°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇÑ°ÇÃàÇÐȸ|´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è 2011³â 11¿ù

³í¹®¸í ¾Ë¹Ù ¾ËÅä À¯»êÀÇ Çö´ëÀû Â÷¿ë°ú º¯Çü¿¡ °üÇÑ ¿¬±¸ / A Study on the Contemporary Adoption and Transformation of the Alvar Aalto Legacy - Focusing on the Viipuri-type Skylight of the Aveiro Library (1988-95) by Alvaro Siza - / ¾Ë¹Ù·Î ½ÃÀÚÀÇ ¾Æº£ÀÌ·Î µµ¼­°ü(1988-95) ºñÇ»¸® ŸÀÔ ÃµÃ¢À» Áß½ÉÀ¸·Î
ÀúÀÚ¸í ±èÇö¼·½Äº°ÀúÀÚ(Kim, Hyon-Sob) ; °û½Â½Äº°ÀúÀÚ(KwakSeung)
¹ßÇà»ç ´ëÇÑ°ÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è, v.27 n.11 (2011-11)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(231) ÃÑÆäÀÌÁö(8)
ISSN 12269093
ÁÖÁ¦ºÐ·ù ÀÌ·Ð
ÁÖÁ¦¾î ¾Ë¹Ù ¾ËÅä ; ¾Ë¹Ù·Î ½ÃÀÚ ; ºñÇ»¸® ŸÀÔ ÃµÃ¢ ; ¾Æº£ÀÌ·Î µµ¼­°ü ; º¯Çü ; Alvar Aalto ; Alvaro Siza ; Viipuri-type Skylight ; Aveiro Library ; Transformation
¿ä¾à2 The purpose of this paper is to show how the Finnish modern architect Alvar Aalto's (1898-1976) works were adopted and transformed in the contemporary context, through a study of the Aveiro Library (1988-95) skylight by the Portuguese architect Alvaro Siza (1933-). The Aveiro skylight is the 'Viipuri-type skylight' based on that of Aalto's Viipuri Library (1927-35), which arrayed a series of circular skylights to introduce diffused indirect light to the interior. In the Aveiro, however, the artificial lamps above the skylights were modelled on Aalto's later design elements after the Viipuri, and the dome-like curved ceiling as well as the conical light-tube protruding above the roof illustrate Siza's will to a creative transformation. Likewise, Siza's Viipuri-type skylights are continually evolving in his later projects. Nevertheless, despite the two architects' similar use of the skylight, we can notice there not only that Aalto still emphasised the modernist rationality while the contemporary Siza argues for the symbolic value of light; but also that the systems in Viipuri and Aveiro have different details conditioned by the respective regional contexts. In conclusion, this research supports the continuity of the 20th century architectural development and implies cross-fertilisation of culture.
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > ¼­¾ç ±Ù´ë°ÇÃà > ¼­¾ç±Ù´ë°ÇÃà ÀÇÀå·Ð

ÀÌ ¿¬±¸´Â ¾Ë¹Ù ¾ËÅäÀÇ ÀÛÇ°°ú ¾Ë¹Ù·Î ½ÃÀÚÀÇ ¾Æº£ÀÌ·Î µµ¼­°üÀÇ ºñÇ»¸® ŸÀÔ ÃµÀåÀ» Áß½ÉÀ¸·Î ºñ±³ºÐ¼®ÇÏ¿© ¾Ë¹Ù ¾ËÅäÀÇ °ÇÃà¾îÈÖ°¡ Çö´ëÀû »óȲ¿¡ ¾î¶»°Ô Â÷¿ëµÇ°í °è½ÂµÇ´ÂÁö¿¡ ´ëÇÏ¿© ¾Ë¾Æº¸°íÀÚ ÇÏ¿´´Ù. ½ÃÀÚ°¡ ¾ËÅäÀÇ °ÇÃà¾îÈÖ¸¦ Â÷¿ëÇØ º¯ÇüÇÏ¿´Áö¸¸ ½Ã°£Àû, Áö¸®Àû Â÷ÀÌ´Â ºû¿¡ ´ëÇÑ ±×µéÀÇ ÀνĿ¡ Â÷ÀÌ°¡ ÀÖ´Ù. ¾ËÅä´Â ºñÇ»¸®ÀÇ ÃµÃ¢¿¡¼­ ±Ù´ëÁÖÀÇÀÇ ÇÕ¸®¼ºÀ» °­Á¶ÇÑ ¹Ý¸é, ½ÃÀÚ´Â °æÇéÀÇ ±â¾ï¼Ó¿¡ ¿Ã¸²À» ÁÖ´Â »ó¡À¸·ÎÀÇ ºûÀ» ¾ê±âÇÏ°í ÀÖ´Ù. ¶ÇÇÑ ¼­·Î ´Ù¸¥ Áö¿ªÀû Á¶°Ç¿¡ ÀûÇÕÇÏ°Ô ÃµÃ¢ ÇüÅÂ¿Í ±íÀÌ µîÀÇ µðÅ×ÀÏÀÇ Â÷À̸¦ º¸ÀÌ°í ÀÖ´Ù.
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
¾Ë¹Ù·Î ½ÃÀÚ °ÇÃàÀÇ °ø°£ ½ÃÄö½º »ý¼º Àü·«¿¡ °üÇÑ ¿¬±¸
ÀÌ¿øÈñ ; Ãֵγ² - ´ëÇÑ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : v.32 n.1(°èȹ°è) (201204)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
¾Ë¹Ù·Î ½ÃÀÚÀÇ °ÇÃà¿¡¼­ ´ëÁö ¸Æ¶ôÀ» °í·ÁÇÑ °Ç¹° ¹èÄ¡ ¹æ¹ý¿¡ °üÇÑ ¿¬±¸
±è¿¬ÁØ(Yonjun Kim) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.13 No.02 (201804)
¾Ë¹Ù·Î ½ÃÀÚÀÇ °ÇÃà¿¡¼­ ºÒ±ÔÄ¢ ÇüÅ ¹× Æò¸é ±¸¼º ¹æ¹ý¿¡ °üÇÑ ¿¬±¸
±è¿¬ÁØ(Yonjun Kim) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.12 No.05 (201710)
¾Ë¹Ù ¾ËÅä °ø°£ÀÇ µ¿ÀûÈ¿°ú ±¸Ãà¿ä¼Ò¿¡ °üÇÑ ¿¬±¸
¾È°æȯ(Ahn Kyung-Hwan) ; Àü¿ë¼ö(Jun Yong-Su) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.19 n.12 (200312)
¾Ë¹Ù·Î ½ÃÀÚÀÇ °ÇÃà¿¡¼­ °î¼± À¯Çü ¹× Æò¸é ±¸¼º ¹æ¹ý¿¡ °üÇÑ ¿¬±¸
±è¿¬ÁØ(Yonjun Kim) - Çѱ¹°ø°£µðÀÚÀÎÇÐȸ ³í¹®Áý : Vol.12 No.06 (201712)
¡á Á¦ 1 ÀúÀÚÀÇ ´Ù¸¥ ¹®Çå ½Äº°ÀúÀÚ´õº¸±â
Çѱ¹ÀüÀï±â¿Í Á÷ÈÄ Á¤ºÎ°¡ °Ç¼³ÇÑ ³­¹ÎÁÖÅÿ¡ ´ëÇÑ ¿¬±¸, 1951¢¦1956
À¯ÀÎÈñ(Yu, Inhee) ; ±èÇö¼·(Kim, Hyon-Sob) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý : Vol.40 No.11 (202411)
ÀåÄ¿(íåÊ»)ÀÇ ºÏ°æ»çÇÕ¿ø ¸®³ëº£ÀÌ¼Ç ¿¬ÀÛ¿¡ ³ªÅ¸³­ ÀüÅ뼺 ÀÌÇØ
¿Õ¹®±º(Wang, Wenjun) ; ¹®ÇѼÖ(Moon, Hansol) ; ±èÇö¼·(Kim, Hyon-Sob) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý : Vol.40 No.11 (202411)
¹Ì±ºÁ¤±â ÀüÀç¹Î(îúî¬ÚÅ) ÁÖÅà ¿¬±¸
À¯ÀÎÈñ(Yu, Inhee) ; ±èÇö¼·(Kim, Hyon-Sob) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý : Vol.40 No.8 (202408)
1930³â´ë Áß¹Ý ¹Ú±æ·æÀÇ ±â´ÉÁÖÀÇ °ÇÃà·Ð°ú °æ¼º°ÇÃà ºñÆò
±èÇö¼·(Kim, Hyon-Sob) - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : Vol.32 No.6(Åë±Ç 151È£) (202312)
¡º°íµî°ÇÃàÇÐ Á¦2±Ç: ¼­¾çµ¿¾ç°ÇÃà¾ç½Ä¡»(ÓÞ˪ãù îÊ: ÔÔÌÈ, 1935)ÀÇ¡¸±Ù´ë°ÇÃࡹ¼­¼ú¿¡ °üÇÑ ¿¬±¸/C2:±ÙÇö´ë°ÇÃà/¿ì¼ö¹ßÇ¥³í¹®»ó ¼ö»ó³í¹®
±èÁ¦¿¬;ÃÖ¼º±¤; ±èÇö¼· - Çѱ¹°ÇÃ࿪»çÇÐȸ Ãá°èÇмú¹ßÇ¥´ëȸ ³í¹®Áý : (202305)
1930³â´ë ¹Úµ¿Áø°ú È«À±½ÄÀÇ ¼­¾ç ±Ù´ë°ÇÃà¿îµ¿ ÀνÄ
±èÇö¼·(Kim, Hyon-Sob) ; ±èÁ¦¿¬(Kim, Jeyeon) - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : Vol.32 No.1(Åë±Ç 146È£) (202302)
1930³â´ë ÃÊ °íÀ¯¼·ÀÇ ¡®Çö´ë ½ÅÈï°ÇÃ࡯ ÀνÄ
±èÇö¼·(Kim, Hyon-Sob) - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : Vol.31 No.6(Åë±Ç 145È£) (202212)
1950¡­60³â´ë Çѱ¹ ¾ÆÆÄÆ®ÀÇ ³­¹æ ¹æ½Ä ±Ù´ëÈ­¿¡ °üÇÑ ¿¬±¸- ÇàÃÌ, Á¾¾Ï, ¸¶Æ÷¾ÆÆÄÆ®¸¦ Áß½ÉÀ¸·Î -
À̺´Çå(Lee, Byoung-Heon) ; ±èÇö¼·(Kim, Hyon-Sob) - °ÇÃ࿪»ç¿¬±¸(Çѱ¹°ÇÃ࿪»çÇÐȸÁö) : Vol.30 No.6(Åë±Ç 139È£) (202112)
¹Úµ¿ÁøÀÌ ÀνÄÇÑ¡®Çö´ë°ÇÃàÀÇ Ãß¼¼¡¯(1931)
±èÁ¦¿¬ ; ±èÇö¼· - Çѱ¹°ÇÃ࿪»çÇÐȸ Ãß°èÇмú¹ßÇ¥´ëȸ ³í¹®Áý : (202111)
°ÇÃà¿¡¼­ÀÇ ÄÁÅÛÆ÷·¯³ªÀ̾îƼ¿¡ °üÇÑ °íÂû
°û½ÂÂù ; ±èÇö¼· - Çѱ¹°ÇÃ࿪»çÇÐȸ Ãß°èÇмú¹ßÇ¥´ëȸ ³í¹®Áý : (202111)