°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ|³í¹®Áý 2010³â 2¿ù

³í¹®¸í ½Ç³»µðÀÚÀο¡¼­ ¡®Mix & Match¡¯ÀÇ ¼Ó¼º ¹× Ç¥ÇöƯ¼º¿¡ °üÇÑ ¿¬±¸ / A Study on the Attributes and Expression Characteristics of 'Mix & Match' in Interior Design
ÀúÀÚ¸í Á¶¼ºÈñ½Äº°ÀúÀÚ ; ÃÖÀοµ½Äº°ÀúÀÚ
¹ßÇà»ç Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¼ö·Ï»çÇ× Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý, v.19 n.1(Åë±Ç 78È£) (2010-02)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(55) ÃÑÆäÀÌÁö(8)
ISSN 12297992
ÁÖÁ¦ºÐ·ù °èȹ¹×¼³°è
ÁÖÁ¦¾î ½Ç³»µðÀÚÀÎ ; ¹Í½º&¸ÅÄ¡ ; ¼Ó¼º ; Ç¥ÇöƯ¼º ; Interior Design ; Mix & Match ; Attributes ; Expression Characteristics
¿ä¾à2 This study examines attributes and expression characteristics of 'Mix & Match' which is one of the major current trends in interior designs. The concept and background of 'Mix & Match' was ascertained through research of previous documents and studies, and its attributes were explored. In order to examine the expression characteristics to see how they are expressed in actual interior designs, case analyses were carried out centering on the expression elements such as material, light & lighting, color, furniture and objects which were regarded as important in previous studies and related articles so far. The case analyses were carried out for works where the concept of 'Mix & Match' was prominent in designs produced in 2007 and 2008, chosen from the main reports of the representative interior design journals, 'Interiors' and 'INTERNI & Decor'. As a result, it has been found that 'Mix & Match' is not limited to one attribute but the temporal, spatial and genre attributes are present all at the same time, or various expression elements exist in one attribute. This is a distinct character commonly shown in most of the cases and each expression element is expressed in variety according to spatial concept, from a simple parallel to substitution, transfer and modification (simplification, transformation of the scale, rate modification etc.) Therefore, in creating the space for 'Mix & Match' or in interpretation of it, the understanding of these expression characteristics would make it possible for clearer and more various applications of design, and furthermore will be meaningful for supply and accumulation of reference in design communication.
¼ÒÀåó Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃà°èȹ ¹× ¼³°è > ½Ç³»°ÇÃà > ±âŸ

ÃÖ±Ù ½Ç³»µðÀÚÀÎ ºÐ¾ß¿¡¼­ÀÇ ÁÖ¿ä Æ®·£µåÀÇ Çϳª·Î '¼­·Î ´Ù¸¥ °ÍÀ» Â¥¸ÂÃã'À» ¶æÇÏ´Â 'Mix & Match'¸¦ ã¾Æº¼ ¼ö ÀÖÀ¸³ª ÀÌ¿¡ ´ëÇÑ Á¤È®ÇÑ ÀÌÇØ°¡ ºÎÁ·ÇÑ ½ÇÁ¤ÀÌ´Ù. ÀÌ¿¡ º» ¿¬±¸´Â ¹®Ç忬±¸¸¦ ÅëÇØ 'Mix & Match'ÀÇ °³³ä ¹× ¹è°æÀ» °íÂûÇÏ°í ±× ¼Ó¼ºÀ» ½Ã°£Àû, °ø°£Àû, À帣Àû ¼Ó¼ºÀÇ ¼¼°¡Áö·Î ºÐ·ùÇÏ¿´À¸¸ç, ½Ç³»µðÀÚÀÎÀÇ ÁÖ¿ä Ç¥Çö¿ä¼ÒÀÎ Àç·á, ºû°ú Á¶¸í, »öä, °¡±¸ ¹× ¿ÀºêÁ¦ µîÀ» Áß½ÉÀ¸·Î »ç·Ê ºÐ¼®À» ÅëÇØ ±× Ç¥ÇöƯ¼ºÀ» ÆľÇÇÔÀ¸·Î½á µðÀÚÀÎ Ä¿¹Â´ÏÄÉÀ̼ÇÀ» À§ÇÑ Á¤È®ÇÑ ÀÚ·áÁ¦°ø ¹× ÃàÀûÀ» ÇÏ°íÀÚ ÇÏ¿´´Ù.
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
¹Ì¼ú°ü °ÇÃà¿¡ À־ Åõ¸í¼ºÀ» ÀçÇؼ®ÇÑ Àü½Ã°ø°£ÀÇ ¡®°¡º­¿ò¡¯ Ç¥Çö
Àå¹ÌÁ¤ ; õÀÇ¿µ - Çѱ¹¹®È­°ø°£°ÇÃàÇÐȸ ³í¹®Áý : Åë±Ç Á¦39È£ (201209)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
[³í¹®] °ø°£±¸¹®·Ð¿¡ ±âÃÊÇÑ °Ç°­°ËÁø¼¾ÅÍ µ¿¼±È¿À²¼º ºÐ¼® ¿¬±¸
¼Û½Â¾ð ; ±è¼®Å - Çѱ¹ÀǷẹÁö°ÇÃàÇÐȸÁö ¡ºÀǷᡤº¹Áö °ÇÃà¡» : v.18 n.4(Åë±Ç 49È£) (201211)
°ÇÃà °èȹ ¹× ¼³°è ºÐ¾ß
2009 °ÇÃࡤµµ½Ã ¿¬±¸ µ¿Çâ Âü¿© ¿¬±¸Áø - 2009³â °ÇÃࡤµµ½Ã ¿¬±¸µ¿Çâ : v.5 (201002)
Çö´ë ½Ç³»µðÀÚÀο¡ À־ ±Ý¼Ó¼ÒÀç Ư¼º ¹× Àû¿ë¹æ¹ý¿¡ °üÇÑ ¿¬±¸
ÀÌÀå¼Õ ; ½ÉÀºÁÖ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.19 n.1(Åë±Ç 78È£) (201002)
À̹ÌÁö ½ºÄÉÀÏ¿¡ µû¸¥ Æ®·£µå Áß½ÉÀÇ ½Ç³»µðÀÚÀΠǥÇö¾îÈÖ ¿¬±¸
½Åµ¿°ü ; ÇÑ¿µÈ£ - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.19 n.1(Åë±Ç 78È£) (201002)
½ºÅ丮ÅÚ¸µ ±â¹ýÀ» ÀÌ¿ëÇÑ °ø°ø°ø°£ µðÀÚÀο¡ °üÇÑ ¿¬±¸
¿ì¼ºÈ£ ; ¹Ú¼®¼ö - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.19 n.1(Åë±Ç 78È£) (201002)
¡á Á¦ 1 ÀúÀÚÀÇ ´Ù¸¥ ¹®Çå ½Äº°ÀúÀÚ´õº¸±â
°øµ¿ÁÖÅà °ÅÁÖ°¡±¸ÀÇ ¿¡³ÊÁö¶óÀÌÇÁ½ºÅ¸ÀÏ À¯Çü¿¡ °üÇÑ ¿¬±¸
Á¶¼ºÈñ ; Á¤¼öÁø - Çѱ¹»ýÅÂȯ°æ°ÇÃàÇÐȸ ³í¹®Áý : v.11 n.3(Åë±Ç 49È£) (201106)
°ÅÁÖÀÚ¸¦ À§ÇÑ Á¤º¸Àü´Þ µµ±¸·Î¼­ ¾ÆÆÄÆ® ³ëÈĵµ Æò°¡ÁöÇ¥ È°¿ëÀ» À§ÇÑ ¿¬±¸
Á¶¼ºÈñ ; À嵿Çö - Çѱ¹»ýÅÂȯ°æ°ÇÃàÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : Åë±Ç20È£ (201105)
°øµ¿ÁÖÅÃÀÇ °ü¸®È°µ¿¿¡ ´ëÇÑ °ÅÁÖÀÚ ÀÇ½Ä ¿¬±¸
Á¶¼ºÈñ ; °­³ª³ª - Çѱ¹ÁÖ°ÅÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : 2011 v.1(Ãá°è) (201104)
°Ç°­ÇÑ ÁְŸ¦ À§ÇÑ °øµ¿ÁÖÅà °ø¿ë°ø°£ µðÀÚÀΰ¡À̵å¶óÀÎ °³¹ß¿¡ °üÇÑ ±âÃÊ¿¬±¸
Á¶¼ºÈñ ; ÃÖÀοµ - Çѱ¹ÁÖ°ÅÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : 2011 v.1(Ãá°è) (201104)
°øµ¿ÁÖÅà °ÅÁÖÀÚÀÇ Æ¯¼º¿¡ µû¸¥ ¿¡³ÊÁö»ç¿ëÇàÅ¿¡ °üÇÑ ¿¬±¸
Á¶¼ºÈñ ; Á¤¼öÁø - Çѱ¹ÁÖ°ÅÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : 2011 v.1(Ãá°è) (201104)
¾ÆÆÄÆ® Ä¿¹Â´ÏƼ¿¡¼­ÀÇ °ÅÁÖÀÚ °¨Á¤ÁöÇ¥ °³¹ß¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¹ÚÁöÇý ; Á¶¼ºÈñ - Çѱ¹ÁÖ°ÅÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : 2011 v.1(Ãá°è) (201104)
°í·Éģȭ Áö¼Ó°¡´ÉÇÑ ¾ÆÆÄÆ®´ÜÁö °³¹ßÀ» À§ÇÑ °øµ¿»ýÈ°°ø°£¿¡ ´ëÇÑ ¿¬±¸
°­Çý°æ ; Á¶¼ºÈñ - Çѱ¹ÁÖ°ÅÇÐȸ Çмú¹ßÇ¥´ëȸ ³í¹®Áý : 2011 v.1(Ãá°è) (201104)
¿µ¿ª¼º Ãø¸é¿¡¼­ °øµ¿ÁÖÅà Ŀ¹Â´ÏƼ °èȹ¿ä¼Ò¿¡ °üÇÑ ¿¬±¸
Á¶¼ºÈñ ; ÃÖÀοµ - Çѱ¹ÁÖ°ÅÇÐȸ³í¹®Áý : v.22 n.1 (201102)
°øµ¿ÁÖÅÃÀÇ °Ç°­¼º´É Æò°¡ÁöÇ¥ °³¹ß¿¡ °üÇÑ ¿¬±¸
Á¶¼ºÈñ ; °­³ª³ª - Çѱ¹ÁÖ°ÅÇÐȸ³í¹®Áý : v.22 n.1 (201102)
°øµ¿ÁÖÅà °ÅÁÖ °í·ÉÀÚÀÇ °Ç°­ÁÖ°Å ÀνÄƯ¼º ¹× ¿ä±¸¿¡ °üÇÑ ¿¬±¸
Á¶¼ºÈñ ; °­³ª³ª ; ÀüÀºÁ¤ - Çѱ¹»ýÅÂȯ°æ°ÇÃàÇÐȸ ³í¹®Áý : v.10 n.6(Åë±Ç 46È£) (201012)