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°í̢̿ 3¶û½Ä ¼º´ç°ÇÃà¿¡ ÀÖ¾î¼ Á¾±³Àû ¼º½º·¯¿òÀÇ °ø°£Àû Ç¥Çö Â÷ÀÌ¿¡ °üÇÑ ¿¬±¸ / A Study on the Differences of Spatial Expression for Religious Sacredness in the Catholic Church with Clerestory - Focused on the Myeong-dong and Jeon-dong Catholic Cathedral / ¸íµ¿ ¹× Àüµ¿¼º´çÀ» Áß½ÉÀ¸·Î |
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Çѱ¹¹®È°ø°£°ÇÃàÇÐȸ ³í¹®Áý, Åë±Ç Á¦27È£ (2009-09) |
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½ÃÀÛÆäÀÌÁö(29) ÃÑÆäÀÌÁö(10) |
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¼º´ç°ÇÃà ; ½Å¶û ; Ãø¶û ; 3¶û½Ä ; °í̢̿ ; ¼º½º·¯¿ò ; °øÁßȸ¶û ; Catholic Church ; Nave ; Isle ; Three Corridor Type ; Clerestory ; Sacredness ; Triforium |
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The purpose of this paper is to identify a differences of a spatial expression for religious sacredness in the catholic church with clerestory focused on the Myeong-dong and Jeon-dong catholic cathedral. Finding out their size and proportion of nave, aisle, and composition of inner wall, the results of this study are as follows: Firstly, Myeong-dong is composed with 6 coordinated bays. Each of them is cleary an independent space with cross rib vault. On the other hand, Jeon-dong has galleries and bridges above both side isles and barrel vaults. The directional orientation of them is very valid. Secondly, combined 5/3.5m columnar series of Myeong-dong and Jeon-dong with articulated wall, each bay of Myeong-dong is sustained by individual, isolated quality, and the wall of Jeon-dong is a natural continuous sequence. Thirdly, the clear form of space and mass are easily recognized in Jeon-dong. It is true that bays belong to one unified object, but they yield only a part of many images in Myeong-dong. |