°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ|³í¹®Áý 2010³â 6¿ù

³í¹®¸í ÇÇÅÍ ÁíÅÍÀÇ ½æ ¹ßÁî¿¡ ³ªÅ¸³­ °¨¼º µðÀÚÀÎ Á¢±Ù¿¡ °üÇÑ ¿¬±¸ / A Study on the Emotional design approach in the Therme Vals designed by Peter Zumthor
ÀúÀÚ¸í ¿ìÁö¿¬
¹ßÇà»ç Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, v.19 n.3(Åë±Ç 80È£) (2010-06)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(77) ÃÑÆäÀÌÁö(9)
ISSN 12297992
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
ÁÖÁ¦¾î ÇÇÅÍ ÁÜÅÍ ; ½æ¹ßÁî ; °¨¼ºµðÀÚÀÎ ; Peter Zumthor ; Therme Vals ; Emotional Design
¿ä¾à2 The Therme Vals is a hotel and spa which combines a complete sensory experience designed by Peter Zumthor. This study aims to find emotional design approaches of the Therme Vals through references, observation from site visit, interview and discussion related to this topic. This space was designed for visitors to luxuriate and rediscover the ancient benefits of bathing. The combinations of light and shade, open and enclosed spaces and linear elements make for a highly sensuous and restorative experience. The study observed the emotional design characteristics of the Therme Vals through space approach, aesthetic and experiential sides. For space approach side, emotional experience in gradual process to approach the space was mentioned, for aesthetic side, mystical combination of light, stone and water was observed, for experiential side, 5 senses experience and space programing for adjusting the density of the space were observed. This study found that the spa has the quality of spiritual, soul-touching delight like religious experience. The fascination for the mystic qualities of a world of stone within the mountain, for darkness and light, for light reflections on the water or in the steam saturated air, pleasure in the unique acoustics of the bubbling water in a world of stone, the ritual of bathing?all these notions were explained in Peter Zumthor's construction details. In the result of the interview and discussion, people love the space and praised it highly for the emotional design regardless of space experience, age, sex or ethnicity. Emotional design approaches based on human nature, materiality, and memory of the places is more powerful than other emotional design ideas with technical devices, special themes, digital effects, vivid colors and shapes.
¼ÒÀåó Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃà°èȹ ¹× ¼³°è > ½Ç³»°ÇÃà > ±âŸ

ÀÌ ¿¬±¸´Â ÇÇÅÍ ÁíÅÍÀÇ ½æ ¹ßÁî »ç·Ê¸¦ ºÐ¼®ÇÏ¿© »õ·Î¿î °¨¼º°ø°£µðÀÚÀÎÀ̶ó´Â °³³äÀ» Á¤¸³Çϴµ¥ ¸ñÀûÀ» µÎ°í ÀÖ´Ù. ¿¬±¸¹æ¹ýÀ¸·Î´Â ÇÇÅÍ ÁíÅÍÀÇ °ÇÃàµðÀÚÀÎ °æÇâ°ú ¹è°æÀÌ µÇ´Â °ÇÃàÀÌ·ÐÀ» Á¤¸®ÇÏ°í ÇöÀå´ä»ç¸¦ ½Ç½ÃÇÏ¿© ½ÇÁ¦ °ø°£Ã¼ÇèÀ» ÅëÇØ Á¤¸®µÈ ³»¿ë°ú ºñ±³ÇÏ°í ÀÖ´Ù. ÇÇÅÍ ÁíÅÍÀÇ °ÇÃà¿¡ ³ªÅ¸³­ °¨¼ºÀû Ç¥ÇöÀÇ Æ¯¼ºÀ» °ø°£ Á¢±ÙÀû Ãø¸é, ½É¹ÌÀû Ãø¸é, üÇèÀû Ãø¸é¿¡¼­ ¿¬µµº°·Î »ìÆ캸°í À̸¦ Åä´ë·Î ½æ ¹ßÁî¿¡¼­ ³ªÅ¸³­ °¨¼º µðÀÚÀΠƯ¼ºÀ» ±¸Ã¼Àû Á¤¸®ÇÏ°í ÀÖ´Ù.
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
ÇÇÅÍ ÁÜÅÍÀÇ ÀÛÇ°¿¡ ³ªÅ¸³­ Àç·á¿Í ºûÀÇ °ø°£Àû ¿µÇâ¿¡ °üÇÑ ¿¬±¸
±èÀÚ¿µ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.20 n.5(Åë±Ç 88È£) (201110)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
ÆäÅÍ ÃãÅÍ °ÇÃà¿¡¼­ ³ªÅ¸³­ °ÇÃàÀÇ Á¸Àç¹æ½Ä¿¡ °üÇÑ ¿¬±¸
À̸íÀç - ´ëÇÑ°ÇÃàÇÐȸÁöȸ¿¬ÇÕȸ ³í¹®Áý : v.11 n.02 (Åë±Ç38È£) (200906)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
Peter ZumthorÀÇ °ÇÃà¿¡ ³ªÅ¸³­ Àå¼ÒÀÇ ±¸Ãà¿¡ °üÇÑ ¿¬±¸
±èÁ¤È£ ; ¹ÚÈñ¿µ ; Á¶½Â±¸ - ´ëÇÑ°ÇÃàÇÐȸÁöȸ¿¬ÇÕȸ Çмú¹ßÇ¥´ëȸ³í¹®Áý : v.2010 n.01 (201012)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
Çö»óÇÐÀÌ °ÇÃàÀ̷п¡ ¹ÌÄ£ ¿µÇâ°ú Çö»óÇÐÀû °ÇÃ༳°è ¹æ¹ý·ÐÀÇ °¡´É¼º¿¡ ´ëÇÑ ¿¬±¸
±è±¤¹è(Kim Kwang-Bae) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.23 n.12 (200712)
SANAAÀÇ °ÇÃà¿¡¼­ ¡®ºÐÀ§±â¡¯ÀÇ °³³ä°ú ±¸Çö¹æ½Ä
¼­Á¤ÀÏ(Seo Jeong-Il) ; ÀÓ¸®»ç(Lim Lisa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.10 (201010)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)