| 논문명 |
렘 콜하스 건축의 이항대립에 관한 연구 / A Study on the Binary Opposition of Rem Koolhaas’s Architecture - Focused on the Myth of Roland Barthes’s Sign - / 롤랑 바르트 기호의 신화를 중심으로 |
| 수록사항 |
대한건축학회논문집 계획계, v.27 n.10 (2011-10) |
| 주제어 |
렘 콜하스 건축 ; 이항대립 ; 롤랑 바르트의 기호 ; 신화 ; 이데올로기 ; Rem Koolhaas's Architecture ; Binary Opposition ; Roland Barthes's Sign ; Myth ; Ideology |
| 요약2 |
This research aims at shedding light on the fact that Koolhaas has approached the modern and structuralism architecture for a long time and at examining the identity breaking away from structuralism due to the binary opposition of sign involved in architecture through Barthes’s mythicism. The binary opposition exposed by the architectural program that he has presented to the modern architecture are to bring forward and ideologicalize the reality which can fully permeate into the modern society. In other words, it deconstructs the false myth from the viewpoint of nature, and is connected to the spatial perspective of the ideology of the modern society from the true historical viewpoint and forms the simultaneity of time and space revealed in a modern way, which can be regarded as the reconciliation between what’s traditional of the modern times and the contemporary. Therefore, Koolhaas creates unconstrained and flexible style of architecture leaving structuralism by not only accepting the modern architecture and the frame of structuralism but also faithfully reflecting the program embracing the chaos of the modern society into architecture. |
