¸
¼­Çö(Seo Hyun) - ´ëÇѰÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.06 (200906)