°ÇÃ൵½Ã°ø°£¿¬±¸¼Ò

Architecture & Urban Research Institute

pdf¿ø¹®º¸±â ¿¡·¯ ÇØ°á¹æ¹ý ¹Ù·Î°¡±â



¹®ÇåȨ > ¿¬±¸³í¹® > »ó¼¼

[¿ø¹®º¸±â½Ã ¼ÒºñµÇ´Â Æ÷ÀÎÆ® : 100 Æ÷ÀÎÆ®] ¹Ì¸®º¸±â Àοë

´ëÇÑ°ÇÃàÇÐȸ|´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è 2009³â 10¿ù

³í¹®¸í µé·ÚÁîÀÇ ¡®»ç°Ç¡¯À» Áß½ÉÀ¸·Î ÇÑ ¡®Æúµù°ÇÃ࡯ÀÇ Çؼ®¿¡ °üÇÑ ¿¬±¸ / A Study on the 'Folding in Architecture' based on the Gilles Deleuze's Philosophy of 'Simulacre/Event'
ÀúÀÚ¸í ÀÓµ¿¿¬½Äº°ÀúÀÚ ; ÀÓ⺹
¹ßÇà»ç ´ëÇÑ°ÇÃàÇÐȸ
¼ö·Ï»çÇ× ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è, v.25 n.10 (2009-10)
ÆäÀÌÁö ½ÃÀÛÆäÀÌÁö(197) ÃÑÆäÀÌÁö(10)
ISSN 12269093
ÁÖÁ¦ºÐ·ù ÀÌ·Ð
ÁÖÁ¦¾î »ç°Ç ; ÁÖ¸§ ; Æúµù°ÇÃà ; Simulacre/Event ; Fold ; Folding in Architecture
¿ä¾à2 The theoretical framework of 'Folding in architecture' has based on the Gilles Deleuze's idea of 'fold'. 'Fold' means only a material phenomenon but also metaphysical thinking and ontological status of 'Simulacre/event'. In spite of broad meaning of folds, architectural tendency, based of this thinking, gives undue value to metaphysical metaphor of the pleat of matter. ¡®Folds' do not means only 'folded form', but explication, implication and replication of 'Simulacre/event'. So, the architecture of folding is not a 'folded architectural form', but 'the form of a folded architectural practice'. The purpose of this study makes an attempt to point out a prejudiced outlook and suggest a folded architectural practice.
¼ÒÀåó ´ëÇÑ°ÇÃàÇÐȸ
¾ð¾î Çѱ¹¾î
ºÐ¼®¼­Áö
°ÇÃ࿪»ç ¹× ÀÌ·Ð > °ÇÃà·Ð ÀϹÝ

ÀÌ ¿¬±¸´Â µé·ÚÁîÀÇ Ã¶Çп¡¼­ ÀÏ°üµÇ°Ô ³ªÅ¸³ª´Â »ç°ÇÀÇ Ã¶ÇÐÀ» ¹ÙÅÁÀ¸·Î ÁÖ¸§ÀÇ °³³ä ¿ª½Ã »ç°ÇÀÇ Ã¶ÇÐÀÇ Á¸Àç·ÐÀû ÇüÀÌ»óÇÐÀÓÀ» Áõ¸íÇÏ°í ÁÖ¸§ °³³äÀ» ¹ÙÅÁÀ¸·Î ÇÏ´Â Æúµù °ÇÃàÀ» ºÐ¼®ÇÏ¿© ±× Ư¼ºÀ» ÆľÇÇÏ°í ÀÖ´Ù. ¿ì¼± µé·ÚÁîÀÇ »ç°ÇÀÇ Ã¶Çп¡ ´ëÇÏ¿© »ìÆ캸°í ÁÖ¸§°³³äÀÌ »ç°ÇÀÇ Á¸Àç·ÐÀû ¹è°æ ¹× Á¸Àç¹æ½ÄÀÓÀ» ¹àÈù ´ÙÀ½, ÇöÀå´ä»ç¿Í ÀÛÇ°ºÐ¼®À» ÅëÇÏ¿© ÇüŹ߻ýÀû Æúµù°ÇÃà°ú »ç°Ç¹ß»ýÀû Æúµù°ÇÃàÀ¸·Î ³ª´©¾î ºÐ¼®À» ÇÏ¿´´Ù. ºÐ¼®µÈ °á°ú¸¦ »ìÆ캸¸é, µé·ÚÁîÀÇ ÁÖ¸§ °³³äÀ» °ÇÃà¿¡ Àû¿ëÇϱâ À§Çؼ­´Â ÇüŶó´Â ºÎºÐÀû ȤÀº È®Á¤ÀûÀÎ ÀüÁ¦ ¹× ƲÀ» °¡Áö°í ½ÃÀÛÇÏ´Â °ÍÀÌ ¾Æ´Ï¶ó ±× °ø°£¿¡¼­ ÀϾ »ç°ÇÀ» Áß½ÉÀ¸·Î °ø°£°ú ÇüŸ¦ ±¸¼ºÇÏ´Â »ç°Ç¹ß»ýÀû Æúµù°ÇÃàÀÌ ´õ ÀûÇÕÇÏ´Ù°í ÇÒ ¼ö ÀÖ´Ù. ÇÏÁö¸¸, µÎ °¡Áö Á¾·ùÀÇ Æúµù°ÇÃàÀº ´ëôÁ¡¿¡ ÀÖ´Â °ÍÀÌ ¾Æ´Ï¸ç ÇÑÂÊÀ¸·ÎÀÇ ÆíÇ⿪½Ã µ¿ÀϼºÀÇ ¹ßÇöÀ¸·Î º¼ ¼ö ÀÖ´Ù. µû¶ó¼­ ¼­·Î º¸¿ÏÇÏ¿© Á¶È­½ÃÅ°´Â °ÍÀÌ ÁøÁ¤ÇÑ ÀǹÌÀÇ Æúµù°ÇÃàÀ̸ç, Çö´ëÀÎÀÇ ´Ù¾çÇØÁø »îÀ» ´ãÀ» ¼ö ÀÖ´Â ¶Ç ´Ù¸¥ °¡´É¼ºÀÌ´Ù.
¡á Ãßõ¹®Çå (ÀÌ ¹®Çå°ú °°ÀÌ º» ¹®Çå)
·½ ÄðÇϽº¿Í Ä«Áî¿ä ¼¼Áö¸¶ °ÇÃà¿¡¼­ ³ªÅ¸³ª´Â ÇÁ·Î±×·¥ÀÇ Á¶Á÷°ú °ø°£±¸¼º ¹æ¹ýÀÇ ºñ±³ºÐ¼®
±Ç°æ¹Î ; ±èÁ¾Áø - Çѱ¹½Ç³»µðÀÚÀÎÇÐȸ ³í¹®Áý : v.16 n.6(Åë±Ç 65È£) (200712)
ÇÁ·Î±×·¥°ú ´ÙÀ̾î±×·¥ÀÇ Àû¿ëÀ» ÅëÇÑ °ÇÃà ÇüÅ »ý¼º ¿¬±¸
À±Çý°æ(Yoon Hae-Kyung) ; ±èÁÖ¿µ(Kim Ju-Young) ; È«¿øÈ­(Hong Won-Hwa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.02 (201002)
[½Ã·Ð] 4Â÷ »ê¾÷Çõ¸í ½Ã´ë, °ÇÃàÀÇ ´ëÀÀ
À̸í½Ä(Lee, Myung-Sik) - °ÇÃà(´ëÇÑ°ÇÃàÇÐȸÁö) : Vol.61 No.05 (201705)
[ƯÁý] ±¹³» ģȯ°æ °ÇÃ๰ »ç·Ê ºÐ¼®
Á¤Áö³ª ; ±è¿ë¼® ; À̽¹Π- ±×¸°ºôµù(Çѱ¹±×¸°ºôµùÇùÀÇȸÁö) : v.9 n.1 (200803)
°ÇÃࡤµµ½Ã°ø°£ÀÇ Çö´ëÀû °ø°ø¼º¿¡ °üÇÑ ±âÃÊ ¿¬±¸
¿°Ã¶È£ ; ½É°æ¹Ì ; Á¶Áعè - ¿¬±¸º¸°í¼­(±âº») : 2008 n.8 (200902)
[ƯÁý] ģȯ°æ °ÇÃ๰ÀÇ °³³ä ¹× °èȹ ¹æ¹ý
À±Á¾È£ - °ÇÃàȯ°æ¼³ºñ(Çѱ¹°ÇÃàģȯ°æ¼³ºñÇÐȸÁö) : v.1 n.2 (200710)
SANAAÀÇ °ÇÃà¿¡¼­ ¡®ºÐÀ§±â¡¯ÀÇ °³³ä°ú ±¸Çö¹æ½Ä
¼­Á¤ÀÏ(Seo Jeong-Il) ; ÀÓ¸®»ç(Lim Lisa) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.26 n.10 (201010)
±¹³» Æнúê°ÇÃ๰ ¼³°è ¹× ½Ã°ø»ç·Ê
À̸íÁÖ - Çѱ¹±×¸°ºôµùÇùÀÇȸ Ãß°èÇмú°­¿¬È¸ ³í¹®Áý : (200911)
Çö´ë°ÇÃà¿¡ ³ªÅ¸³ª´Â ·£µå½ºÄÉÀÌÇÁ °³³äÀÇ ÃþÀ§ ¿¬±¸
È«ÁöÇÐ(Hong Ji-Hak) ; ±èÇüÁØ(Kim Hyoung-Jun) ; ±è±¤Çö(Kim Kwang-Hyun) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.07 (200907)
Äí¸¶ ÄË°í¿Í ¼Ò¿ì ÈÄÁö¸ðÅäÀÇ `¾àÇÑ °ÇÃà`¿¡ ´ëÇÑ ¿¬±¸
Àå¿ë¼ø(Chang, Yong-Soon) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.30 n.6 (201406)
¡á Á¦ 1 ÀúÀÚÀÇ ´Ù¸¥ ¹®Çå ½Äº°ÀúÀÚ´õº¸±â
°øµ¿ÁÖÅôÜÁö ÀûÁÖ¼º ÁöÇ¥ ºÐ¼®¿¡ °üÇÑ ¿¬±¸
¼º±â¼ö(Sung Gi-Soo) ; ÀÓµ¿¿¬(Yim Dong-Yeon) ; À¯Ã¢¿í(Yu Chang-Ouk) ; ÀÓ⺹(Yim Chang-Bok) - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.25 n.05 (200905)
·½ ÄÝÇϽº ÀÛÇ°¿¡ ³ªÅ¸³­ ËÒÛ¯îÜ ÇÁ·Î±×·¥ÀÇ ÷åàõ ÍÅóÌ
ÀÌÁØÇõ ; ÀÓµ¿¿¬ - ´ëÇÑ°ÇÃàÇÐȸ³í¹®Áý °èȹ°è : v.17 n.9 (200109)